Godzilla: King of the Monsters update feed
"Critics: 41% Audiences: 83% Critics Consensus: Godzilla: King of the Monsters delivers spectacular kaiju action -- and reaffirms that cutting-edge effects are still no substitute for a good story."
"Esta película tenia la oportunidad de arreglar los problemas de su antecesora y no lo hizo, desde el principio se ve un cambio de ideas pues cuando antes aprendieron a que la naturaleza no se controla y que godzilla es un "Defensor", aquí lo olvidan convenientemente junto con otras cosas. Pero eso no es el problema el problema esta en la parte humana nuevamente que aunque esta vez no ocupe tanto tiempo se disfruta menos que la anterior debido a la cantidad cosas que quieren contar y no termina"
"It is monstrously misguided to have a character named Dr. Serizawa in a 2019 Godzilla film descend into the depths of Atlantis to revive Gojira in an underground temple using a nuclear bomb and having him stare in awe at the creature before being blown up by said nuke. This script is monumentally idiotic but this moment is the single one that really felt like a slap against my face. Like... gee. There's missing the point and then there's doing this."
" Familiar Actors: Kyle Chandler Vera Farmiga Millie Bobby Brown Ken Watanabe Ziyi Zhang Bradley Whitford Sally Hawkins Charles Dance Thomas Middleditch Aisha Hinds O'Shea Jackson Jr. David Strathairn Anthony Ramos Elizabeth Ludlow CCH Pounder Joe Morton Randall P. Havens Justice Leak Kelli Garner Natalie Pero Godzilla King Ghidorah Mothra Rodan and Fred Galle True Rating: 10/10 Body Count: 118+"
"First viewing - June 1st Look, I've been waiting for this film since the end of Kong: Skull Island. No amount of negative reviews was going to keep me away from it, though I did lower my expectations which worked out well. I personally didn't have many issues with it. The humans in this film are far more worthwhile than in the 2014 Godzilla, and each of the main monsters gets a chance to shine on their own before they ever do battle. It's not great, but it's a solid summer blockbuster that the "
Godzilla: King of the Monsters
“Long gone is the muddied politics and visual poetry of Gareth Edwards’ Godzilla, which found the titular kaiju providing salvation from humanity as a by-product of his own biological imperative to be alpha over all others. He wasn’t the benevolent protector of humanity as he became in many of Toho’s weirder sequels, but far closer to irradiated rage and psychological scars of the first film. Humanity was dwarfed an impotent to provide help in his presence, and we were mere ants in his battle with MUTOs. Humanity was collateral damage in their warfare. Godzilla: King of the Monsters is more in-line with the weird, kooky, colorful stuff that Toho did to the franchise throughout the 60s and 70s. It’s big, it’s dumb, it’s a ton of fun. Just don’t think too deeply about many ” read more