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Taste of Cinema's Essential Pre-Code Hollywood
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30 Essential Films For An Introduction To Pre-Code
Between the arrival of sound and the imposition of the Motion Picture Production Code on July 1, 1934; Hollywood was essentially free to talk about plentiful controversial subjects such as violence, lechery and substance abuse.
The Hays Code, as it was called, after the president of the MPPDA (Motion Picture Producers and Distributors of America), William Hays, was created in 1930, as a self-imposed Industry censorship, in order to avoid external interference from conservative groups, but it was completely ignored by studios bosses and filmmakers alike during the bitter Depression days.
By the early 1930âs, when American was still trying to cope with the effects of the economic crash, Movies had become the most profitable business in the country. On the screen, women were strong, and loyal only to themselves; gangsters and bootleggers ran loose and sexual innuendo was so common, it almost lost its scandalous appeal.
This list aims to serve as a basic guide to those who want to start exploring these daring films. Please keep in mind that the titles are listed in alphabetical order and that the movies from the era that were featured in the â 30 Cinematic Masterpieces Made in The Golden Age of Hollywoodâ list were not included.
The Hays Code, as it was called, after the president of the MPPDA (Motion Picture Producers and Distributors of America), William Hays, was created in 1930, as a self-imposed Industry censorship, in order to avoid external interference from conservative groups, but it was completely ignored by studios bosses and filmmakers alike during the bitter Depression days.
By the early 1930âs, when American was still trying to cope with the effects of the economic crash, Movies had become the most profitable business in the country. On the screen, women were strong, and loyal only to themselves; gangsters and bootleggers ran loose and sexual innuendo was so common, it almost lost its scandalous appeal.
This list aims to serve as a basic guide to those who want to start exploring these daring films. Please keep in mind that the titles are listed in alphabetical order and that the movies from the era that were featured in the â 30 Cinematic Masterpieces Made in The Golden Age of Hollywoodâ list were not included.
111
7.7
7.6
Baby Face (1933)
This Barbara Stanwyck vehicle follows the story of a young vixen, Lily Powers, who decides to leave home after years of being forced by her own father to âentertainâ the loathsome clientele of his bar. When Lily gets to New York City, she deliberately uses her feminine charms to get ahead at the banking firm she finds work at. In 70 minutes, we see the amoral protagonist literally sleep her way to the top without any remorse.
The plot of, what many call, the ultimate Pre-Code, clearly reflects the deterioration of American society in the gloomy Depression Era. Stanwyckâs character does (partially) regret her ruthless ways and eventually finds romance, but like in most films of the time, what stays with the spectator is her strength and determination in what was essentially a manâs world.
The plot of, what many call, the ultimate Pre-Code, clearly reflects the deterioration of American society in the gloomy Depression Era. Stanwyckâs character does (partially) regret her ruthless ways and eventually finds romance, but like in most films of the time, what stays with the spectator is her strength and determination in what was essentially a manâs world.
JxSxPx's rating:
118
7.3
6.9
When one thinks of Frank Capra, interracial relationships set in Chinese Civil War are definitely not the first thing that comes to mind. Inspired perhaps by the agitated Depression times, the director boldly chose the uncommon plot for his 1933 production.
The mature drama stars Barbara Stanwyck as a Christian missionary and Nils Asther as a Chinese warlord. They develop an unique relationship of simultaneous repulsion and attraction for each other that ultimately causes dramatic consequences.
Although there is an undeniable racist element, almost unavoidable for its time, the film feels modern and completely unique. The nightmare sequence is especially disturbing, but Capra undeniably shows great skill and intelligence in leading with such sensitive subjects.
The mature drama stars Barbara Stanwyck as a Christian missionary and Nils Asther as a Chinese warlord. They develop an unique relationship of simultaneous repulsion and attraction for each other that ultimately causes dramatic consequences.
Although there is an undeniable racist element, almost unavoidable for its time, the film feels modern and completely unique. The nightmare sequence is especially disturbing, but Capra undeniably shows great skill and intelligence in leading with such sensitive subjects.
28
6.9
7.1
Blonde Crazy (1931)
This forgotten gem follows the adventures of a bell-boy and chamber-maid duo, who, upon deciding that desperate times call for desperate measures, take to scamming on the side.
The con-artists, played by Joan Blondell and James Cagney, fight and flirt their way through the film, delivering irresistible dialogue and some good measured slaps. Their chemistry is top-notch and so is the spunky humor that would have driven the censors mad if the film had been made 3 years later.
