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Added by The Mighty Celestial on 26 Mar 2013 11:23
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Year By Year Of My Favorite Flix

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People who added this item 1227 Average listal rating (709 ratings) 8.2 IMDB Rating 8.1
Special effects, even in a rudimentary form, started almost as quickly as when the idea of actually making pictures move began. And soon after, follows that when an early film encounters a limited budget, then comes creativity in the form of cinematic expressionism.
And in the beginning of the twenties, that creativity came nicely boxed in the form of a cabinet (or, to keep in tune more with this story, an insane asylum. Cabinet, insane asylum, in the realm of artistic expression, they're all the same).
One of the first movies to start using film to the level of potential that the medium allows.
Surreal, distorted, disturbing, and in my opinion, particularly for it's time, it's was pretty cool as hell.

People who added this item 989 Average listal rating (653 ratings) 8.3 IMDB Rating 8.3
The Kid (1921)
I don't remember what age I was when I first saw The Kid, but I do know that I was incredibly young at the time, probably before my kindergatern years.
So to the best of my memory, this is the first silent film that I can recall watching. Now, in the house that I was raised in, I was exposed to alot the Three Stooges episodes. And because of this, when I saw the black & white images of Chaplin's character with his square mustache, trampy clothes & worn curled shoes, engaging in either a cane twirling penguin waddle or in some of his patented crazy cartoon-like stunts, I probably expected this movie to be as empty of any real emotional progress as were the zany tales of the Stooges. But as the movie went on, I was quite surprised not only of the emotional relationship that was developing as the center of this story, but also that the "silence" of the film allowed my young mind to actually understand & appreciate what was going on the screen.
Therefore, this was probably the first time that I got to experience a film that was, as one of the opening titles claims, a "picture with a smile, and perhaps a tear...".

People who added this item 1716 Average listal rating (998 ratings) 7.9 IMDB Rating 7.9
Before there was Lestat, Blade, Eli, that whimpy, waspy whitey, Edward Cullen, or even Dracula hisself,
there was this guy.
The first vampire ever to be captured on screen and still is, by far, the creepiest looking bloodsucker of all time.

Oh alright, I know I know...the vampire's name is not Nosferatu, it's Olak. Count Olak, to be exact.
But it"s just that I think that Nosferatu is such a cool demonic sounding name. Like Belathauzer or Astaroth. It makes him sound more like the personage of darkness that he resembles. Olak sounds more like an alien name that you would find on Star Trek. The 60s TV show, not any of the movies
And yes, I also understand that Nosfer....uhmn, I mean Olak was really supposed to be Dracula. The producers couldn't get the rights to Dracula so they changed the capillary count's name to Olak. So that to say this Count came before that Count might be a bit of a slight.
I know all this.
But still, after all the different renditions that have been done of the King of All Vampires, none of 'em have come close to resembling anything like the Nosf, and even more important, none of ' em have come close to looking as blood curdling. Add to that the misty quality and the rusty, monochromatic atmosphere that comes from being such an early piece of cinema, and there can be no doubt that Nosferatu is a life draining, nightmarish force of nocturnal nature all it's own.
People who added this item 117 Average listal rating (61 ratings) 7.2 IMDB Rating 7.2
And speaking of the all-powerful Disney, it's because of them that certain classical stories have become more well-known for their animated versions that are continually churned out by Uncle Walt's Mickey Mouse movie machine. Notre Dame's Hunchback is a classic example of this.
But way before that 1996 cartoon adaptation, outside of the literary circle, ol' Quasimodo's claim to fame back in the early days of cinema was primarily due to the thespian efforts of silent film megastar Lon Chaney. Back then, it was the make-up master's portrayal of the lopsided bell ringer that brung Quasi to life for the first time ever on the silver screen,
& thus, the Hunchback became more of a household name.
That is, of course, if the household had like a bell tower or somethin'.

People who added this item 567 Average listal rating (363 ratings) 8.5 IMDB Rating 8.2
Sherlock, Jr. (1924)
During these early days of film, it's not all that hard to figure out who were the ruling kings of the cinema back then.
When it comes to the 20's, Buster Keaton is without a doubt one the first names to come up.
After viewing the combination of fantasy dream sequences with the elaborate stunts of physical comedy in Sherlock, Jr., is becomes clear why these theatric traits will always be cemented as the stylistic signature of Buster Keaton.
It's also easy to see why this film is regarded by many as the best the of the year 1924.

