The Texas Chainsaw Massacre update feed
" Notes: First of all, you can say whatever you want but it is definitely a really bad-ass title. The first time I watched the damned thing, to be honest, I was actually rather apprehensive as I thought it would be really terrifying. Eventually, I thought it was not really scary, sure, it was unsettling but never really scary. To make up my mind for good, I even saw it again later on but I still had the same feeling. Another thing that always bothered me was the ending which is seriously a total"
" Notes: First of all, you can say whatever you want but it is definitely a really bad-ass title. The first time I watched the damned thing, to be honest, I was actually rather apprehensive as I thought it would be really terrifying. Eventually, I thought it was not really scary, sure, it was unsettling but never really scary. To make up my mind for good, I even saw it again later on but I still had the same feeling. Another thing that always bothered me was the ending which is seriously a total"
"2014: 956 2013: 934 2012: 904 2011: 867 2010: 831 "
"2013: 934 2012: 904 2011: 867 2010: 831 "
"24.4. Blu-ray Uusintakatselu. Onhan tää edelleen mitä äärimmäisin voimannäyte. Kaoottinen, äärimmäinen terrori kaiketi kuvastaa myös aikaansa, mutta on erityisesti tekniseltä kannalta katsottuna aika ylittämätön. En muista aiemmin huomioineeni humoristista (kehityksen tuoman työttömyyden riivaamaa) epätoimiva perhe -aspektiakaan. VHS:ltä ja DVD:ltä viimeksi n. 15 vuotta sitten katsottuna, Second Sight:n blu-ray tuo aiempiin formaatteihin nähden paremmin 16mm:n luonteen e"
“Opening with a "true story" opening crawl - a conceited yet commercially successful ploy to attract a broader audience - Tobe Hooper's "The Texas Chainsaw Massacre", combined with symbolism as a banned video nasty, resonated with its target demographic, but not so with myopic critics, who failed to recognise the film's underlying social commentary, subtext and technical merits, wrongly deriding it as a threat to decency. Ironically, any onscreen violence therein occurs unexpectedly, most of it bloodless and relatively tame by horror standards; the film's unique ability to disturb and horrify arises purely from its relentless psychological impact, primarily in the use of percussive, screeching sound design, radical camera and lighting techniques, real time and agile, accomplished editing to” read more