It has lots of trickery, intrigue, illegal alcohol selling and a memorable scene that involves a naked Blondell in a bathtub. Although the ending does resort to melodrama, the film still feels fresh to modern eyes, offering a fun and exciting ride.
The con-artists, played by Joan Blondell and James Cagney, fight and flirt their way through the film, delivering irresistible dialogue and some good measured slaps. Their chemistry is top-notch and so is the spunky humor that would have driven the censors mad if the film had been made 3 years later.
It has lots of trickery, intrigue, illegal alcohol selling and a memorable scene that involves a naked Blondell in a bathtub. Although the ending does resort to melodrama, the film still feels fresh to modern eyes, offering a fun and exciting ride.
114
7.4
7.4
This is the perfect example of a movie that most definitively would never have gotten made during the Hays Code reign. The plot finds Lubitschâs favorite, Miriam Hopkins, enamored of both Gary Cooper and Fredric March, in fact, she is so attracted by the two, she simply decides that living as a trio could work out.
It features all the Pre-Code musts: delightful word-play, sexiness and comic allure. The Lubtisch-Touch is at its zenith getting brilliant performances out of all three main-players and earning the film a place among the greatest to come out of the era.
It features all the Pre-Code musts: delightful word-play, sexiness and comic allure. The Lubtisch-Touch is at its zenith getting brilliant performances out of all three main-players and earning the film a place among the greatest to come out of the era.
JxSxPx's rating:
54
7.2
6.7
The queen of MGM, Norma Shearer, won her sole Oscar for her portrayal of Jerry, a young wife, that upon discovering her husband infidelities, decides to answer by being unfaithful herself.
The gender equality subject was extremely controversial when the film came out and, if not for its risquĂŠ allure, The Divorcee is worth checking out alone for documenting the changing position women were conquering in society. The ending does leave a little to be desired when one takes into account the racy premise, but the performances are carried out with energy and passion and for an âearly talkieâ one can easily argue it is way ahead of its time.
The gender equality subject was extremely controversial when the film came out and, if not for its risquĂŠ allure, The Divorcee is worth checking out alone for documenting the changing position women were conquering in society. The ending does leave a little to be desired when one takes into account the racy premise, but the performances are carried out with energy and passion and for an âearly talkieâ one can easily argue it is way ahead of its time.
JxSxPx's rating:
296
7.7
7.6
Dr. Jekyll and Mr. Hyde (1932)
Robert Louis Stevensonâs novella about a doctor who believes he can separate menâs evil streak from its civilized side had been adapted to the screen many times before, but no previous version had the innovative camera work nor the bold sexuality the Paramount Pre-Code carries.
The storyâs polemical and adult content is dealt with extreme openness and technical skill. Marchâs physical transformation looks good even to our modern eyes, but the ultimate triumph of the film has to be credited to his impeccable acting.
The actor, who until then was usually cast in light roles, offers an impressive interpretation of the tormented Henry Jekyll, but his take on the beastly Hyde, a material representation of the bad we carry within all of us, left a definitive mark on Hollywood History and he was justly awarded with a Best Actor Academy Award.
The storyâs polemical and adult content is dealt with extreme openness and technical skill. Marchâs physical transformation looks good even to our modern eyes, but the ultimate triumph of the film has to be credited to his impeccable acting.
The actor, who until then was usually cast in light roles, offers an impressive interpretation of the tormented Henry Jekyll, but his take on the beastly Hyde, a material representation of the bad we carry within all of us, left a definitive mark on Hollywood History and he was justly awarded with a Best Actor Academy Award.
JxSxPx's rating:
765
7.9
7.8
Duck Soup (1933)
Duck Soup has the best of what every Marx Brothers fan loves: a fast-paced story with a thin plot, but lots of jokes; inventive physical comedy sequences, such as the famed mirror scene and some hilarious criticism of society rules and bureaucracy.
Before the rigid censorship days of the Hays Code, the famed siblings could take their anarchic vein to the highest level possible, firing laughs so fast you will find yourself spinning into the world of absurd without even realizing it. Although it opened to unenthusiastic reviews, the film has since been regarded as a comedic masterpiece, showcasing the Marxâs unparalleled timing and imaginative gags. It has also become one of their most influential works, achieving an important place in popular culture.
Before the rigid censorship days of the Hays Code, the famed siblings could take their anarchic vein to the highest level possible, firing laughs so fast you will find yourself spinning into the world of absurd without even realizing it. Although it opened to unenthusiastic reviews, the film has since been regarded as a comedic masterpiece, showcasing the Marxâs unparalleled timing and imaginative gags. It has also become one of their most influential works, achieving an important place in popular culture.