People who added this item 459 Average listal rating (247 ratings) 7.5 IMDB Rating 7.6
Later on as a kid, since I lived in the Chicagoland area, that meant that an important part of my young viewing habits was the midwestern version of a localized TV horror show called Creature Features. One of the things I remember most about this program was how the beginning credits ran with a montage of scenes of some of the most famous black & white horror flicks, including the most famous scene of this one. And for me, out of the bunch, the scariest was the image of the Phantom revealing himself for the first time. Even now, whenever I watch this film, I still get a shiver of adrenaline whenever this scene comes on.
IMO, the only thing that could be scarier than seeing the face of the Phantom in real life, would be being forced to actually attend an opera.

People who added this item 745 Average listal rating (484 ratings) 8.3 IMDB Rating 8.1
The General (1926)

One of the first movies that helps to start the lonnng trend in Hollywood of portraying the U.S. Civil War with the Confederates as heroes and the Union as villains.
Which begs the question:
Just what the hell exactly is it that all those flaky movie makers from La-La Land have against those damn Yankees, anyways?

People who added this item 1983 Average listal rating (1045 ratings) 8.3 IMDB Rating 8.3
Metropolis (1927)
As I get on in years, I've tried to keep my mind open to as many styles of film as possible by not limiting myself to liking any specific kind of genre. But the truth is, if I looked at all the films that I've enjoyed the most, the category that would occupy the largest amount on my list would definitely go the science fiction genre. And when it comes to the idea of high production value for the purposes of a high scale sci-fi flick,
this is the aptly titled one that started it all.

People who added this item 410 Average listal rating (280 ratings) 7.4 IMDB Rating 7.6
Okay, okay,
I know that this really isn't a movie,
it's a short. And an animated one, ta boot.
But it's still a significant step in the evolution of moving pictures.
And it provides me an entry into this year of the list (at least until I find another movie from 1928 that I will enjoy enough to fill this spot).
Plus, it is Micky Mouse's first appearance and the beginnings of what would eventually lead to the world dominating power of entertainment that is the all-powerful Disney.

People who added this item 384 Average listal rating (172 ratings) 8 IMDB Rating 7.9
As I pointed out in the last entry, I haven't seen all too many films from these earliest of years of cinema.

Here's another film that I included on this list simply because it's the only one that I watched for the year of 1929.
And the main reason I decided to view this sucker was b'cuz I was curious about Louise Brooks and what was it that made her not only the biggest female star of the silent era, but also, the fact that her appearance, alonside that of Clara Bow's, was the defining look of the flapper (the female freedom movement of the roaring twenties).

People who added this item 201 Average listal rating (126 ratings) 7.4 IMDB Rating 7.5
Like all little grade school kids, I was big fan of cookies. However, the first time I tasted an animal cracker, i was pretty disappointed at how bland they were. I mean, it was cool that they each were shaped by a different zoo animal & that the box that they came in looked like a circus cage on wheels, but for all their superficial flare, my tastebuds found 'em to be pretty boring.
So, as a huge fan of the Marx Brothers, whenever I watch this film, you can be sure that I'll not be munching on the namesake of so-called snacks. I much prefer a big tub of popcorn that has been heavily sprinkled with an entire boxful of Sno-Caps.
And yeah, I know I'm increasing my chances for a coronary,
but if I gotta go early,
then let it be while I'm laughing hard & munching sweetly.
People who added this item 1074 Average listal rating (642 ratings) 7.6 IMDB Rating 7.8
Frankenstein (1931)

Way back in 1910, Thomas Edison's Edison Studios produced the first film version of Victor Frankenstein's (or in this movie version, his first name is Henry) monster. Sixteen minutes longs, and it featured a monster that appeared more like a long-haired electro-shocked mad-asylum escapee.
Fast forward twenty-one years later, and we have the 1931 classic that features the flat-topped heavy-browed stitchhead which has come to define the creatures appearance more so that what Mary Shelley described in her novel.
And even tho it has become sort of a comical look for modern audiences, back at the time of it's release, Boris Koloff's heavy made-up visage of The Monster was enough to scare the hell out of even hardcore horror aficionados.
People who added this item 1050 Average listal rating (614 ratings) 7.9 IMDB Rating 7.9
Freaks (1932)
For anyone who's seen this b/w classic, no explanation is necessary.
Controversial for it's time (and some say, even for today) for it's use of actors with extreme abnormalities, Freaks is just one of a myriad of horror films released during the thirties that has since become a legend and a staple in any true fright flick aficionado's collection.
I will say though, that my favorite scene is when the freaks are menacingly converging upon their victim with the intent of revenge, one member of their brood, the "caterpillar" guy, is crawling towards the victim with a knife in his mouth. How the f#ck he's gonna wield his chosen weapon once he reaches his intended target is never indicated, but it really does get the mind going.

