“Debuting at France’s prestigious theatre group Comédie–Française, Jeanne Moreau established herself as leading lady in films like Jules et Jim (1962), La Notte (1961) and Elevator to the Gallows (1956). The strict discipline and rigid structure of the movement lent her the versatile background necessary to hold her own in films as well as stage productions. She looked for traditional stories and solemn acting roles at the beginning of her career. She hoped to prove to her father, who strongly opposed her career choices, that acting was not an immoral field to work in.
As her career progressed, she worked prolifically in French new age films, collaborating with directors like Luis Bunuel, François Truffaut, and Michelangelo Antonioni. Her collaboration with renowned dir”
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