JxSxPx's rating:
1107
7.6
7.8
Frankenstein (1931)
Mary Shelleyâs gothic novel was adapted to the screen by one of Horror film genre most prominent directors, Universalâs James Whale. Although, it doesnât carry many similarities with the book, aside from the basic plot line of a young scientist who dares to play God; the film is universally regarded as the best version of the dark tale.
A sensation with both public and critics upon its original release, Frankenstein was followed by many sequences and Boris Karloffâs portrayal of the creature has easily become one of the most emblematic characterizations in Film History.
The haunting cinematography and set design have deep roots in the German Expressionism movement, which greatly contributes to the gloomy atmosphere of the production. With a fast-driven and straight-to-the-point plot the film surpasses its countless remakes in entertainment value and deserves its worldwide fame.
A sensation with both public and critics upon its original release, Frankenstein was followed by many sequences and Boris Karloffâs portrayal of the creature has easily become one of the most emblematic characterizations in Film History.
The haunting cinematography and set design have deep roots in the German Expressionism movement, which greatly contributes to the gloomy atmosphere of the production. With a fast-driven and straight-to-the-point plot the film surpasses its countless remakes in entertainment value and deserves its worldwide fame.
JxSxPx's rating:
1061
7.9
7.9
Freaks (1932)
Tod Browningâs Freaks has often been cited among the masterpieces of Horror Film. A quite misleading reputation, considering it falls more consistently into the Drama category. The story follows a group of physically impaired people who work at a circus. They have a really tight bond thatâs put to test when an outsider seduces a member in order to steal his money.
Freaks made quite a rampage when it came out. For the first time, the reality of people with abnormalities was portrayed on the screen in a tolerable, if not yet respectful, light. Browning makes us perceive them as loyal and pleasant, meanwhile the so called ânormalâ folks are cheats and scoundrels.
Even though, the âfreaksâ are shown to be capable of evil acts too, who can judge them after all the mistreating and cruelty they had been forced to endure? In the end, the essential message of the film seems to be the old, but accurate saying: âdonât judge a book by its coverâ.
Freaks made quite a rampage when it came out. For the first time, the reality of people with abnormalities was portrayed on the screen in a tolerable, if not yet respectful, light. Browning makes us perceive them as loyal and pleasant, meanwhile the so called ânormalâ folks are cheats and scoundrels.
Even though, the âfreaksâ are shown to be capable of evil acts too, who can judge them after all the mistreating and cruelty they had been forced to endure? In the end, the essential message of the film seems to be the old, but accurate saying: âdonât judge a book by its coverâ.
JxSxPx's rating:
169
7.6
7.8
Gold Diggers of 1933 (1933)
Admittedly, Gold Diggers of 1933 has many of the same plot elements 1930âs musicals often carried, like the poverty-stricken chorus girls and the struggle to finance a Broadway musical, but, on the other hand, the film also innovated by not resorting to total escapism during the musical numbers.
The memorable âForgotten Menâ sequence is arguably its most chilling moment; as the title suggests, it presents a very gloomy look at Depression-era reality, something that must have hit very close to home on its audience.
Ginger Rogers, Dick Powell, Ruby Keeler and Joan Blondell dance and sing to the Busby Berkeley choreographed acts. The girls are generally half-naked and the dialogue has as much double-meaning as the time allowed. Since its first number, the celebrated âWeâre in the Moneyâ, the classic musical offers an entertaining journey with some valuable historic significance.
The memorable âForgotten Menâ sequence is arguably its most chilling moment; as the title suggests, it presents a very gloomy look at Depression-era reality, something that must have hit very close to home on its audience.
Ginger Rogers, Dick Powell, Ruby Keeler and Joan Blondell dance and sing to the Busby Berkeley choreographed acts. The girls are generally half-naked and the dialogue has as much double-meaning as the time allowed. Since its first number, the celebrated âWeâre in the Moneyâ, the classic musical offers an entertaining journey with some valuable historic significance.
JxSxPx's rating:
263
7.5
7.3
Often treated as the first all-star movie, MGMâs production takes place in Berlinâs glamorous Grand Hotel. There we find an anguished ballerina ( Greta Garbo), a bankrupt aristocrat who has resorted to common thievery ( John Barrymore), a dying old man ( Lionel Barrymore), a corrupt industrial tycoon (Wallace Beery) and a young, tough stenographer (Joan Crawford).
In 1932 Hollywood, the idea of having multiple stories in a film, without necessarily separating them in installments, was quite original and with its competent script and wonderful performances, the film won as Best Picture of the Year.
