Hour of the Wolf (Vargtimmen) (1968)
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A good movie
UPC: 027616867872

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" "There was a time when the nights were for sleeping. Deep, dreamless sleep. To sleep and wake unafraid." Directed by Ingmar Bergman Written by Ingmar Bergman Music by Lars Johan Werle Cinematography by Sven Nykvist Editing by Ulla Ryghe"

" A deranged tale from master Swede Ingmar Bergman. This one's a surreal nightmare reluctant to remove its claws from your mind. "

" Notes: Well, as usual with Ingmar Bergman, I have to admit that I did struggle to get into this movie. I mean, when I heard that it was about Bergman going for the horror genre, I expected something more conventional but it was obviously foolish of me to expect a basic horror flick from this director. And, yet, the whole thing was quite fascinating, in fact, it was quite terrifying. Indeed, instead of going for some vampires, zombies, monsters or other serial killers, Bergman went for some psy"

" Notes: Well, as usual with Ingmar Bergman, I have to admit that I did struggle to get into this movie. I mean, when I heard that it was about Bergman going for the horror genre, I expected something more conventional but it was obviously foolish of me to expect a basic horror flick from this director. And, yet, the whole thing was quite fascinating, in fact, it was quite terrifying. Indeed, instead of going for some vampires, zombies, monsters or other serial killers, Bergman went for some psy"

" Date: 2/28/2021 Viewed: Criterion Channel Re-Watch Note: I do like movies from Ingmar Bergman even though I still haven't seen many movies from him. However, I need to be in the right mood to watch his movies. Seeing that today has been a rainy day, I decided to revisit this movie on the Criterion Channel. Hour of the Wolf is still a fantastic movie in my opinion. I can understand why people won't like this movie because this movie does feel slow despite it being under 90 minutes. It also ta"

"Cupo horror psicologico in cui confluiscono temi (l'isolamento, la creatività sul limitare della pazzia, la potenza demiurgica del creare, la dimensione autobiografica di tutto questo) e stilemi (i lunghi primi piani, i monologhi-confessione, l'uso armonioso di carrelli e piani-sequenza, il bianco e nero potentissimo di Nykvist) bergmaniani che però ogni tanto finiscono per ingarbugliarsi in eccesso. Nella storia di un artista che su di un'isola deserta viene assediato dai fantasmi del proprio"