From Best to Worst: Harrison Ford

Francis Ford Coppola's haunting, hallucinatory Vietnam War epic is cinema at its most audacious and visionary.

This tense, paranoid thriller presents Francis Ford Coppola at his finest -- and makes some remarkably advanced arguments about technology's role in society that still resonate today.

Dark, sinister, but ultimately even more involving than A New Hope, The Empire Strikes Back defies viewer expectations and takes the series to heightened emotional levels.

Exhilarating and intense, this high-impact chase thriller is a model of taut and efficient formula filmmaking, and it features Harrison Ford at his frantic best.

Featuring bravura set pieces, sly humor, and white-knuckle action, Raiders of the Lost Ark is one of the most consummately entertaining adventure pictures of all time.

One of the most influential of all teen films, American Graffiti is a funny, nostalgic, and bittersweet look at a group of recent high school grads' last days of innocence.

An enchanting self-portrait by a veteran director, Beach of Agnes is equal parts playful and profound.

A legendarily expansive and ambitious start to the sci-fi saga, George Lucas opened our eyes to the possiblites of blockbuster filmmaking and things have never been the same.

Misunderstood when it first hit theaters, the influence of Ridley Scott's mysterious, neo-noir Blade Runner has deepened with time. A visually remarkable, achingly human sci-fi masterpiece.

A wonderfully entertaining thriller within an unusual setting, with Harrison Ford delivering a surprisingly emotive and sympathetic performance.

Lighter and more comedic than its predecessor, Indiana Jones and the Last Crusade returns the series to the brisk serial adventure of Raiders, while adding a dynamite double act between Harrison Ford and Sean Connery.

A courtroom drama and an exploration of celebrity and responsibility.

Thanks to an outstanding script, focused direction by Alan Pakula, and a riveting performance from Harrison Ford, Presumed Innocent is the kind of effective courtroom thriller most others aspire to be.

It may be too "dark" for some, but Indiana Jones and the Temple of Doom remains an ingenious adventure spectacle that showcases one of Hollywood's finest filmmaking teams in vintage form.

Though failing to reach the cinematic heights of its predecessors, Return of the Jedi remains an entertaining sci-fi adventure and a fitting end to the classic trilogy.

42 is an earnest, inspirational, and respectfully told biography of an influential American sports icon, though it might be a little too safe and old-fashioned for some.

This late-period Harrison Ford actioner is full of palpable, if not entirely seamless, thrills.

A tense, on-point thriller in the vein of Polanski's earlier work.

Though the plot elements are certainly familiar, Indiana Jones and the Kingdom of the Crystal Skull still delivers the thrills and Harrison Ford's return in the title role is more than welcome.

Harrison Ford capably tackles a tough, unlikable role, producing a fascinating and strange character study.

It's just as uneven and loosely structured as the first Anchorman -- and while Anchorman 2: The Legend Continues may not be quite as quotable, it's nearly as funny as its predecessor.

Crude and offensive, but with ample cultural insights and gut-busting laughs, Bruno is another outlandish and entertaining mockumentary from Sacha Baron Cohen.

If it isn't quite as thought-provoking as the book, Ender's Game still manages to offer a commendable number of well-acted, solidly written sci-fi thrills.

A gripping drama even though the filmmakers have taken liberties with the facts.

It's lifted by affable performances from its impeccable cast, and it's often charming -- but Morning Glory is also inconsistent and derivative.

Robert Zemeckis is unable to salvage an uncompelling and unoriginal film.

Daniel Craig and Harrison Ford are as dependably appealing as ever, but they're let down by director Jon Favreau's inability to smooth Cowboys & Aliens' jarring tonal shifts.

A generally enjoyable, if completely forgettable piece of Hollywood fluff.

Like its predecessors, Expendables 3 offers a modicum of all-star thrills for old-school action thriller aficionados -- but given all the talent assembled, it should have been a lot more fun.

Hollywood Homicide suffers from too many subplots and not enough laughs.

Despite a timely topic and a pair of heavyweight leads, Extraordinary Measures never feels like much more than a made-for-TV tearjerker.

Harrison Ford's rote performance brings little to this uninspired techno-heist film whose formulaic plot is befuddled with tedious and improbable twists.

Crossing Over is flagrant and heavy-handed about a situation that deserves more deliberate treatment, and joins its characters with coincidences that strain believability.

Even Harrison Ford could not save the dull plot and the slow pacing of the movie