It is interesting to see how the charactersâ lives end up as elements of a bigger picture, but even disregarding the primitive anthology film trace, Grand Hotel manages to hold its viewer, with its more than impressive performances and luxurious sets, that carry the MGM seal of quality.
In 1932 Hollywood, the idea of having multiple stories in a film, without necessarily separating them in installments, was quite original and with its competent script and wonderful performances, the film won as Best Picture of the Year.
It is interesting to see how the charactersâ lives end up as elements of a bigger picture, but even disregarding the primitive anthology film trace, Grand Hotel manages to hold its viewer, with its more than impressive performances and luxurious sets, that carry the MGM seal of quality.
JxSxPx's rating:
204
8
8.2
Based on the memoirs of Robert E. Burns, a wrongly convicted man, Mervyn LeRoyâs I Am a Fugitive from a Chain Gang is a powerful meditation on the frailty of the justice system. The realistic depiction of the brutal chain gangs is not only revolting, but downright scary when one realizes virtually anyone could have been in the protagonistâs shoes.
The physical and emotional pain James Allen endures is brilliantly conveyed by Paul Muni, in an Oscar-nominated performance. The confusion caused by his sudden loss of freedom, the agony from the complete absence of hope and his slow decline into darkness are hard-hitting blows, but nothing will quite prepare you for one the most chilling Hollywood endings ever conceived.
The physical and emotional pain James Allen endures is brilliantly conveyed by Paul Muni, in an Oscar-nominated performance. The confusion caused by his sudden loss of freedom, the agony from the complete absence of hope and his slow decline into darkness are hard-hitting blows, but nothing will quite prepare you for one the most chilling Hollywood endings ever conceived.
JxSxPx's rating:
72
6.2
6.9
I'm No Angel (1933)
With practically full production control over Iâm no Angel, Mae West brought about what many call her finest screen effort. It has all her signature gear: sassy and provocative dialogue, suggestive musical acts and of course a naive young man (Cary Grant) to fall prey to her seduction.
The main couple has great chemistry riding along the unimportant plot and firing spicy lines filled with innuendo. An unlikely film star, West proves in this venture why she became an icon even with her less-than-star-like looks and figure. The film also has its fine share of comic moments, but they werenât enough to disguise the âimmoralâ mood, and it soon became one of the many productions deemed responsible for the enforcement of the Motion Picture Production Code the following year.
The main couple has great chemistry riding along the unimportant plot and firing spicy lines filled with innuendo. An unlikely film star, West proves in this venture why she became an icon even with her less-than-star-like looks and figure. The film also has its fine share of comic moments, but they werenât enough to disguise the âimmoralâ mood, and it soon became one of the many productions deemed responsible for the enforcement of the Motion Picture Production Code the following year.
JxSxPx's rating:
504
7.7
7.7
The Invisible Man (1933)
In his first starring role, Claude Rains had to direct all acting efforts into his voice. As an ambitious scientist that finds a way to become invisible, but ends up losing his sanity, the actor developed his character using solely his tone of speech and a memorable sadistic laugh. Still, Rains did is so well, one will likely remember his performance, even though he doesnât show his face for more than 5 minutes during the whole feature.
James Whaleâs classic also offers some amazing special-effects, that will leave many present-day audience members wondering how they could they have been made in the CGI-less Era of the early 1930âs. The films is one of the less-known from the Universal Horror series, but just as good if not even better than the most famous monster films.
James Whaleâs classic also offers some amazing special-effects, that will leave many present-day audience members wondering how they could they have been made in the CGI-less Era of the early 1930âs. The films is one of the less-known from the Universal Horror series, but just as good if not even better than the most famous monster films.
JxSxPx's rating:
171
7.4
7.4
Island of Lost Souls (1932)
Island of Lost Souls has Charles Laughton playing a scientist who experiments with live animals in evolution and ends up creating a group of human-like creatures ready to revolt against its mentor.
Erle C. Kentonâs version of H. G. Wells novel, The Island of Dr. Moreau, was the first to hit the screen, and even after 80 years, it remains the best Hollywood ever came up with. The film is a testament to the startling, and often disturbing, nature of Pre-Codes, and the fact that they still manage to provoke us only highlights their enormous impact on the public and critics of the time.
Erle C. Kentonâs version of H. G. Wells novel, The Island of Dr. Moreau, was the first to hit the screen, and even after 80 years, it remains the best Hollywood ever came up with. The film is a testament to the startling, and often disturbing, nature of Pre-Codes, and the fact that they still manage to provoke us only highlights their enormous impact on the public and critics of the time.