People who added this item 753 Average listal rating (498 ratings) 7.9 IMDB Rating 7.8
Duck Soup (1933)
For me, Duck Soup is, by far, one of my top 5 of favorite comedy movies of all time.
A true classic in the realm of comedy classics, with the Marx Brothers carrying on with their timeless mayhem antics and spouting out timeless lines like "I could dance with you till the cows come home. On second thought, I'd rather dance with the cows till you came home."

For any of you who haven't yet seen this, in my opinion, it is the best of all the Marx movies and I highly recommend that you give it a looksee. And if any of you who do decide to give it a view and it is a first time, then I must say that I envy your position. It will truly be a "gala day" for you. And if you're anything like Groucho, the Marx's head hermano, a gal a day is more than enough for you. You probably couldn't handle any more.
People who added this item 893 Average listal rating (562 ratings) 8.1 IMDB Rating 8.1

A Cinderella tale told in reverse fashion,
a buddy film,
a road trip movie
and a screwball love story before the genre of romantic comedies got put under the constricting label of "chick flick".
And it all happened one night.
(Actually, this story spans more that over several nights,
so why the producers of this film decided to call it "It Happened One Night", I really don't know...)
People who added this item 773 Average listal rating (455 ratings) 7.8 IMDB Rating 7.8
In this immensely successful sequel (one of the first to be so successful) , the Frankenstein Monster learns to talk, smoke a cigar, and on a social level, put himself "out there".
Now while he and the Bride give a new meaning to the term "made for each other", for any few of you who've never seen this movie,
I won't spoil it for you by revealing whether or not she accepts his proposal or not.

Lest to say that the fact that the name the follow-up film to this follow-up film is Son Of Frankenstein bears no reflection to the outcome of this movie.

People who added this item 1864 Average listal rating (1207 ratings) 8.4 IMDB Rating 8.5

Before there were special effects, CGI graphics and matrix-style action sequences in film, there was human physical talent.
And in the early 1900's, the height of this talent was displayed to movie viewing audiences through the almost impossible stunt routines of Charlie Chaplin.
back then, watching his ability to choreograph and incorporate his crazy stunts into the props and background sets (particularly in this film, with the complicated set designs of the factory) must've been the equivalent of watching a summer blockbuster of today.
One of the most classic of fairy tales in history comes to life in the form of one of the most classic animated films in history. And little did anyone know at the time, that this would be the start of one the biggest (if not the biggest) movie studios in history.

To be honest, while I'm not that big of a fan of the Disney formula, I still do enjoying watching Uncle Walt's earliest efforts at creating movie-length animated features.
The manner in which he was able to instill the application of color, the smooth sense of movement and the attention to detail in Snow White, the very first big screen "cartoon flick", exemplifies why he was such a pioneer in the field of animation.

Many of the movies from this period and the '40's are films that are on my lists are movies that I first watched as a kid, and therefore, I tend to like more 'em more for sentimental reasons than because any relevance of their place in the hierarchy of movie history.
The Adventures Of Robin Hood is a good f'rinstance.
Whenever I watch this movie, it always reminds me of those times when I was at that age in which I still believed heroes where chivalrous, suave, gave to the poor, and were so cool, that even if they were always sporting around in a pair of light green tights, they were still able to score with a really hot maiden.
People who added this item 3677 Average listal rating (2421 ratings) 7.7 IMDB Rating 8

What does Dorothy do when she finds out that she and Toto are not in Kansas anymore?
Following the yellow brick road, she goes off to see the wizard in a pair of ruby slippers, along with three of the most famous McGuffins in film history.
The moral of this story:
no matter where you find yourself, even if it's got a Lollypop Guild, an emerald city, or an army made up of flying monkeys,
there's still no place like home.
People who added this item 637 Average listal rating (388 ratings) 7.9 IMDB Rating 7.9
The genre of the romantic comedy comes to an early peak with a film called His Girl Friday. Cary Grant and Rosalind Russell, each at their iconist, star in this story about two reporters, once divorced from each other, but still carrying a shared torch as fiery as their shared passion for their jobs. Old skool movie dialogue so quick and full of wit, that despite any dated slants in the material, comes off sounding contemporarily sharp and filled with as much energy as if it were written for today.

