Singin' in the Rain update feed
"Cast: Gene Kelly, Donald O'Connor, Debbie Reynolds, Jean Hagen, Millard Mitchell, and Cyd Charisse. "
"Best Picture! Winner: Singin' in the Rain! Nominees: High Noon Ivanhoe Moulin Rouge The Quiet Man"
"1952! Winner: Jean Hagen! Nominees: Gloria Grahame - The Bad and the Beautiful as Rosemary Colette Marchland - Moulin Rouge as Marie Charlet Terry Moore - Come Back, Little Sheba as Marie Buckholder Thelma Ritter - With a Song in My Heart as Clancy"
"1952! Winner: Donald O'Connor! Nominees: Richard Burton - My Cousin Rachel as Philip Ashley Victor McLaglen - The Quiet Man as Will "Red" Danaher Jack Palance - Sudden Fear as Lester Blaine Anthony Quinn - Viva Zapata! as Eufemio Zapata"
"1952! Winner: Gene Kelly and Stanley Donen! Nominees: John Ford - The Quiet Man John Huston - Moulin Rouge Joseph L. Mankiewicz - Five Fingers Fred Zinnemann - High Noon"
"1952! Winner: Singin' in the Rain! Nominees: High Noon Ivanhoe Moulin Rouge The Quiet Man"
“Singin’ in the Rain plants its tongue in both of its cheeks at the same time, offering up a self-aware guffaw, and an eye-roll over how preposterous”
“Singin’ in the Rain plants its tongue in both of its cheeks at the same time, offering up a self-aware guffaw, and an eye-roll over how preposterous this whole fame thing is. Typically, Hollywood can’t help but indulge in some deeply self-critical appraisals in films about its own practices and history, but Singin’ in the Rain is a jubilant blast of musical comedy. Telling the story of the fraught transition between the silent era and the talkies, Singin’ in the Rain plays like A Star Is Born for laughs and a happily-ever-after. Composed as a love letter to not only the industry, but to MGM’s Arthur Freed, the super-producer of the most beloved and well-known musicals of the 30s through 50s. A jukebox musical primarily comprised of various songs written by Freed and Nacio H” read more
"The Oscars love musicals (five won in the decade between 1958 and 1968), and the Oscars love movies about Hollywood (look at “The Artist” and “Argo” in recent years). So why is it that “Singin’ In The Rain,” one of the best movie musicals ever made, and one of the best films about Hollywood, got only a single nomination? Perhaps it was because Stanley Donen’s film was essentially a jukebox musical, a showcase for songs from earlier MGM musicals? Or perhaps it was that the film le"