The Devil Is a Woman (Caprice Espagno) (1935)

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The Devil Is a Woman is the last in a series of seven films which Marlene Dietrich and her svengali Josef von Sternberg made together. Each contained some kind of prophetic or weirdly autobiographical element within the storyline, and Devil comes across as the summation of their relationship being acted on film. It also happens to be the least of their series of films with an exaggerated performan... read more

Description: Josef von Sternberg and Marlene Dietrich went out with a bang in their final film together, The Devil Is a Woman, a surreal tale of erotic passion and danger set amid the tumult of carnival in turn-of-the-twentieth-century Spain. Through a series of flashbacks, Captain Costelar (Lionel Atwill) recounts to the young Antonio Galvan (Cesar Romero) the story of his harrowing affair with the notorious seductress Concha Perez (Dietrich), warning his listener to gird himself against her charms. Despite his counsel, Galvan falls under Concha’s spell, leading to a violent denouement. Ever the ornate visual stylist, von Sternberg evokes Josef von Sternberg and Marlene Dietrich went out with a bang in their final film together, The Devil Is a Woman, a surreal tale of erotic passion and danger set amid the tumult of carnival in turn-of-the-twentieth-century Spain. Through a series of flashbacks, Captain Costelar (Lionel Atwill) recounts to the young Antonio Galvan (Cesar Romero) the story of his harrowing affair with the notorious seductress Concha Perez (Dietrich), warning his listener to gird himself against her charms. Despite his counsel, Galvan falls under Concha’s spell, leading to a violent denouement. Ever the ornate visual stylist, von Sternberg evokes Spanish culture with a touch of the luridly fantastic, further elevated by Travis Banton’s opulent costume design and award-winning cinematography by von Sternberg himself. ... (more) (less)