People who added this item 475 Average listal rating (322 ratings) 7.3 IMDB Rating 7.3
The Wolf Man (1941)
Just a plain ol' classic, this one is right there. I am a huge fan of the first black & white Universal Monster series of way back in the day and 1941's Wolf Man is probably my favorite one of the mash. Even after all the breakthroughs that scary movies have made in the long span since this was first released, from my point of view, any datedness that may have resulted over time from these original gangstas of horror quickly fade under the integrity and the energy that was "eternally" captured during filming.

And while there have been many werewolves depicted on the silver screen over the years, this Wolf Man, made famous by the son of a thousand faces, will always be, in my eyes, the true face of the wolf that walks like a man.
People who added this item 3330 Average listal rating (2037 ratings) 8.2 IMDB Rating 8.5
Casablanca (1942)
A movie that shows that it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world.
Because of all the gin joints in all the towns in all the world, she walks into mine.
So, play it again Sam,
cuz here's looking at you, kid.

What else can I say other than, when it comes to famous movies quotes, particularly of the romantic genre, this is the classic of all classics (and in case you haven't noticed yet, the 1940's is a decade filled with seminal classics).
And if you agree with me,
well then,
this could be the beginning of a beautiful friendship.
People who added this item 160 Average listal rating (95 ratings) 7.4 IMDB Rating 7.4
Yes, I agree with this movie. Heaven can wait.
But, as far as I'm concerned,
Hell can wait even longer.

People who added this item 118 Average listal rating (81 ratings) 6.5 IMDB Rating 6.3
Okay, so first there was 1931's Frankenstein.
Then there was The Bride Of Frankenstein.
Which naturally led to The Son Of Frankenstein.
Followed by this flick, the House Of Frankenstein.
Based on the titles of these movies, looks like ol' Frankie did a good job of following the formula that would constitute the American Dream.
Not too bad for a guy made outta spare parts.

Actually, truthfully speaking, while I'm a big fan of Universal's Frankenstein franchise, this is the first of the sequels where the decline in quality begins. A big sign of Hollywood's slacking off on the series can be seen on the make-up job of the monster's head and face. The attention to detail of stitches and scarring is barely evident and comes off much less gruesome, not to mention, not as fearsome as the movies that precede this one.
Therefore, if I get around to watching other films from this year, it's pretty likely that this entry will change.
People who added this item 673 Average listal rating (407 ratings) 7.4 IMDB Rating 7.5
Spellbound (1945)
Not exactly Hitchcock's best, but still, a terse psychological mystery thriller by the director who mastered that particular genre in the world of cinema,
combined with a Dali-esque dream sequence by the painter who mastered that particular genre in the world of art.

People who added this item 1065 Average listal rating (653 ratings) 7.9 IMDB Rating 8
Notorious (1946)
At first glance, this seems like a typical Hollywood picture of this era: the insanely attractive couple of Ingrid Bergman and Cary Grant, both looking at their most perfect, in a lush looking film, centered around a plot that is filled with espionage and international intrigue, plus the added feature of a small cadre of Nazi's thrown in for good measure.
Yet, the characters' personalities and their dialogue towards each other as they try to embitterly mask the feelings of love and longing that they must fight thru in order to complete their respective missions, reveals that this is an atypical film (for it's time, at least) with a feeling of cold cinematic bite that can only be the signature of Alfred Hitchcock. Add to the fact, that Cary Grant, usually a more of a comedic lead with skills of perfect timing, is able to pull through this serious, and uncharacteristically, bitter role with a result that leads the viewer to sincerely sympathize with his character just because we know that deep down inside, there is some good within him.

