An American in Paris - Region 0 Blu-ray

Oscars 1952 Winners (My Version) (26 items)
list by darthjoker12

I love this movie, and on blu-ray, the quality is SO much better than I have ever seen it. From the first moment Gene Kelly gets out of bed, all of his movements are graceful, full of dance and music. Yes, the story is thin, but most, if not all, of the musicals of this time were, because they were made more for the music and dancing, which are, in this movie, just amazing to watch, and watch an... read more

Description: D D A winner of six Oscars including Best Picture, An American in Paris (1951) was Vincente Minnelli's love letter to the City of Lights and to the music of George Gershwin. Gene Kelly plays Jerry Mulligan, a former American GI trying to make a living in France as an artist after the war. He's taken on by an American patron of the arts (Nina Foch) who has other intentions, but he falls in love with a local girl (Leslie Caron in her debut) who happens to be the intended of a Parisian cabaret performer (Georges Guetary). The music of George and Ira Gershwin sparkles throughout the film, including Kelly and Guetary's ironic du D
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A winner of six Oscars including Best Picture, An American in Paris (1951) was Vincente Minnelli's love letter to the City of Lights and to the music of George Gershwin. Gene Kelly plays Jerry Mulligan, a former American GI trying to make a living in France as an artist after the war. He's taken on by an American patron of the arts (Nina Foch) who has other intentions, but he falls in love with a local girl (Leslie Caron in her debut) who happens to be the intended of a Parisian cabaret performer (Georges Guetary). The music of George and Ira Gershwin sparkles throughout the film, including Kelly and Guetary's ironic duet "'S Wonderful," Kelly's simple ballad "Love Is Here to Stay," Guetary's flamboyant "I'll Build a Stairway to Paradise," and Kelly's tour-de-force "I Got Rhythm" dance with a bunch of kids. Oscar Levant plays his usual acerbic self as Jerry's friend and pianist, and performs the final movement of the Concerto in F--accompanied by an orchestra of himselves. The movie famously concludes with a 17-minute fantasy ballet set to the tone poem the movie is named after. While its scope and placement might seem a little odd to viewers decades later, it's an elaborate showcase of Kelly's dancing and choreography (he received an honorary Oscar that year for it), and started a trend that would be followed by similar numbers in Singin' in the Rain and Oklahoma! --David Horiuchi

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