Salo, or the 120 Days of Sodom update feed
“Éste film lo ponen siempre en las listas de películas perturbadoras que dejan traumados de por vida a quienes las ven. Por eso, francamente, odio la”
"SCREENING: 35mm DATE: May 15th CINEMA: The Prince Charles Cinema LOCATION: West End"
"FORMAT: 35mm CONDITION: ★★ NOTES: 2000 BFI print – its first legal release in the UK. Presented on a print that plays just fine but looks heavily worn out, which is arguably the ideal way to experience this film. A brief sequence of frames during the scene outside the mansion has taken a hint of water damage, a shot of the Duke during the wedding scene briefly dips to black, and before the reel in which Signora tells the story of shit eating nears its end, the film takes some prominent dam"
" Notes: In spite of or because of its controversial reputation, I was quite eager to check this movie. On top of that, it had been years since I saw a movie directed by Pier Paolo Pasolini. Well, eventually, it definitely deserves its reputation as it was easily one of the most f*cked-up movies I have ever seen and I have seen quite a lot of weird and messed-up flicks. In fact, the sex scenes were not so unbearable but it was the first time I saw a movie dealing with scatology and these scenes "
" Notes: In spite of or because of its controversial reputation, I was quite eager to check this movie. On top of that, it had been years since I saw a movie directed by Pier Paolo Pasolini. Well, eventually, it definitely deserves its reputation as it was easily one of the most f*cked-up movies I have ever seen and I have seen quite a lot of weird and messed-up flicks. In fact, the sex scenes were not so unbearable but it was the first time I saw a movie dealing with scatology and these scenes "
"Salò o le 120 giornate di Sodoma - Pier Paolo Pasolini (1975) "
“Éste film lo ponen siempre en las listas de películas perturbadoras que dejan traumados de por vida a quienes las ven. Por eso, francamente, odio la”
“Éste film lo ponen siempre en las listas de películas perturbadoras que dejan traumados de por vida a quienes las ven. Por eso, francamente, odio la”