People who added this item 197 Average listal rating (125 ratings) 7.4 IMDB Rating 7.3

When it comes to racism in Hollywood, it seems that the best course of action to hide it with a gentlemen's agreement.
Which, for those of you who haven't seen this classic flick, pretty much explains the title here.
And being that racism was even an more delicate issue for the cinema of the 40's as it is now. Therefore, the theme of bigotry in this particular agreement was centered more on the aspect anti-semitism than on a more generally spread racism like that is based more tightly on skin-color or language.
Either way, G.A. was a pivotal early step on addressing the whole idea discrimination towards anyone outside of the W.A.S.P.'s nest.
People who added this item 1180 Average listal rating (789 ratings) 7.9 IMDB Rating 8
Rope (1948)
Rope is an experiment in which Alfred Hitchcock himself claimed to be a failed one (an opinion of which I don't completely agree with...).
And yet, it is still one of those classics that is so widely considered as a recommendable mustsee for young filmmakers looking to leave a distinct mark. Which makes it a prime example of why ol' Hitchy is the name that you will notice tends to dominate the 40's era of personal cinema faves.

....around the old oak tree.

If you notice that there's a lack of old skool westerns on this list, there's a reason for that.
It's not because I have anything against any of the early B&W gunslingers or any of the John Wayne classics. It's just that it's been such a long time since I watched any of them, that I can barely remember which ones, let alone how any of 'em would rank on my list.
One of the few that I have watched recently is Yellow Ribbon, and that's why it's one of the few cowboy flix that managed to make a mark on this list.
As time goes on, and I familiarize myself with those early shoot-em-ups, hopefully, I'll be able to update this list by including more of the western classics.
People who added this item 1553 Average listal rating (1001 ratings) 8.5 IMDB Rating 8.4
A keen sharp look into Hollywood's world of illusionary beauty when narrated through the voice of a dead man.

Even though there were films that came before this one that touched on the not-so-glitzy side to stardom, SB features a story that fearlessly dives headfirst into the subject matter. It glaringly shows how anyone who deeply immerses themselves into the lifestyle of the "Eat-'em-up/spit-'em-out" attitude of the movie world can eventually find their mental state on a road that leads into distorted version of "La-La Land". Thus concluding that, even on a swanky street like Sunset Boulevard, can be found the face of a far flung faded star whose disillusionary dreams will never truly make them ready for their close-up.
People who added this item 752 Average listal rating (501 ratings) 7.6 IMDB Rating 7.8
Humphrey Bogart and Katherine Hepburn in a "gritty" riverboat "journey movie" set along an East African river during WW II, and portraying two individuals, each with a mindset on a completely different side of the spectrum.
However, after confronting a series of obstacles during their quest, they begin the process of developing a relationship, which soon, allows the old romance adage of opposites attracting, to start to take affect. Eventually, the two people from two different worlds end up coming together, first for a common cause, and then for each other.

People who added this item 754 Average listal rating (506 ratings) 7.9 IMDB Rating 8
High Noon (1952)
Real time in the Old West.
A simple tale of suspense building tension, as a newly wed marshal must make a decision between a new life by flying the Coop, or staying and standing as a "lone star" until the strike of twelve, in a town that has turned its back against him.

Personally, for me, High Noon is one of those films that falls under the category of being based more on sentimental value than anything else As a kid, I was never really much of a fan of western shoot 'em ups, especially those that were made before I was born. But the way the story in this one kept me glued to the screen, to see how it would all pan out, made Noon probably the first black and white cowboy flick that I really enjoyed.
People who added this item 1314 Average listal rating (805 ratings) 8 IMDB Rating 8
Audrey Hepburn's American film debut as a European princess who, overstressed by the demands of her royal duties, decides to unwind by going "slumming" about all over Rome. And not once throughout the entire journey, does she fail to exude the radiant beauty that not only contributed to forever mark her place in film history, but also, that epitomizes the phrase "Lighting up the screen".
Therefore, as a result, I find that, even with it's well-written script, direction, supporting cast and chemistry,
at least 80% of the success of this movie's depiction of romance still belongs to Hepburn's presence alone.

People who added this item 2081 Average listal rating (1222 ratings) 8.6 IMDB Rating 8.6
Seven Samurai (1954)
Considered Akira Kurosawa's most accomplished work, Seven Samurai is a black and white classic whose story has inspired many a film afterwards, most notably (and one of my favorites) the Magnificent Seven.
It's a story of the Old East, which coincidentally enough, runs themes which will eventually become staples in movies dealing with the Old West.
Here, the heroes are truly heroes, but each is shown as a distinctive individual, with human traits and flaws that allow for the empty space to be felt whenever a warrior falls. Particularly, when a warrior falls in a battle that, in the end, can never truly be won.