JxSxPx's rating:
257
7.2
7.2
âMother of mercy, is this the end of Rico?â the famous line delivered by Edward G. Robinson was voted as one of the top 100 most iconic quotes of Hollywood History by the American Film Institute. As Rico, Robinson gave a career-defining performance that would ultimately lead to his status of one of the most recognizable faces of classic gangster films.
The seminal mob flick follows the ups and downs of criminal life in Prohibition Era, an eye-catching subject for the public of the time, who read about racketeers on the loose everyday on papers, hence the curiosity to find out how these figures managed to ride high even when the country was collapsing. Directed by Mervyn LeRoy, Little Caesar (alongside The Public Enemy) helped Warner Brothers build its reputation as the âtoughest studio on townâ.
The seminal mob flick follows the ups and downs of criminal life in Prohibition Era, an eye-catching subject for the public of the time, who read about racketeers on the loose everyday on papers, hence the curiosity to find out how these figures managed to ride high even when the country was collapsing. Directed by Mervyn LeRoy, Little Caesar (alongside The Public Enemy) helped Warner Brothers build its reputation as the âtoughest studio on townâ.
JxSxPx's rating:
125
7.3
7.6
The renowned Pre-Code musical finds Maurice Chevalier as a humble tailor, who masquerade as a Baron, charms a beautiful but reclusive princess played by Jeanette MacDonald.
From its famous opening sequence of the city of Paris, as it awakens, with its diverse sounds and faces, to its rendition of standards such as the unforgettable âIsnât it Romantic?â, Love Me Tonight delivers a romantic, escapist and fun experience. The supporting cast is also note-worthy, with Myrna Loy as naughty countess and experienced character actor, C. Aubrey Smith, playing an old noble.
One cannot deny, though , that the heart of the film is in its memorable soundtrack and on-point directing by Rouben Mamoulian. The filmmaker sets a fast, entertaining rhythm, adding some spice with lots of sexual innuendo and class satire.
From its famous opening sequence of the city of Paris, as it awakens, with its diverse sounds and faces, to its rendition of standards such as the unforgettable âIsnât it Romantic?â, Love Me Tonight delivers a romantic, escapist and fun experience. The supporting cast is also note-worthy, with Myrna Loy as naughty countess and experienced character actor, C. Aubrey Smith, playing an old noble.
One cannot deny, though , that the heart of the film is in its memorable soundtrack and on-point directing by Rouben Mamoulian. The filmmaker sets a fast, entertaining rhythm, adding some spice with lots of sexual innuendo and class satire.
JxSxPx's rating:
146
7.1
7.1
Old Hollywoodâs inclination towards exotic places recreated in Californian back lots brought us many stinkers, but before passing up on this B film, its best to keep in mind the men behind it, Irving Pickel and Ernest B. Schoedsack, were the same responsible for the timeless classic King Kong, which would come out a year later.
The film is barely an hour long, but proves itself remarkably absorbing and exciting, thanks largely to its sinister plot about a skilled, but insane huntsman, who pretends to give shelter to shipwrecks on his island, only to indulge himself in hunting his guests. Joel McCrea, Fay Wray and Leslie Banks star in the low-budged gem, which surely deserves more fame, if not for its gothic sets and first rate soundtrack by Max Steiner, then at least for having one of the most chilling storylines Hollywood ever adapted.
The film is barely an hour long, but proves itself remarkably absorbing and exciting, thanks largely to its sinister plot about a skilled, but insane huntsman, who pretends to give shelter to shipwrecks on his island, only to indulge himself in hunting his guests. Joel McCrea, Fay Wray and Leslie Banks star in the low-budged gem, which surely deserves more fame, if not for its gothic sets and first rate soundtrack by Max Steiner, then at least for having one of the most chilling storylines Hollywood ever adapted.
158
6.9
7.1
The Old Dark House (1932)
The mother of all haunted-house films, James Whaleâs overlooked production, offers the perfect mix of horror and dark comedy. The simple premise introduces five characters who are forced to seek shelter from a storm at a sinister house, inhabited by the eccentric Femms.
Among the hosts they encounter a religious extremist (Eva Moore), an effeminate neurotic (Ernest Thesiger) and a mute butler ( Boris Karloff), not to mention some other locked-up family members, who evidently escape to frighten the travelers. Melvyn Douglas, Charles Laughton and a young Gloria Stuart are also part of the cast. All the players deliver great performances compatible with the stagy and parodic tone Whale aimed to set. The final result is a practically perfect horror farce.
