Hans Christian Andersen (1953) (1952)

16 Pictures

7	Rating (24 ratings)
6.8	IMDB rating

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Directed by

Charles Vidor

Starring (View all)

Danny Kaye
Hans Christian Andersen

Farley Granger
Niels

Zizi Jeanmaire
Doro

Joseph Walsh
Peter

Philip Tonge
Otto

Erik Bruhn
The Hussar - Danced by

Roland Petit
The Prince in 'The Little Mermaid' Ballet

John Brown
Schoolmaster

Written by (View all)

Moss Hart
(screenplay)

Myles Connolly

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Reviews

Hans Christian Andersen

8 years, 9 months ago at Feb 22 4:35

JxSxPx

Is Hans Christian Andersen a very good movie? Eh, it’s ok I suppose, but it’s a great spotlight for Danny Kaye’s abilities. The movie has little to do with Andersen’s real life, presenting pure confectionery sugar as substantive storytelling, with a few musical numbers, bright colors, and little of it is memorable. It’s quite difficult to see why this story was the driving obsession... read more

View all Hans Christian Andersen (1953) reviews

Description: Hans Christian Andersen was Sam Goldwyn's final production for RKO Radio release, and also the producer's last Danny Kaye vehicle. The Moss Hart-Myles Connolly screenplay largely disregards the facts concerning Denmark's great storyteller, opting for a fanciful blend of comedy, fantasy, romance and music. As played by Kaye, Hans Christian Andersen starts out as a small-town cobbler whose gift for spinning fairy tales is keeping the local kids from attending school. Asked to leave town, Hans heads to Copenhagen to seek his fortune as a writer. After having his heart broken by the beautiful ballerina Doro (Jeanmaire), Hans finds s ... (more)

UPC: 026359065026

Tags: Family (3), Musical (3), 1952 (3), Biography (2), 1950s (2), Romance (1), HQ (1), 50's (1)

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JxSxPx posted a review 8 years, 9 months ago

Hans Christian Andersen

“Is Hans Christian Andersen a very good movie? Eh, it’s ok I suppose, but it’s a great spotlight for Danny Kaye’s abilities. The movie has little to do with Andersen’s real life, presenting pure confectionery sugar as substantive storytelling, with a few musical numbers, bright colors, and little of it is memorable. It’s quite difficult to see why this story was the driving obsession for super-producer Samuel Goldwyn. Its roots lie in 1936, when Goldwyn begin harvesting the initial idea. Production was stop-and-start through the 40s, during which time Goldwyn considering collaborating with Walt Disney to animate the various fairy tales, and sought ballet star-turned-actress Moira Shearer for a role. Neither of these ideas proved fruitful, and the final product feels somehow b” read more