Married to the Mob (1988)

Pop Culture Phenomenon Films: 80’s (1473 movies items)

" Married to the Mob is a 1988 American crime comedy film directed by Jonathan Demme, and starring Michelle Pfeiffer, Matthew Modine, Dean Stockwell, Mercedes Ruehl, and Alec Baldwin. Pfeiffer plays Angela de Marco, a gangster's widow from Brooklyn, opposite Modine as the undercover FBI agent assigned the task of investigating her mafia connections. The film was released on August 19, 1988, by Orion Pictures. It earned positive reviews from critics and earned several accolades; Pfeiffer was no"

My trips to the cinema 2023 (410 movies items)

"SCREENING: 35mm DATE: June 13th CINEMA: The Prince Charles Cinema LOCATION: West End"

Random Moments, Random Films: Vol.1 (107 movies items)

"Directed by: Jonathan Demme Cinematography: Tak Fujimoto "

Films I've seen on celluloid in the digital era (400 movies items)

"FORMAT: 35mm CONDITION: ★★★★½ NOTES: An original American print, preceded by the trailer for another Orion picture, Without a Clue, in finer condition than the print posted onto YouTube a few weeks ago. An impressively well-preserved, mostly clean print, although the quality does take a dip at the end of the fourth reel from the point Angela confesses to Mike her history with Tony, leading to the fifth reel looking a little bit more worn than the rest of the print, though not enough to "

Why It’s Rated (604 movies items)

"Rated: R Why it’s rated: Mawried ta da mob, contains violence, Adult situations, nudity, strong sexual content, and violence. You got it, you tough guy?"

Tracey Walter Movies (24 person items)

" Michelle Pfeiffer and... Tracey Walter - Mr. Chicken Lickin'"

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" Nancy Travis"

BradWesley123's Movie Journal- January 2019 (35 movies items)

" Starz- 1hr. 44min. First Viewing While it's often an amiable comedy, Married to the Mob is, ultimately, rather disappointing. Though there are a few strong comedic moments, thanks to an excellent cast (Pfeiffer is imminently likable in her breakout role, and Ruehl and Stockwell are a strong comedic force), the script never coheres properly, and Demme's direction never quite sustains(though it does frequently, intermittently, succeeds at achieving it) the energy that a great farce needs to sing."