Among the hosts they encounter a religious extremist (Eva Moore), an effeminate neurotic (Ernest Thesiger) and a mute butler ( Boris Karloff), not to mention some other locked-up family members, who evidently escape to frighten the travelers. Melvyn Douglas, Charles Laughton and a young Gloria Stuart are also part of the cast. All the players deliver great performances compatible with the stagy and parodic tone Whale aimed to set. The final result is a practically perfect horror farce.
JxSxPx's rating:
353
7.6
7.6
The Public Enemy (1931)
James Cagneyâs breakthrough performance, in William Wellmanâs classic The Public Enemy, would define the actorâs tough-guy screen persona. He plays Tom Powers, a smooth-tongued criminal who makes big money as a bootlegger during Prohibition, but ultimately ends up involved in a gangster war that threatens his life.
Although itâs clear that Powers was born to a decent family and had a proper upbringing, he inevitably takes the âwrong wayâ in life. On this wise, the film scores high by avoiding the commonplace of social injustice as a cause for gangster life: Powers simply seems to have been born for evil.
Filled with stylish shootouts sequences and important Old Hollywood names like Cagney, Jean Harlow and Joan Blondell, surprisingly one of the best remembered players in the film, is a young Mae Clarke, in a small unaccredited part. Notwithstanding her starring roles, Clarke will forever be associated with the infamous scene in which Cagney smashes a grapefruit into her face. The incident made Film History as a representation of the violence in gangster films, especially against women.
Although itâs clear that Powers was born to a decent family and had a proper upbringing, he inevitably takes the âwrong wayâ in life. On this wise, the film scores high by avoiding the commonplace of social injustice as a cause for gangster life: Powers simply seems to have been born for evil.
Filled with stylish shootouts sequences and important Old Hollywood names like Cagney, Jean Harlow and Joan Blondell, surprisingly one of the best remembered players in the film, is a young Mae Clarke, in a small unaccredited part. Notwithstanding her starring roles, Clarke will forever be associated with the infamous scene in which Cagney smashes a grapefruit into her face. The incident made Film History as a representation of the violence in gangster films, especially against women.
JxSxPx's rating:
65
7.6
7.2
A rubber plantation is the setting for a love triangle that involves the estateâs virile owner (Clark Gable), a likeable prostitute (Jean Harlow) and a refined married lady ( Mary Astor). Red Dust is arguably the most erotic film of the period and itâs commonly pointed as one of the best examples of the audacity of those involved in the making of the Pre-Code films.
Drinking, adultery , prostitution and strong women characters, it has it all. The acting is good, as one can gather from the famed names it starts, and the production values are as high as powerful MGM could afford. The soap-opera quality of the plot leaves the audience wondering who Gable will end up with throughout its almost 90 minutes of first-rate entertainment.
Drinking, adultery , prostitution and strong women characters, it has it all. The acting is good, as one can gather from the famed names it starts, and the production values are as high as powerful MGM could afford. The soap-opera quality of the plot leaves the audience wondering who Gable will end up with throughout its almost 90 minutes of first-rate entertainment.
JxSxPx's rating:
533
7.7
7.7
Howard Hawkâs tale of the rise and fall of Tony Camonte has a reputation for being one of the most violent films of its time. Paul Muni, in his starring debut, plays the title character; an unintelligent and psychotic figure who seems to find an almost sexual pleasure in killing. He is also unnaturally attracted to his own sister, played by Ann Dvorak, who doesnât exactly shy away from his incestuous feelings.
The filmâs strong content caused it to be pulled from theaters soon after its original release in 1932, as it was also unjustly accused of romanticizing the gangster lifestyle. What many contemporary critics failed to acknowledge is the clear anti-violence message of Scarface. As the movie progresses and the bodies pile up, Hawks proves his point that âcrime doesnât payâ and that Tony himself should be looked at exactly like the subtitle announces, as âThe Shame of the Nationâ.
The filmâs strong content caused it to be pulled from theaters soon after its original release in 1932, as it was also unjustly accused of romanticizing the gangster lifestyle. What many contemporary critics failed to acknowledge is the clear anti-violence message of Scarface. As the movie progresses and the bodies pile up, Hawks proves his point that âcrime doesnât payâ and that Tony himself should be looked at exactly like the subtitle announces, as âThe Shame of the Nationâ.
JxSxPx's rating:
230
7.3
7.3
Shanghai Express (1932)
In Shanghai Express, the Dietrich/ von Sternberg partnership perfected their formula of success that united rich cinematography and ethereal storylines. The plot, about the rekindle of an old romance, has little to no importance; what stays with you after âthe endâ comes up on the screen is the exquisite way Dietrichâs face appears out of the dark only to fade away again in a beautiful and masterful trick of photography.
