Added by Kenji on 29 Aug 2014 08:23

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Films admired by Tarkovsky

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Decade: Rating: List Type:

238

8.2

7.8

Diary of a Country Priest (1951)

Kenji's rating:

421

Winter Light (1963)

Kenji's rating:

128

7.7

7.8

Nazarin (1959)

Kenji's rating:

1110

8.3

8.1

Wild Strawberries (1957)

Kenji's rating:

1351

8.6

8.5

City Lights (1931)

Kenji's rating:

450

8.3

8.2

Ugetsu (1953)

Kenji's rating:

2155

8.6

Seven Samurai (1954)

Kenji's rating:

1440

8.3

8.1

Persona (1966)

Kenji's rating:

229

7.7

Mouchette (1967)

Kenji's rating:

379

8.3

8.5

Woman in the Dunes (1964)

Kenji's rating:

190

7.9

7.2

Earth (1930)

Kenji's rating:

774

8.7

8.1

The Passion of Joan of Arc (1928)

Kenji's rating:

1584

8.3

8½ (1963)

Kenji's rating:

266

7.9

7.8

Ashes and Diamonds (1958)

Kenji's rating:

161

7.9

7.8

Shadows of Forgotten Ancestors (1965)

Kenji's rating:

236

7.7

7.6

The Color of Pomegranates (1968) (1969)

Kenji's rating:

2887

8.2

8.3

Citizen Kane (1941)

Kenji's rating:

403

8.3

7.7

L'Atalante (1934)

Kenji's rating:

5.2

7.6

Falling Leaves (1966)

Kenji's rating:

Once Upon a Time There Was a Singing Blackbird (1970)

7.2

7.6

Once Upon a Time There Was a Singing Blackbird (1970)... (1970)

Kenji's rating:

328

8.3

8.2

Ordet (1955)

Kenji's rating:

7.5

7.6

The Lower Depths (1936)

254

7.8

Shame (1968)

Kenji's rating:

476

Through a Glass Darkly (1961)

Kenji's rating:

647

8.1

Cries and Whispers (1972)

Kenji's rating:

1250

7.8

7.7

An Andalusian Dog (1929)

Kenji's rating:

6.6

Zoya (1944)

482

7.9

7.7

L'Avventura (1960)

Kenji's rating:

434

8.2

8.1

La Notte (1961)

Kenji's rating:

374

7.9

The Eclipse (1962)

Kenji's rating:

6.8

6.9

By the Bluest of Seas (1936)

Kenji's rating:

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This list is composed of films picked in a top 10 by Tarkovsky in 1972 (#1-10 here) and others mentioned with admiration by him, in his book *Sculpting in Time* and elsewhere. I'm not aware which of the other Mizoguchi, Bunuel, Chaplin and Dreyer films he specifically admired, but he rated those directors highly (Mizoguchi is praised as a soaring soul and genius), as he did Renoir, Rossellini and apparently Boris Barnet. Of course he saw film as a great serious art, and has often been compared with Bergman, a mutual admirer. In the recent large book *Tarkovsky (ed Nathan Dunne)* the influence of the less famous Leo Arnshtam on Tarkovsky is explored, e.g his film *Zoia* on Mirror.

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“The Khrushchev Thaw opened Soviet society and allowed, to some degree, Western literature, films and music. This allowed Tarkovsky to see films of the Italian neorealists, French New Wave, and of directors such as Kurosawa, Buñuel, Bergman, Bresson, Andrzej Wajda (whose film Ashes and Diamonds was a true experience for him) and Mizoguchi. Tarkovsky absorbed the idea of the auteur as a necessary condition for creativity

Tarkovsky was, according to Shavkat Abdusalmov, a fellow student at film school, fascinated by Japanese films. He was amazed by how every character on the screen is exceptional and how everyday events such as a Samurai cutting bread with his sword are elevated to something special and put into the limelight. Tarkovsky has also expressed interest in the art of Haiku and its ability to create “images in such a way that they mean nothing beyond themselves”. (wikipedia).