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Berlin Alexanderplatz

Directed by


Starring (View all)
Günter Lamprecht Günter Lamprecht
 Franz Biberkopf 14 episodes, 1980
Claus Holm Claus Holm
 Wirt / ... 12 episodes, 1980
Hanna Schygulla Hanna Schygulla
 Eva 12 episodes, 1980
Franz Buchrieser Franz Buchrieser
 Gottfried Meck 11 episodes, 1980
Brigitte Mira Brigitte Mira
 Frau Bast / ... 10 episodes, 1980
Roger Fritz Roger Fritz
 Herbert / ... 9 episodes, 1980
Gottfried John Gottfried John
 Reinhold Hoffmann 9 episodes, 1980
Barbara Sukowa Barbara Sukowa
 Mieze 6 episodes, 1980


Written by
Alfred Doblin Alfred Doblin
(14 episodes, 1980)
Rainer Werner Fassbinder Rainer Werner Fassbinder
(14 episodes, 1980)


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Berlin Alexanderplatz Videos



Pictures

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This film, which is basically the longest narrative film ever made, is a 15-1/2 hour episodic exploration of the character of Franz Biberkopf, "hero" of Alfred Döblin's acclaimed novel, as well as the Alexanderplatz area of Berlin that he inhabits. (from imdb)
Release date: 10 August 1983
Tags: German (3), Drama (2), Politics (2), Greed (2), Germany (2), Corruption (2), Economy (2), Depression (2), Prostitution (2), Film (1), Love (1), WW II (1), 1980s (1), WWII (1), (1)
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"18.1. Hyvin monessa paikassa maailman parhaaksi elokuvaksi hehkutettu kuusitoistatuntinen eepos osoittautui itselleni valtavaksi pettymykseksi. Fassbinderistä muuten pitävälle Berlin Alexanderplatz tuntui liian juonivetoiselta perusdraamalta. Kokonaisen sohvapäivän aikana mieleen ehtivät tulla myös ajatukset siitä, miksi jokaisella varteenotettavalla auteurilla pitää olla se menneisyyteen sijoittuva epookkinsa, jossa käsitellään jollain tavalla rikollisuutta tai rikollista elämä"


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"FROM PAGE TO SCREEN Hann Schygulla Icily aloof muse; spirited call girl; guttersnipe Lady Macbeth; faithful friend and lover: Hanna Schygulla packs them all into her portrayal of Eva in Fassbinder’s epic miniseries about life in late 1920s Berlin. While Günter Lamprecht as hero Franz Biberkopf turns in a performance of great range and power, it falls to Schygulla to call attention to the full repertoire of Fassbinder’s cinematic stagecraft. She exudes emotion in filtered, gauzy close-ups, "



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