The conspicuous sensuality, low morals and exoticism are as much von Sternbergâs touch as they are Pre-Code Era trademarks. Nothing in the film feels real, but we still find ourselves completely absorbed in the almost dreamlike atmosphere it generates. Most likely, Dietrichâs Shanghai Lily, along with the rest of the cast, that includes Clive Brook and Anna May Wong, will continue to fascinate film buffs for decades, in this intriguing and visually impeccable piece of art.
The conspicuous sensuality, low morals and exoticism are as much von Sternbergâs touch as they are Pre-Code Era trademarks. Nothing in the film feels real, but we still find ourselves completely absorbed in the almost dreamlike atmosphere it generates. Most likely, Dietrichâs Shanghai Lily, along with the rest of the cast, that includes Clive Brook and Anna May Wong, will continue to fascinate film buffs for decades, in this intriguing and visually impeccable piece of art.
JxSxPx's rating:
24
6.8
7.1
The screen adaption of William Faulknerâs Sanctuary is perhaps the most distressing film made in 1930âs Hollywood. Miriam Hopkins stars as the title southern belle who wickedly flirts with half her town, but doesnât dare to go beyond teasing.
One day, sheâs held by a gang of bootleggers, whose leader Trigger (Jack La Rue) viciously rapes her, in a powerful scene that effectively shocks the viewer without showing too much. Still startled by the event and ashamed to go back to her family, Temple decides to stay with her abuser.
The storyâs sexual content was so strong it caused a series of boycotts that ultimately helped the enforcement of the Production Code and the banning of the movie for two decades. Looking at it now, The Story of Temple Drake shows Hollywoodâs capacity to examine difficult matters with skill and frankness.
One day, sheâs held by a gang of bootleggers, whose leader Trigger (Jack La Rue) viciously rapes her, in a powerful scene that effectively shocks the viewer without showing too much. Still startled by the event and ashamed to go back to her family, Temple decides to stay with her abuser.
The storyâs sexual content was so strong it caused a series of boycotts that ultimately helped the enforcement of the Production Code and the banning of the movie for two decades. Looking at it now, The Story of Temple Drake shows Hollywoodâs capacity to examine difficult matters with skill and frankness.
64
6.9
7.3
Tarzan and His Mate (1934)
The second entry in the Johnny Weissmuller Tarzan series is rightfully regarded as the best of the lot. It has every triumph the first movie, Tarzan The Ape Man, had: romance, adventure and humor, but it scores even higher, pushing the limits even for Pre-Code standards.
In its most famous scene, Jane goes swimming with Tarzan completely in the naked. She also wears extremely provocative attires for the duration of the film â something particularly daring for a British aristocrat- and doesnât hide her naked silhouette while changing clothes.
Furthermore, the jungle couple is constantly exchanging caresses and the fact that they sleep together without being married is fully apparent. With creative freedom and solid performances, Tarzan reached pop icon status and OâSullivan and Weissmuller remain, to this day, the definitive actors to have played the famed Edgar Rice Burroughs characters.
In its most famous scene, Jane goes swimming with Tarzan completely in the naked. She also wears extremely provocative attires for the duration of the film â something particularly daring for a British aristocrat- and doesnât hide her naked silhouette while changing clothes.
Furthermore, the jungle couple is constantly exchanging caresses and the fact that they sleep together without being married is fully apparent. With creative freedom and solid performances, Tarzan reached pop icon status and OâSullivan and Weissmuller remain, to this day, the definitive actors to have played the famed Edgar Rice Burroughs characters.
348
7.9
7.9
When MGM cast William Powell and Myrna Loy in the comedy-mystery The Thin Man, they had doubts if they could pull it off. Powell was deemed not young enough and destitute of the comic flair the character required, meanwhile Loy was already associated with exotic vixens from melodramas. As it turns out, they exceeded all expectations and ultimately became one of the greatest screen-couples Hollywood ever paired.
In light of their marvelous chemistry on the screen, even the case they are supposed to crack, takes a back seat. Nick and Nora Charles proved that marriage life could exist on the screen and yes it could be fun and exciting too. Amidst a ridiculous amount of flirting and cocktail drinking, so very Pre-Code appropriate, they do manage to catch the bad guy, while paving the way for 5 other successful films of the series.
