Breaking The 4th Wall

- At the end of the film, the actors sing and dance in front of a billboard for the movie.

This features many fourth wall breaks, such as a military man (Graham Chapman) interrupting a sketch to say to the filmmakers it was rather silly, telling them to show a sketch he wrote. As the Monty Pythons ruined the sketch, making it silly, he stops it again and shows a cartoon about the army, who got getting "just silly. And quite suspicious.", then saying "show a cartoon!" He appears many times then, such as John Cleese in many places (such as sitting at a desk or being cooked by old ladies), saying "and now, for something completely different", as they changed from a sketch to other rather different.

Buster Keaton's wife is in the bathtub when she drops the soap onto the floor. She is distraught when she realizes that she can't reach it without revealing herself. The cameraman places his hand in front of the lens long enough for her to retrieve it, earning him a look of gratitude.

An after credit scene shows (Lance Armstrong) himself reading Dupree's self-help book (as Dupree had been reading Lance Armstrong's own novel earlier on), while sitting on a grass lawn. He then looks directly at the camera and wonders aloud how to pronounce his "ness" name and begins trying to find a proper way to pronounce it.

When Jay is bored, Silent Bob gets his boom box and plays "Goodbye Horses". While the song plays, Jay gets interested and acts like Buffalo Bill from The Silence of the Lambs while staring at the camera and tells the viewers in a sarcastic way that he wants to engage in sexual intercourse with "us".

"Daffy Duck" who is tormented by a seemingly sadistic, initially unseen animator, who constantly changes Daffy's locations, clothing, voice, physical appearance and even shape. Pandemonium reigns throughout the cartoon as Daffy attempts to steer the action back to some kind of normality, only for the animator to either ignore him or, more frequently, to over-literally interpret his increasingly frantic demands.

Clive Owen breaks this wall in the beginning of the film, giving him an omniscient persona.

In one of the first well-known uses of the technique, Charlie Chaplin stops the movie and gives a heartfelt plea to the audience about the need to do something about Hitler and the growing threat of fascism.

Various characters break off in the middle of their scenes to look into the camera and address the audience. Most famously, Tom Jones (Albert Finney) takes off his hat and hangs it on the camera lens to prevent the audience from seeing his tryst with Mrs. Waters (Joyce Redman).

Halfway through the film the camera turns away from the characters to reveal the film's director (Ingmar Bergman) and his crew. Later, the "film" appears to burn and melt after one actor breaks character.