People who added this item 253 Average listal rating (152 ratings) 7.8 IMDB Rating 7.7
Marty (1955)
Marty Piletti is a simple man. And he leads a simple life.
He works a job as a butcher, he helps take care of his mother, he hangs out at the local cafe with his simple buddies on the weekend.
The only problem is, Marty lives during a time when being an unmarried man in his thirties is considered not normal. And even though he tries to live contently with the resignation of his bachelorhood, he does begin to feel from others the pressure that he should go out and find himself a beautiful bride.
However, when he finally meets someone who sparks his romantic interests, she doesn't exactly fall within the boundaries of what everyone else thinks of as physical beauty.
So now this simple man Marty must make the complicated decision between the amatory palpitations of his heart and the parochial expectations of others.

A small movie that, even though it may tend to hit you with it's easy point over the head like a hammer at times,
features engagingly warm and down to earth performances by Earnest Borgnine and crew.
A great classic science fiction horror combo that thrills by channeling it's chills through the use of the fears that we tend to hold most as a general populace. The fear that we and our brethren are not we seem to be.
And rarely does the black and white look of the time capture this cultural sub-genre fear of the unknown and magnify it so that even today, Invasion makes the viewer feel the sparseness of trust that was running amok during this era of red scares and McCarthyisms.
At the time, this movie made you look at your neighbor with a questioning look of " Are you my friend, a Pinko or a pod?"

People who added this item 2466 Average listal rating (1626 ratings) 8.7 IMDB Rating 9

12 Angry Men is such a good courtroom drama, that for me, it simply blows the majority of every other film in this genre out of the water (okay, technically this isn't really a "courtroom" drama because the entire film happens in the jury-room. But let's face it, the plot's purpose is one that leads into the most important part of the courtroom process, the verdict).
The combination of a tight script with a solid ensemble cast (oh, and lets not forget a big screen directorial debut for Sidney Lumet) make for a tense, compelling movie that even though it keeps 99% it's entire length within one room, a viewer can't help but to be spellbound.
People who added this item 607 Average listal rating (380 ratings) 7.9 IMDB Rating 8
Back during my college days, I took a film critique class for a general class credit that I needed. At one point during the course, we had to watch a series of movies, each depicting different versions of "Taming Of The Shrew". And let me tell you, that was a long week for me.
After that, our class was assigned to watch Cat On A Hot Tin Roof. Since this was yet another film that was based on yet another classic stage play, I was prepared for yet another torturous viewing of over-dramatic "thespian theatrics".
Yet, once the young and illustrious Liz Taylor walked onto the screen, I was mesmerized. Until CoaHTR, I had almost forgotten what a ravishing beauty she was back when she was in her prime.
It was enough to make me revisit the film later, and eventually, enjoy the overall quality of the movie, despite the fact that much of the play's original themes have been revised to the point that would make the back-hair of most Tennessee Williams purists defensively stand on end.

People who added this item 1933 Average listal rating (1267 ratings) 8.2 IMDB Rating 8.2
And speaking of hot, sultry actresses.....

Being a movie from the late 50's, with it's screwball comedy centering on the now-over-used theme of cross dressing men, you'd think that Some Like It Hot would've gone cold by now.
And yet, in large part due to Billy Wilder's sharp-edged yet still slapstick script, it hasn't.
And let's not forget that adding fuel to fire, as always, is Marilyn Monroe. Even through modern eyes, the way she seems to always melt perfectly into her dress throughout the entire film is still an important contribution to the movie's enduring high heat factor.
People who added this item 4178 Average listal rating (2763 ratings) 8.3 IMDB Rating 8.5
Psycho (1960)
Due to the era that Psycho was released, Norman Bates may not have had the opportunity to cut through a swath of teen-aged bodies (not that most teenagers back then didn't deserve it) in the manner that the Freddies, Michaels and Jasons do these days, but he definitely pioneered the crazed, almost supernaturally-empowered maniacs that the modern masked contemporaries have become famous for.

Though the datedness of this movie has seemed to lessen the shock and horror of this b/w classic, the energy of it still reverberates today and the ending shot of Norman Bates' visage is still one of the best creepy endings on film.

