Basic Instinct (1992)
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The film is around average, maybe a bit better, but Sharon Stone's character is definitely above that. There are some pretty random and weird moments that spice it up a little. The... read more
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UPC: 012236044307

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" Basic Instinct is a 1992 neo-noir erotic thriller film directed by Paul Verhoeven and written by Joe Eszterhas. Starring Michael Douglas, Sharon Stone, George Dzundza, Jeanne Tripplehorn, and Wayne Knight, the film follows San Francisco police detective Nick Curran as he investigates the brutal murder of a wealthy rock star. During the course of the investigation, Curran becomes entangled in a passionate and intense relationship with Catherine Tramell, an enigmatic writer and the prime suspe"

"Rated: R Why itâs rated: Basic naughtiness, including nudity, Strong adult content, violence, and profanity "

" Notes: Well, this movie was unfortunately Paul Verhoevenâs last success in the US and everything he made afterwards in American didnât really work. And, of course, this feature also turned Sharon Stone into a major star but itâs such a pity that almost everything she did afterwards was eventually really underwhelming, âCasinoâ being one of the very few exceptions. Coming back to our main feature, well, even though this movie has a rather solid reputation, to be honest, I always had "

" Notes: Well, this movie was unfortunately Paul Verhoevenâs last success in the US and everything he made afterwards in American didnât really work. And, of course, this feature also turned Sharon Stone into a major star but itâs such a pity that almost everything she did afterwards was eventually really underwhelming, âCasinoâ being one of the very few exceptions. Coming back to our main feature, well, even though this movie has a rather solid reputation, to be honest, I always had "

"23.7. Netflix Uusintakatselu. Kun juonikäänteet menevät, kuten niiden olettaa menevän, johdattelujen viedessä hassusti toiseen suuntaan, eikä mielestään kummemmin niitä muista 11 vuoden takaa, herää väkisin kysymys, onko koko pointti juurikin tässä. Johdatella katsoja uskomaan, ettei ilmeinen ole ilmeistä vain ollakseen lopulta ilmeisen ilmeistä? Suuri shokkiloppu mahtipontisine musiikkeineen nyt ainakin on ihan vittuilua. Jos tämä olisi jonkun tavan suorittajan ohjaustyÜ, t"