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buffalo
Pulp Fiction (1994)

Mia: Don't you hate that?
Vincent: What?
Mia: Uncomfortable silences. Why do we feel it's necessary to yak about bullshit in order to be comfortable?
Vincent: I don't know. That's a good question.
Mia: That's when you know you've found somebody special. When you can just shut the fuck up for a minute and comfortably enjoy the silence
pulpbukowskiDeth's rating:

Buffalo '66 (1998)

"Billy Brown: I'm asking you to come there and make me look good. Alright? And if you make a fool out of me, I swear to God, I'll kill you right there. Boom! Right in front of Mommy and Daddy. And I'll tell you something else, you make me look bad... I will never ever talk to you again, ever."
pulpbukowskiDeth's rating:

The Shining (1980)

Danny Torrance: Dad?
Jack Torrance: Yes?
Danny Torrance: Do you like this hotel?
Jack Torrance: Yes. I do. I love it. Don't you?
Danny Torrance: I guess so.
Jack Torrance: Good. I want you to like it here. I wish we could stay here forever... and ever... and ever
pulpbukowskiDeth's rating:


Tuco: You never had a rope around your neck. Well, I'm going to tell you something. When that rope starts to pull tight, you can feel the Devil bite your ass
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Apocalypse Now (1979)

Kilgore: I love the smell of napalm in the morning. You know, one time we had a hill bombed, for 12 hours. When it was all over, I walked up. We didn't find one of 'em, not one stinkin' dink body. The smell, you know that gasoline smell, the whole hill. Smelled like victory.
pulpbukowskiDeth's rating:

pulpbukowskiDeth's rating:

The Blues Brothers (1980)

Elwood: It's 106 miles to Chicago, we got a full tank of gas, half a pack of cigarettes, it's dark... and we're wearing sunglasses.
Jake: Hit it!
pulpbukowskiDeth's rating:

The Big Lebowski (1998)

Younger Cop: And was there anything of value in the car?
The Dude: Oh, uh, yeah, uh... a tape deck, some Creedence tapes, and there was a, uh... uh, my briefcase.
Younger Cop: [expectant pause] In the briefcase?
The Dude: Uh, papers, um, just papers, uh, you know, uh, my papers, business papers.
Younger Cop: And what do you do, sir?
The Dude: I'm unemployed
pulpbukowskiDeth's rating:

Ed Wood (1994)

Edward D. Wood, Jr.: This story's gonna grab people. It's about this guy, he's crazy about this girl, but he likes to wear dresses. Should he tell her? Should he not tell her? He's torn, Georgie. This is drama.
pulpbukowskiDeth's rating:

Ghost World (2001)

Enid: You know, we need to find a place where you can go to meet women who share your interests.
Seymour: Well maybe I don't want to meet someone who shares my interests. I hate my interests
pulpbukowskiDeth's rating:

Easy Rider (1969)

George Hanson: They're not scared of you. They're scared of what you represent to 'em.
Billy: Hey, man. All we represent to them, man, is somebody who needs a haircut.
George Hanson: Oh, no. What you represent to them is freedom.
Billy: What the hell is wrong with freedom? That's what it's all about.
George Hanson: Oh, yeah, that's right. That's what's it's all about, all right. But talkin' about it and bein' it, that's two different things. I mean, it's real hard to be free when you are bought and sold in the marketplace. Of course, don't ever tell anybody that they're not free, 'cause then they're gonna get real busy killin' and maimin' to prove to you that they are. Oh, yeah, they're gonna talk to you, and talk to you, and talk to you about individual freedom. But they see a free individual, it's gonna scare 'em.
pulpbukowskiDeth's rating:

Midnight Cowboy (1969)

Joe Buck: I like the way I look. Makes me feel good, it does. And women like me, goddammit. Hell, the only one thing I ever been good for is lovin'. Women go crazy for me, that's a really true fact! Ratso, hell! Crazy Annie they had to send her away!
pulpbukowskiDeth's rating:

Serpico (1973)

Tom Keough: Now I ain't sayin' who. They just said ya'... ya' couldn't be trusted, you know?
Frank Serpico: 'Cause I don't take money, right?
Tom Keough: Frank, let's face it. Who can trust a cop who don't take money?
pulpbukowskiDeth's rating:

Falling Down (1993)

Bill Foster: Why am I calling you by your first names? I don't even know you. I still call my boss "Mister", and I've been working for him for seven years, but all of a sudden I walk in here and I'm calling you Rick and Sheila like we're in some kind of AA meeting... I don't want to be your buddy, Rick. I just want some breakfast.
Sheila: You can call me Miss Folsom if you want.
pulpbukowskiDeth's rating:

pulpbukowskiDeth's rating:

L.A. Confidential (1997)

Sid Hudgens: Come to Los Angeles! The sun shines bright, the beaches are wide and inviting, and the orange groves stretch as far as the eye can see. There are jobs aplenty, and land is cheap. Every working man can have his own house, and inside every house, a happy, all-American family. You can have all this, and who knows... you could even be discovered, become a movie star... or at least see one. Life is good in Los Angeles... it's paradise on Earth." Ha ha ha ha. That's what they tell you, anyway
pulpbukowskiDeth's rating:


Raoul Duke: There he goes. One of God's own prototypes. A high-powered mutant of some kind never even considered for mass production. Too weird to live, and too rare to die
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Seven Samurai (1954)

Gisaku: All farmers ever do is worry, whether the rain falls, the sun shines or the wind blows. In short, all they know is fear.
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Reservoir Dogs (1992)

Mr. Blonde: Hey Joe, you want me to shoot this guy?
Mr. White: [laughs] Shit... You shoot me in a dream, you better wake up and apologize.
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The Graduate (1967)

Mr. McGuire: I just want to say one word to you. Just one word.
Benjamin: Yes, sir.
Mr. McGuire: Are you listening?
Benjamin: Yes, I am.
Mr. McGuire: Plastics.
pulpbukowskiDeth's rating:


King Arthur: Now stand aside, worthy adversary.
Black Knight: 'Tis but a scratch.
King Arthur: A scratch? Your arm's off.
Black Knight: No it isn't.
King Arthur: What's that, then?
Black Knight: [after a pause] I've had worse.
King Arthur: You liar.
Black Knight: Come on ya pansy
pulpbukowskiDeth's rating:

Barfly (1987)

Wanda: I can't stand people, I hate them.
Henry: Oh yeah?
Wanda: Do you hate them?
Henry: No, but I seem to feel better when they're not around.
pulpbukowskiDeth's rating:

Walk the Line (2005)

Johnny Cash: Aw, June, love's more important than the tour.
June Carter: Is that right?
Johnny Cash: Yes, it is.
June Carter: Well, then start loving yourself, so we can go back to work
pulpbukowskiDeth's rating:

Wild Strawberries (1957)

Professor Isak Borg: What is the punishment?
Sten Alman: The punishment? Well, I guess it'll be the usual.
Professor Isak Borg: The usual?
Sten Alman: Yes. The punishment is loneliness.
Professor Isak Borg: Is there no way out?
Sten Alman: Don't ask me. I don't know anything about these things
pulpbukowskiDeth's rating:

Apocalypto (2006)

Flint Sky: Those people in the forest, what did you see on them?
Jaguar Paw: I do not understand.
Flint Sky: Fear. Deep rotting fear. They were infected by it. Did you see? Fear is a sickness. It will crawl into the soul of anyone who engages it. It has tainted your peace already. I did not raise you to see you live with fear. Strike it from your heart.
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Quest for Fire (1981)
Fire was a symbol of power and a means of survival. The tribe who possessed fire, possessed life.
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