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Krimi Films

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Decade: Rating: List Type:

5.5

6.3

Again the Ringer (1965)

4.5

5.7

The Avenger (1960)

408

7.4

7.1

The Bird with the Crystal Plumage

5.8

The Black Abbot (1963)

The Bloody Dead (aka Creature with the Blue Hand)

6.5

The Bloody Dead (aka Creature with the Blue Hand)... (1967)

6.2

Der Mönch mit der Peitsche (1967)

4.8

4.3

The Corpse Packs His Bags

6.3

The Crimson Circle (1960)

5.5

Curse of the Hidden Vault (1964)

4.9

Curse of the Yellow Snake (1963)

5.5

5.6

The Dead Are Alive (1972)

6.3

6.4

The Dead Eyes of London

5.5

5.4

The Dead One in the Thames River (1999)

5.4

4.8

The Devil Came from Akasava

6.8

5.6

The Devil's Daffodil (1961)

5.5

The Door with Seven Locks (1962)

5.5

5.7

Double Face

Fellowship of the Frog (Face of the Frog)

6.3

Fellowship of the Frog (Face of the Frog) (1959)

The Forger of London

5.3

Gorilla Gang (1968)

6.2

The Green Archer

6.3

The Monster of Blackwood Castle (1968)

5.9

The Hunchback of Soho (1966)

6.3

6.5

The Indian Scarf (1963)

5.5

6.4

The Inn on the River (1962)

5.5

The Mad Executioners (1963)

6.3

5.7

The Man with the Glass Eye (1969)

5.3

6.6

The Mysterious Magician

5.8

Mark of the Tortoise

5.6

Monster of London City (1964)

5.7

The Phantom of Soho (1964)

6.2

The Racetrack Murders (1964)

Room 13

5.8

The Secret of the Black Trunk (1962)

Secret of the Red Orchid

6.2

6.4

Seven Blood Stained Orchids (1972)

6.3

The Sinister Monk (1965)

5.7

6.2

The Squeaker (1963)

The Strange Countess (1961)

5.8

The Strangler of Blackmoor Castle

6.5

The Terrible People

5.8

Traitor's Gate

7.3

5.9

The Trygon Factor (1966)

104

7.3

6.9

What Have You Done to Solange?

5.5

6.1

The Zombie Walks (1968)

The typical Krimi movie of the Sixties contains a number of distinct stylistic traits, which not only made the films a true series, but - seen in context with other, similar German crime movies of that time - makes it a true film subgenre as well.

In 1959, the Danish company Rialto Film, with its producer Preben Philipsen produced Der Frosch mit der Maske (based on The Fellowship Of The Frog), targeting the German film market. The film turned out to be surprisingly successful and started a veritable fad of crime movies, known as Krimis (abbreviation for the German term "Kriminalfilm" (or "Kriminalroman")) which would last until significant changes in the direction of the German film industry in the early Seventies occurred. Rialto Film soon acquired the exclusive rights to nearly all the Edgar Wallace novels, founded a German subsidiary company and, unconcerned by the many copycat productions by others, moved towards the artistic and commercial peak of the series in the first half of the Sixties.

(The above information was taken from Wikipedia)