Black Narcissus (1947)
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A classic
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"British nuns start a school in the Himalayas, but the wild, sensual atmosphere gradually drives them to insanity, nymphomania, and murder. This classic melodrama from the Powell/Pressburger team was both condemned and edited on its initial American release, removing the flashback scenes in which Sister Clodagh (Deborah Kerr) remembers her life prior to joining the convent. "
" 2020: 707 2019: 699 2018: 697 2017: 690 2016: 685 2015: 676 2014: 666 2013: 647 2012: 634 "
" 2019: 699 2018: 697 2017: 690 2016: 685 2015: 676 2014: 666 2013: 647 2012: 634 "
" 2018: 697 2017: 690 2016: 685 2015: 676 2014: 666 2013: 647 2012: 634 "
" 2017: 690 2016: 685 2015: 676 2014: 666 2013: 647 2012: 634 "
" 2016: 685 2015: 676 2014: 666 2013: 647 2012: 634 "
"2015: 676 2014: 666 2013: 647 2012: 634 "
" Notes: Back in the 40โs, Michael Powell and Emeric Pressburger made some really lavish productions during which what was considered by many movie viewers as the Golden Age of British cinema. With this movie, once again, the production value was quite impressive and it is hard to believe that the whole thing was shot in a studio and not on location. Indeed, the decors, the sets, the colors were just amazing to watch. I was also amazed that Kanchi, supposedly a native girl, was actually played"
" Notes: Back in the 40โs, Michael Powell and Emeric Pressburger made some really lavish productions during which what was considered by many movie viewers as the Golden Age of British cinema. With this movie, once again, the production value was quite impressive and it is hard to believe that the whole thing was shot in a studio and not on location. Indeed, the decors, the sets, the colors were just amazing to watch. I was also amazed that Kanchi, supposedly a native girl, was actually played"
"FORMAT: 35mm CONDITION: โ โ โ โ ยฝ NOTES: BFI Technicolor print, introduced by Edgar Wright as part of the BFIโs Dream Palace season. The red and blue bleeds through most of the time in such a way that youโd feel tempted to put on some 3D glasses just to see how it would turn out, though around half of the shots would end with the colours bleeding out further, even more heavily in the first and second reels. First changeover was cued by lines drawn with a marker while the last two change"
"SCREENING: 35mm, with intro (Edgar Wright), Dream Palace DATE: May 22nd CINEMA: BFI LOCATION: Southbank"