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Keith Jarrett Early Years Discography
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Swinging Big Sound - Don Jacoby,Bob Crull,Gary Slavo,Tom Wirtel,Chris Witherspoon,Dee Barton,Willie Barton,Loren William
1962
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Buttercorn Lady - Art Blakey And The Jazz Messengers,Art Blakey,Chuck Mangione,Frank Mitchell,Keith Jarrett,Reggie Joh
1966/1
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Flowering Of The Original - Charles Lloyd,Charles Lloyd Quartet,Keith Jarrett,Cecil McBee,Jack DeJohnette
1966/2
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Forest Flower: Live in Monterey - Charles Lloyd,Charles Lloyd Quartet,Keith Jarrett,Cecil McBee,Jack DeJohnette
1966/3
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Charles Lloyd in Europe - Charles Lloyd,Charles Lloyd Quartet,Keith Jarrett,Cecil McBee,Jack DeJohnette
1966/4
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Love-in - Charles Lloyd,Charles Lloyd Quartet,Keith Jarrett,Ron McClure,Jack DeJohnette
1967/1
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Journey Within - Charles Lloyd,Charles Lloyd Quartet,Keith Jarrett,Ron McClure,Jack DeJohnette
1967/2
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Life Between the Exit Signs - Keith Jarrett,Keith Jarrett Trio,Charlie Haden,Paul Motian
1967/3
*saipal's rating:
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Corea / Hancock / Jarrett / Tyner - Chick Corea,Herbie Hancock,Keith Jarrett,McCoy Tyner
1967/4
*saipal's rating:
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Charles Lloyd in the Soviet Union - Charles Lloyd,Charles Lloyd Quartet,Keith Jarrett,Ron McClure,Jack DeJohnette
1967/5
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Charles Lloyd Quartet In Concert - Parigi, 1967... - Charles Lloyd,Charles Lloyd Quartet,Keith Jarrett,Ron McClure,Jack DeJohnette
1967/6
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1967 4th International Jazz Festival - Charles Lloyd,Charles Lloyd Quartet,Keith Jarrett,Ron McClure,Jack DeJohnette
1967/7
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Somewhere Before - Keith Jarrett,Keith Jarrett Trio,Charlie Haden,Paul Motian
1968/2
*saipal's rating:
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My Back Pages / Lay Lady Lay - Keith Jarrett,Keith Jarrett Trio,Charlie Haden,Paul Motian
1968/3
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Soundtrack: Live at the Monterey Jazz Festival 1969... - Charles Lloyd,Charles Lloyd Quartet,Keith Jarrett,Ron McClure,Jack DeJohnette
1968/4
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Foundations: The Keith Jarrett Anthology - Keith Jarrett
1969; a 2-CD compilation of early work, from the Jazz Messengers and Charles Lloyd to the trio with Haden and Motian.
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Get Up with It - Miles Davis
1970/1. Jarrett plays electric organ on "Honky Tonk", an edit of a track available in full on The Complete Jack Johnson Sessions.
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Directions - Miles Davis
1970/2. Jarrett plays the Fender-Rhodes piano on "Konda", an edit of a track available in full on The Complete Jack Johnson Sessions.
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Live-Evil - Miles Davis,Steve Grossman,Keith Jarrett,Chick Corea,Herbie Hancock,Ron Carter,Jack DeJohnette,Airto
1970/3. Largely composed of heavily-edited tracks from the Cellar Door Sessions.
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Miles Davis at Fillmore: Live at the Fillmore East... - Miles Davis,Chick Corea,Keith Jarrett,Steve Grossman
1970; Double LP issued in 1971, recorded June 1970, taken from four consecutive nights at the Fillmore East.
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The Cellar Door Sessions 1970 - Miles Davis,Keith Jarrett,Jack DeJohnette,Michael Henderson,Airto Moreira,Gary Bartz,John McLaughlin
1970; Recorded December 1970 in Washington, DC
*saipal's rating:
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8.6
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The Complete Jack Johnson Sessions - Miles Davis,John Mc Laughlin,Ron Carter,Billy Cobham,Chick Corea,Jack DeJohnette,Steve Grossman,Herb
1970; Jarrett plays electric organ on "Honky Tonk", Fender-Rhodes piano on "Konda".
Following his graduation from Emmaus High School in 1963, Jarrett moved from Allentown to Boston, Massachusetts, where he attended the Berklee College of Music and played cocktail piano. Jarrett then moved to New York City, where he played at the renowned Village Vanguard club.
In New York, Art Blakey hired him to play with his Jazz Messengers band, and he subsequently became a member of the Charles Lloyd Quartet (a group that included Jack DeJohnette, a frequent musical partner throughout Jarrett's career). The Lloyd quartet's 1966 album Forest Flower was one of the most successful jazz recordings of the late 1960s.
Jarrett also started to record as a leader at this time, in a trio with Charlie Haden and Paul Motian. Jarrett's first album as a leader, Life Between The Exit Signs (1967), appeared around this time on the Vortex label, to be followed by Restoration Ruin (1968), which is easily the most bizarre entry in the Jarrett catalog. Not only does Jarrett barely touch the piano, he plays all the other instruments on what is essentially a folk-rock album, and even does all the singing. Another trio album with Haden and Motian followed later in 1968, this one recorded live for the Atlantic label and called Somewhere Before.
When the Charles Lloyd quartet came to an end, Jarrett was asked to join the Miles Davis group after Miles heard Jarrett in a New York City club. During his tenure with Davis, he played both Fender Contempo electronic organ and Fender Rhodes electric piano, alternating with Chick Corea; after Corea left, he often played the two simultaneously. Despite Jarrett's dislike of amplified music and electric instruments, he stayed on out of his respect for Davis and his wish to work again with DeJohnette.
See also:
www.listal.com/list/keith-jarrett-catalog
In New York, Art Blakey hired him to play with his Jazz Messengers band, and he subsequently became a member of the Charles Lloyd Quartet (a group that included Jack DeJohnette, a frequent musical partner throughout Jarrett's career). The Lloyd quartet's 1966 album Forest Flower was one of the most successful jazz recordings of the late 1960s.
Jarrett also started to record as a leader at this time, in a trio with Charlie Haden and Paul Motian. Jarrett's first album as a leader, Life Between The Exit Signs (1967), appeared around this time on the Vortex label, to be followed by Restoration Ruin (1968), which is easily the most bizarre entry in the Jarrett catalog. Not only does Jarrett barely touch the piano, he plays all the other instruments on what is essentially a folk-rock album, and even does all the singing. Another trio album with Haden and Motian followed later in 1968, this one recorded live for the Atlantic label and called Somewhere Before.
When the Charles Lloyd quartet came to an end, Jarrett was asked to join the Miles Davis group after Miles heard Jarrett in a New York City club. During his tenure with Davis, he played both Fender Contempo electronic organ and Fender Rhodes electric piano, alternating with Chick Corea; after Corea left, he often played the two simultaneously. Despite Jarrett's dislike of amplified music and electric instruments, he stayed on out of his respect for Davis and his wish to work again with DeJohnette.
See also:
www.listal.com/list/keith-jarrett-catalog
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