Classical World Live-Action Series

Epic look at Julius Caesar, Rome's last dictator, whose death also signaled the end of the Roman Republic. Chronicles his campaigns in Gaul and Egypt, his rivalry with General Pompey, and his eventual assassination at the hands of Brutus and Cassius.

It is inevitable that empires will fall, but not that they will rise. Rome is ambitious, wealthy and ruthless as it grows into the most powerful empire the world had ever known. But to achieve total domination, it blankets the ancient world in blood and tyranny, igniting the barbarian rebellions that will ultimately lead to its downfall. This is not a story about the glory of Rome. It’s the story of the people who rise to fight for freedom against a cruel and violent force bent on their destruction.

The story of Livia Drusilla, from her early life as a naive young girl in the wake of Julius Caesar's assassination, through her rise to become the emperor Augustus' wife, becoming Rome's most powerful and influential empress.

This stylish mix of documentary and historical epic chronicles the reign of Commodus, the emperor whose rule marked the beginning of Rome's fall.

Plebs is described as "a thoroughly modern comedy in an ancient setting." Rome is traditionally imagined as the home of emperors and senators, generals and gladiators, a dignified theatre of pomp and ceremony. But what about the little guys, the wasters - new to the big city, stuck in office jobs, unable to get the girls? Plebs follows three desperate young men from the suburbs as they try to get laid, hold down jobs and climb the social ladder in the big city - a city that happens to be Ancient Rome. The show follows Marcus, Stylax and their lazy slave with an attitude problem, Grumio. There's also the boys' ruthless boss, Flavia - an expert manipulator with a private life that's the stuff of legend. Unlikely to be immortalized in the annals or memorialized in a frieze, Marcus, Stylax and Grumio are essentially just a bunch of Plebs. And whether they're wearing togas, or skinny jeans, desperate young men in any period of history are essentially cut from the same cloth.

In 43 AD, the Roman Army - determined and terrified in equal measure - returns to crush the Celtic heart of Britannia - a mysterious land ruled by warrior women and powerful druids who can channel the powerful forces of the underworld. Or so they say.

In this quasi-mythological costume series, Hercules (in Greek Herakles), the noble bastard son of Zeus, hence hated to death by his step-mother Hera, doesn't live as an Olympian after accomplishing his Works and the Argonauts' journey, as classical myth has it, but relinquishes immortality and continues to fight both human and supernatural evil on earth, as a wanderer in and beyond Greece, usually accompanied by his human side-kick Iolaus and sometimes by dodgy Salmoneus. Countless are the challenges, either especially set up by Hera or just on his way, but he always triumphs against all odds, delivers otherwise often hopeless mortals and moves on to new adventures.

The famous battle of the Teutoburg Forest, in which Germanic warriors united by a strong woman, halted the northward advance of the Roman Empire in AD 9.

In this British historical drama, the turbulent transition from Roman republic to autocratic empire, which changed world history through civil war and wars of conquest, is sketched both from the aristocratic viewpoint of Julius Caesar, his family, his adopted successor Octavian Augustus, and their political allies and adversaries, and from the politically naive viewpoint of a few ordinary Romans, notably the soldiers Lucius Vorenus and Titus Pullo and their families.

Torn from his homeland and the woman he loves, Spartacus is condemned to the brutal world of the arena where blood and death are primetime entertainment.