Andrew Sarris' Favorite Films
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Sight & Sound 1992
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Sight & Sound 1982
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Sight & Sound 1962
Andrew Sarris’ choices: Ugetsu Monogatari (1953), Lola Montès (1955), La Règle du jeu [The Rules of the Game] (1939), L’Atalante (1934), The Great Dictator (1940), The Magnificent Ambersons (1942), Shadow of a Doubt (1943), Nuit et Brouillard [Night and Fog] (1955), Tirez sur le pianiste [Shoot the Piano Player] (1961) and A bout de souffle [Breathless] (1960).
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"pre-Bazin, pre-auterist period"
The three premises of the auteur theory may be visualized as three concentric circles: the outer circle as technique; the middle circle, personal style; and the inner circle, interior meaning... - Andrew Sarris , The American Cinema: Directors and Directions, 1929-1968
Sources : Observer
Sight & Sound
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