Don't Look Now (1973)
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Meandering yet extremely tense
Despite being decades old, Nicolas Roeg's Don't Look Now remains an uncompromisingly honest and staggeringly evocative motion picture which tackles the mysteries of life, death, fear, hope, love and grief. The movie stems from the pen of English writer Daphne du Maurier, whose works of literature are a rich source for filmmakers - ... read more
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Still really effective after all these years
“When I first saw Don't Look Now 4 years ago, I was genuinely unnerved by it, and while it was a film I appreciated more than loved I saw it for the great film it was. Now on re-watch, not only has the impact been left undiminished but I now love this movie. Visually the film is very stylish and haunting, yet there is something very sumptuous and symbolic about it too. The haunting music and sound further add to the atmosphere, as does the screenplay and Nicholas Roeg's superb direction. Don't Look Now also has a great story, it has a touch of poignancy, but it scores best when it is shocking and atmospheric, one scene in particular involving the figure in the red cloak affected me so much I couldn't sleep for days when I first saw it. Donald Sutherland and Julie Christie are note-perfect i” read more

"5 out of 5 Classic. I wouldn't recommend watching this with your family, but are people regularly watching these types of films with their family? Anyway, there's one reeeeeeeeally long and graphic sex scene. I cannot emphasize enough how unending it was, and I didn't need to see that much of Donald Sutherland. "

"Don’t look now. You won’t like what you find. Pass the warning."

"After the accidental death of their daughter, a grieving American couple move to Venice for professional reasons. However, after they arrive, they begin to experience a few strange occurrences that hint that maybe, their little girl is trying to "message" them from beyond. Sophisticated drama meets art-house spookiness meets innovative storytelling with a little bit of graphic-for-its-time lovemaking thrown in for good measure. Don't look now, but I think that all may add up to a modern classic "

" Notes: Even if I really liked this movie, to be honest, I have to admit that it didn’t really blow me away though. The main issue, I guess, was that there were some big chunks of time during which nothing much really happened. Still, there is no doubt that Nicolas Roeg delivered here a fascinating movie above all thanks to some stellar cinematography and editing. Indeed, the whole thing started with the most nightmarish intro you could imagine. Afterwards, Venice had never look so spooky bef"

" Notes: Even if I really liked this movie, to be honest, I have to admit that it didn’t really blow me away though. The main issue, I guess, was that there were some big chunks of time during which nothing much really happened. Still, there is no doubt that Nicolas Roeg delivered here a fascinating movie above all thanks to some stellar cinematography and editing. Indeed, the whole thing started with the most nightmarish intro you could imagine. Afterwards, Venice had never look so spooky bef"

"18.2. Blu-ray Uusintakatselu. Aidoimpia surun, kestämisen ja epäilyksen sekä lämpimän ja luottavaisen avioliiiton kuvauksia, mitä on. Loppu ei tietysti enää toisella kerralla yllätä, mutta musertava se yhä on."
“Since I kept hearing some really good things about this movie, I was quite eager to check it out. Well, even if I really liked it, to be honest, I have to admit that it didn’t really blow me away though. The main issue, I guess, was that there were some big chunks of time during which nothing much really happened. Still, there is no doubt that Nicolas Roeg delivered here a fascinating movie above all thanks to some stellar cinematography and editing. Indeed, the whole thing started with the most nightmarish intro you could imagine. Afterwards, Venice had never look so spooky before and the damned thing was just seriously ominous and unsettling. Of course, the fact that most of the action took place abroad also increased the sense of alienation experienced by the two main characters. On t” read more
“When he was (finally) presented with his (overdue) Honorary Academy Award in 2017, Whoopi Goldberg specifically highlight Donald Sutherland’s enigmatic, gripping, haunted performance in Don’t Look Now as a primary example of his talents as an actor. She not displayed great taste in cherry picking this film as a standout of his exemplary career but underscoring just how humane and tangible his work in this film remains. Sutherland plays a man grappling with the death of a child, now genuflecting for an escape from the all-encompassing grief he and his wife are experiencing. His wife (Julie Christie) indulges in the spiritual and supernatural world, frequenting a psychic and praying for visions of the future where the darkness is worked through. While he buries himself in here and ” read more