People who added this item 2658 Average listal rating (1612 ratings) 7.7 IMDB Rating 7.7
Call me simple, but when it comes to starting my day off right, I would prefer breakfast at MikkyDee's much more than at Tiffany's. Those Egg McMuffins wit' Egg sandwiches, surely, they be nought but the very food of the gods themselves.

People who added this item 407 Average listal rating (261 ratings) 7.6 IMDB Rating 7.8
Featuring an all-star-cast-of-it's-time-ensemble that makes up a really long list of actors that star in this really long movie about a really long day near the end of a really long war.

The Longest Day is a prime example of the high quality of films that were at the forefront of the unglorified depictions of war that were making their way onto the big screen during the era of 60's cinema.
People who added this item 1253 Average listal rating (838 ratings) 8 IMDB Rating 8.2
One of my favorite prison escape movies of all time with a nazi youth version of Indiana Jones.

(Sorry for the fuzzy pic, but it was an image I got off a youtube video and that was the best quality I could find.
And no, it's not really him.)
Since you can't see it completely in the title box, the full name of this movie is "Dr. Strangelove or: How I Learned to Stop Worrying And Love The Bomb."

And lemme tell you guys something, when it comes to politically satired black comedies....

.... I truly loves me some bomb.
The Mighty Celestial's rating:
The Man With No Name returns, but now, he comes with a name, ("Manco"....?), teams up with a partner (Col. Mortimer) and this time around, is out for more than just a fistful of dollars.

This follow-up to the first Dollars movie is an excellent example that shows that when it comes to starring in Westerns, Clint Eastwood has begun to develop a taste for cowboy chronicles with a more Oriental flavor, but piled high with spaghetti.
Although he had already starred in other films centered on the Ol' West, this is the series that made Eastwood a staple of the genre.
From here on end, even tho not all of Clint's westerns were great, IMO, none of 'em were bad. The roughly cut visage of his face in a Stetson hat and a poncho was one of those iconic images that for me, personally, will always be a fundamental part of the genre. Probably second only to John Wayne.

At the outset of the first western movies, the cowboy characters had been categorized between two basic types: Those who wore the white hats, and those who wore the black ones.
As time passed though, the hat colors began to blur between who was good, who was bad, and then to eventually who was just plain ugly.
This is the final film in the "Man With No Name" trilogy, and IMO, its the best and most definitive one of the three.
Although several iconic figures have emerged from the dust and grit of the spaghetti westerns that emerged in the 60's, the truth is, it's almost impossible to envision the entire genre, let alone this particular series and not see the image of the iconic trio of Clint Eastwood, Lee Van Cleef and Eli Wallach.
People who added this item 972 Average listal rating (619 ratings) 7.9 IMDB Rating 8.1
So, just how cool is Cool Hand Luke?
He's so cool that he's willing to eat 50 hardboiled eggs within an hour just to win a bet. This, in a prison where he has to share his immediate space with a
bunch of hardcore criminal chain-gang types, who are well within his ratio of flatulenciated influence. And if you can't understand that,
well then,
what we've got here
is a failure to communicate.

People who added this item 4346 Average listal rating (2819 ratings) 8.1 IMDB Rating 8.3

One of the very first incredibly realistic portrayals of a science fiction story, during a time when the focus was more on the fiction than on the science. Great futuristic yet believable visuals back when this stuff was incredible difficult to create (without the help of computers). Also, a suspense thriller plot-line that is masterfully yet almost quietly delivered.
Plus, if you're not on high whilst viewing this film, by the time you get to the ending, you will you feel as though you are.
The first example of the lightning captured in a bottle that is the Newman and Redford combo. I like Paul Newman's portrayal of his character more though out in this movie than in the role he played for in the Sting. The chemistry of friendship between he ans Robert Redford is more palpable in this film as we get to see more of him as Butch Cassidy and the relationship with his fellow bank robber, Harry Longabaugh.
The direction, screenplay, music and just over-all tone was really different for the period that this movie initially came out in, and for me, makes it a really unique western that is both lotsa of fun and tragic at the same time.
When it comes to the "modern" westerns, not only is Butch Cassidy and the Sundance Kid one of my favorites ever, but as a kid who really wasn't into the whole cowboy genre, it was the one that first showed me that there were a few westerns out there that went beyond what was usually expected from the same ol' boring standard shoot 'em ups.

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The title says it all, folx.
Here's a list of my fave flix of every year since 1920.

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