The Cell
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Review
An interesting failure
j-lo rocks up sexy in the cell (2000)
movie sporting some of the most stunning costumes
including my fave that red kimono costume that she warn
to great elegance whilst sitting down in mid air and seeing
her costume and hair float to great beauty and is my fave
movie.
Frankie ninja smales
smales tv uk
UPC: 794043515026
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“Vista esta película por primera vez, no supe exactamente qué pensar de ella porque es endiabladamente confusa al punto de lo ridículo hasta cierto ”
“Vista esta película por primera vez, no supe exactamente qué pensar de ella porque es endiabladamente confusa al punto de lo ridículo hasta cierto ”
“Vista esta película por primera vez, no supe exactamente qué pensar de ella porque es endiabladamente confusa al punto de lo ridículo hasta cierto ”
“Vista esta película por primera vez, no supe exactamente qué pensar de ella porque es endiabladamente confusa al punto de lo ridículo hasta cierto punto. Aun así, es inescapable la verdad de que, la película es simbólica. Por más ridículo que luzca el vestuario o exagerados que sean los escenarios es bastante evidente que son el reflejo de los "mundos internos" de los personajes a través de símbolos cabalísticos y de tarot (hay muchas similitudes a la carta de La Suma Sacerdotisa, el perro blanco se asemeja al visto en las cartas de The Fool o The Moon, la piscina del final es similar a la piscina del subconsciente, es recurrente la composición de "los dos pilares y el sol", etc). Aun así, siendo completamente honesto, no me siento preparado para analizar una película como es” read more
" First Viewing Viewing Date: August 15th Via: iTunes Store Plot: An F.B.I. Agent persuades a social worker, who is adept with a new experimental technology, to enter the mind of a comatose serial killer in order to learn where he has hidden his latest kidnap victim. Rating: 5.3/10"
"A very cool sci-fi horror that takes a trilling psychologival journey into the psyche of a mind through the use of really creative, surreal and stunning visuals. And when I say "creative, surreal and stunning visuals", contrary to what all of y'all might be thinkin', I am not referring to Jennifer Lopez's big ol' onion booty. "
" Directed by: Tarsem Singh Produced by: Julio Caro, Donna Langley, Carolyn Manetti, Eric McLeod, and Mark Protosevich Written by: Mark Protosevich Cinematography: Paul Laufer Edited by: Robert Duffy and Paul Rubell Music by: Howard Shore Distributed by: New Line Cinema"
" Directed by: Tarsem Singh Produced by: Julio Caro, Donna Langley, Carolyn Manetti, Eric McLeod, and Mark Protosevich Written by: Mark Protosevich Cinematography: Paul Laufer Edited by: Robert Duffy and Paul Rubell Music by: Howard Shore Distributed by: New Line Cinema"
“Tarsem Singh’s directorial debut is a solid case study for his larger film career: a series of alluring, hypnotic surrealistic images that are awash in painterly light and composition in search of a coherent narrative to contain them. His films characters fluctuate depending on how strong an actor he sticks in them. The better the actor the stronger the final product. The Cell is misplaced as Vincent D’Onofrio, Dylan Baker, Marianne-Jean Baptiste are stronger than Jennifer Lopez and Vince Vaughn. We end up feeling something close to empathy for the murderer thanks to D’Onofrio excavating his psychic wounds and scars when we’re supposed to fear for Lopez or Vaughn. They’re blank slates, Lopez functioning as a clotheshorse and Vaughn just all wrong as the white knight, that mo” read more