Dark Passage (1947)
Lists
list by ToonHead2102

list by Coby

list by Villiana

Dark Passage (1947) Videos
Cover art, photos and screenshots
Reviews
Dark Passage
A Shame
There are not so many bogart-bacall films (4) and this one is just lame. There are some good moments but overall it does´nt work in any ways other than an oportunity to watch two noir stars working a noir movie.
The Worst: The plot. You start thinking it´s mysterious and then you discover it´s just plain stupid. Every character is stapled to each o... read more
UPC: 012569584228

Update feed

" Lauren Bacall and ... ... and Agnes Moorehead"

" Lauren Bacall and ... ... and Agnes Moorehead"

"First viewing - June 6th HBO Max Dark Passage rocks. Love the way it unfolds, the camera choices are smart & effective, plus Bogey & Bacall heat up the screen. The rest of the cast delivers strong performances too. Lots of twists & turns along the way, & it kept me hooked in through every one. It's a great little noir film & I'm glad I gave it a look."

" Daves’ atmospheric film noir stars Humphrey Bogart as a man wrongly convicted of murder who then escapes, has his face changed by plastic surgery, and clears his name with the aid of a girl whose father was similarly framed. The film was revolutionary at the time for its use of subjective camera – it’s shot almost entirely from Bogart’s point of view. "

" Humphrey Bogart as Vincent Parry Vincent Parry (Bogart), convicted of killing his wife, escapes from San Quentin Prison and evades police by hitching a ride with a motorist named Baker. A radio news report about an escaped convict and Parry's odd clothes make Baker suspicious, so when questioned, Parry beats him unconscious. Irene Jansen (Bacall) picks him up and smuggles him past a police roadblock into San Francisco, offering him shelter in her apartment. (Wikipédia)"

" FilmStruck- 1hr. 46min. First Viewing The story doesn't quite spark here, which is largely because Dark Passage concentrates more on it's filmmaking prospects than storytelling ones. It's cinematography is revolutionary in the way that it uses POV shots, putting the audience in the lead role. While this makes the film engaging in the first act, it works against the film in the second. The film has focused so much on style that it's forgot about the substance. It's solid, sure, but it's feels mo"