When Critics and Audiences Disagree

Critics: 31%
Audiences: 82%

Consensus: Though stylish to look at, Underworld is tedious and derivative.

Critics: 16%
Audiences: 77%

Consensus: A visual and aural assault on the senses, this vampire-werewolf sequel makes a lot of noise and features a heavy-handed, overly convoluted story.

Critics: 30%
Audiences: 68%

Consensus: Despite the best efforts of its competent cast, Underworld: Rise of the Lycans is an indistinguishable and unnecessary prequel.

Critics: 26%
Audiences: 62%

Consensus: There's more vapid action and less story in Underworld Awakening than previous installments, making the whole affair feel inconsequential.

Critics: 17%
Audiences: 61%

Critics Consensus: Underworld: Blood Wars delivers another round of the stylized violence that the series is known for, but -- like many fifth franchise installments -- offers precious little of interest to the unconverted.

Critics: 74%
Audiences: 45%

Consensus: Steven Spielberg's adaptation of War of the Worlds delivers on the thrill and paranoia of H.G. Wells' classic novel while impressively updating the action and effects for modern audiences.

Critics: 27%
Audiences: 77%

Consensus: Grim and morose, Seven Pounds is also undone by an illogical plot.

Critics: 40%
Audiences: 81%

Consensus: Not even the earnest performances of the two leads can rescue The Bucket List from its schmaltzy script.

Critics: 25%
Audiences: 77%

Consensus: Unnecessarily violent and unflinchingly absurd, Law Abiding Citizen is plagued by subpar acting and a story that defies reason.

Critics: 94%
Audiences: 58%

Consensus: Visceral and visually striking, Ralph Fiennes' Coriolanus proves Shakespeare can still be both electrifying and relevant in a modern context.

Critics: 25%
Audiences: 73%

Consensus: It's undeniably reverent of the real-life heroes in its cast, but Act of Valor lets them down with a clichéd script, stilted acting, and a jingoistic attitude that ignores the complexities of war.

Critics: 32%
Audiences: 61%

Consensus: Despite the best efforts of its talented leads, Won't Back Down fails to lend sufficient dramatic heft or sophistication to the hot-button issue of education reform.

Critics: 28%
Audiences: 69%

Consensus: Its leads are likeable, but Remember Me suffers from an overly maudlin script and a borderline offensive final twist.

Critics: 49%
Audiences: 82%

Consensus: Having lost much of its bite transitioning to the big screen, Twilight will please its devoted fans, but do little for the uninitiated.

Critics: 27%
Audiences: 78%

Consensus: The Twilight Saga's second installment may satisfy hardcore fans of the series, but outsiders are likely to be turned off by its slow pace, relentlessly downcast tone, and excessive length.

Critics: 49%
Audiences: 74%

Consensus: Stuffed with characters and overly reliant on uninspired dialogue, Eclipse won't win The Twilight Saga many new converts, despite an improved blend of romance and action fantasy.

Critics: 24%
Audiences: 63%

Consensus: Slow, joyless, and loaded with unintentionally humorous moments, Breaking Dawn Part 1 may satisfy the Twilight faithful, but it's strictly for fans of the franchise.

Critics: 48%
Audiences: 76%

Consensus: It's the most entertaining Twilight, but that's not enough to make Breaking Dawn Part 2 worth watching for filmgoers who don't already count themselves among the franchise converts.

Critics: 49%
Audiences: 64%

Consensus: Faster paced for today's audiences, this Hills remake ratchets up the gore for the hardcore horror fans, but will turn away casual audiences.

Critics: 36%
Audiences: 75%

Consensus: The plot of The Lake House is a little too convoluted, and the film fails to pull off the sweeping romance it aims for.

Critics: 33%
Audiences: 72%

Consensus: This latest Adam Sandler vehicle borrows shamelessly from It's A Wonderful Life and Back To The Future, and fails to produce the necessary laughs that would forgive such imitation.

Critics: 33%
Audiences: 69%

Consensus: It means well, but The Odd Life of Timothy Green is ultimately too cloyingly sentimental -- and thinly scripted -- to satisfy all but the least demanding viewers.

Critics: 57%
Audiences: 71%

Consensus: Despite its impressive animation and the hilarious antics of the saber-toothed squirrel Scrat, Ice Age 2: The Meltdown comes up short on the storytelling front.

Critics: 45%
Audiences: 63%

Consensus: Ice Age: Dawn of the Dinosaurs boasts some excellent animation -- in particular, the dinosaurs are wonderfully realized -- but its story is tired and monotonous.