In light of their marvelous chemistry on the screen, even the case they are supposed to crack, takes a back seat. Nick and Nora Charles proved that marriage life could exist on the screen and yes it could be fun and exciting too. Amidst a ridiculous amount of flirting and cocktail drinking, so very Pre-Code appropriate, they do manage to catch the bad guy, while paving the way for 5 other successful films of the series.
JxSxPx's rating:
62
7.9
7.2
Three on a Match (1932) (1932)
This fast-moving Warner Bros. production is based on the old superstition that if three people light their cigarettes from the same match it will bring them bad luck. The victims in question are a trio of childhood friends: Mary Keaton (Joan Blondell), Vivian Revere (Ann Dvorak) and Ruth Wescott (Bette Davis).
Ann Dvorak has the protagonist role, playing a married society woman with a young child who takes a downward spiral into the world of drug abuse and crime. Her fate is settled in one of the most shocking scenes from the era and the actress offers a realistic and touching performance. Be sure to pay attention and spot a young Humphrey Bogart in a minor role of an evil hood.
Ann Dvorak has the protagonist role, playing a married society woman with a young child who takes a downward spiral into the world of drug abuse and crime. Her fate is settled in one of the most shocking scenes from the era and the actress offers a realistic and touching performance. Be sure to pay attention and spot a young Humphrey Bogart in a minor role of an evil hood.
JxSxPx's rating:
235
7.9
7.9
True to Pre-Code form, Ernst Lubitschâs elegant, European-styled masterpiece offers the best of the German directorâs repertoire of sensual insinuation and witty dialogue. In Trouble in Paradise, Miriam Hopkins and Herbert Marshall play a couple of polished thieves ( Lily and Gaston) who intend to rob rich widow Kay Francis out of her jewelry collection. The unsuspecting victim hires the crooks as personal staff and things seem to be going well for the pair until Gaston ends up falling for his own prey.
All the performances feel effortless and efficient and , as one grows to expect from the âLubitsch Touchâ, every element of the film has charm and sophistication. The story is just so well told that by the end of the it, youâll probably find yourself siding with the morally-ambiguous heroes without feeling any remorse.
All the performances feel effortless and efficient and , as one grows to expect from the âLubitsch Touchâ, every element of the film has charm and sophistication. The story is just so well told that by the end of the it, youâll probably find yourself siding with the morally-ambiguous heroes without feeling any remorse.
JxSxPx's rating:
125
7.4
7.4
Twentieth Century is a fundamental screwball-comedy, that upon its 1934 release, set the highest standard possible for future ventures in the genre. John Barrymore is an extravagant theater producer trying to win back his ex-lover, a successful actress ( Carole Lombard), in hopes of getting his career on track.
Director Howard Hawks created a world set to a frantic speed; Barrymore is loud, annoying and absolutely hilarious. Lombard works as the straight-man, if thereâs even such a thing in screwballs. They find themselves in absurd situations, firing off witty lines at each other.
Itâs the kind of film that aimed to take its audienceâs mind off the hardships of Depression time and even after 80 years, it still manages to make us forget our troubles and embark on a lunatic ride. Look out for an scantily clad Lombard, in case of doubts about its qualification as a Pre-Code.
Director Howard Hawks created a world set to a frantic speed; Barrymore is loud, annoying and absolutely hilarious. Lombard works as the straight-man, if thereâs even such a thing in screwballs. They find themselves in absurd situations, firing off witty lines at each other.
Itâs the kind of film that aimed to take its audienceâs mind off the hardships of Depression time and even after 80 years, it still manages to make us forget our troubles and embark on a lunatic ride. Look out for an scantily clad Lombard, in case of doubts about its qualification as a Pre-Code.
JxSxPx's rating:
44
7.1
0
Mae Clarke gives the greatest performance of her career as a chorus-girl-turned-prostitute who finds love among the chaos of WWI, but refuses to marry her rich suitor because of her past.
In spite of being hidden in the shadow of its glamorous MGM remake, with Vivien Leigh and Robert Taylor, the Universal studio Pre-Code Waterloo Bridge is just as good if not better than the more famed version. It is a brave melodrama about hopeless love, that touches such delicate subjects as class struggle and the evils of war. Classic movies fans might also get a kick out of seeing Bette Davis in one her early roles, as the soldierâs sister.
In spite of being hidden in the shadow of its glamorous MGM remake, with Vivien Leigh and Robert Taylor, the Universal studio Pre-Code Waterloo Bridge is just as good if not better than the more famed version. It is a brave melodrama about hopeless love, that touches such delicate subjects as class struggle and the evils of war. Classic movies fans might also get a kick out of seeing Bette Davis in one her early roles, as the soldierâs sister.
JxSxPx's rating:
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