Critics: 37%
Audiences: 62%

Consensus: Ice Age: Continental Drift 3D has moments of charm and witty slapstick, but it often seems content to recycle ideas from the previous films.

Critics: 51%
Audiences: 86%

Consensus: Trying too hard to be clever in a Pulp Fiction kind of way, this film succums to a convoluted plot, overly stylized characters and dizzying set design.

Critics: 82%
Audiences: 52%

Consensus: Closer to the source material than 1971's Willy Wonka & the Chocolate Factory, Charlie and the Chocolate Factory is for people who like their Chocolate visually appealing and dark

Critics: 63%
Audiences: 54%

Consensus: Crank: High Voltage delivers on its promises: a fast-paced, exciting thrill ride that doesn't take itself too seriously.

Critics: 88%
Audiences: 52%

Consensus: Befitting its unorthodox origins, this Bad Lieutenant benefits from Werner Herzog's typically fearless direction and a delightfully unhinged Nicolas Cage in the title role.

Critic: 43%
Audiences: 72%

Consensus: Hotel Transylvania's buoyant, giddy tone may please children, but it might be a little too loud and thinly-scripted for older audiences.

Critic: 49%
Audiences: 71%

Consensus: Hotel Transylvania 2 is marginally better than the original, which may or may not be enough of a recommendation to watch 89 minutes of corny, colorfully animated gags from Adam Sandler and company.

Critic: 62%
Audiences: 48%

Consensus: Hotel Transylvania 3: Summer Vacation delivers exactly what fans will expect - which means another 97 agreeably lightweight minutes of fast-paced gags and colorful animation.

Critic: 65%
Audiences: 36%

Consensus: Though some may find it cold and didactic, Cosmopolis benefits from David Cronenberg's precise direction, resulting in a psychologically complex adaptation of Don DeLillo's novel.

Critics: 32%
Audiences: 74%

Consensus: This is an insult to its genre with low humor and cheap gags.

Critics: 65%
Audiences: 55%

Consensus: Traditional to a fault, The Woman in Black foregoes gore for chills -- although it may not provide enough of them for viewers attuned to more modern, high-stakes horror.

Critics: 71%
Audiences: 50%

Consensus: With little gore and a lot of creepy visuals, The Ring gets under your skin.

Critics: 63%
Audiences: 45%

Consensus: More gory than scary, Cabin Fever is satisfied with paying homage to genre conventions rather than reinventing them.

Critics: 60%
Audiences: 59%

Consensus: Featuring lots of guts and gore, Hostel is a wildly entertaining corpse-filled journey -- assuming one is entertained by corpses, guts, and gore, that is.

Critics: 54%
Audiences: 78%

Consensus: Though some may find the plot a bit lacking, Blade's action is fierce, plentiful, and appropriately stylish for a comic book adaptation.

Critics: 57%
Audiences: 68%

Consensus: Blade 2 takes what works in the original and gives us more. Unfortunately, plot and character development appear to have been left on the cutting room floor.

Critics: 71%
Audiences: 55%

Consensus: Tense, nicely shot, and uncommonly intelligent, The Crazies is a horror remake that, unusually, works.

Critics: 66%
Audiences: 52%

Consensus: It may not entirely do its source material justice, but Miguel Arteta's Youth in Revolt is a fun, funny comic romp that lets Michael Cera stretch a little and introduces filmgoers to a major find in Portia Doubleday.

Critics: 38%
Audiences: 63%

Consensus: Talented cast is wasted as the movie is content with recycling jokes from its predecessor, Meet the Parents.

Critics: 39%
Audiences: 68%

Consensus: Here Comes the Boom benefits from Kevin James's genial presence but the film doesn't deliver enough laughs to live up to its title -- or enough satisfying plot to make up the difference.

Critics: 31%
Audiences: 67%

Consensus: This Yard has some laughs but missing from this remake is the edginess of the original.

Critics: 80%
Audiences: 40%

Consensus: Haywire is a fast and spare thriller, with cleanly staged set pieces that immerse you in the action.

Critics: 75%
Audiences: 44%

Consensus: Though more mainstream than other Coen films, there are still funny oddball touches, and Clooney and Zeta-Jones sizzle like old-time movie stars.

Critics: 93%
Audiences: 51%

Consensus: About a Boy benefits tremendously from Hugh Grant's layered performance, as well as a funny, moving story that tugs at the heartstrings without tilting to treacle.

Critics: 26%
Audiences: 65%

Consensus: Though cutely rendered, Alvin and the Chipmunks suffers from bland potty humor and a rehashed kids' movie formula.

Critics: 38%
Audiences: 89%

Consensus: Man on Fire starts out well, but goes over the top in the violent second half.