Cabaret update feed
"*Winner* Henry Bumstead (Art Director), James W. Payne (Set Decorator) "
"Directed by: Bob Fosse A female girlie club entertainer in Weimar Republic era Berlin romances two men while the Nazi Party rises to power around them."
" Notes: To be honest, I'm not a huge of musicals but, still, I try to remain open-minded and, like any other genre, if you watch the very best of them, there is a good chance they will be something you like about them. So, indeed, I thought it was pretty good, even if I wasn't completely blown away. Basically, it was Bob Fosse's 2nd directing effort and it was probably his most successful movie, at least critically. Fosse himself was actually quite a phenomenon. Indeed, he was an actor, a dance"
" CABARET milica; Kathy. Total Score: 16 points. "
" Notes: To be honest, I'm not a huge of musicals but, still, I try to remain open-minded and, like any other genre, if you watch the very best of them, there is a good chance they will be something you like about them. So, indeed, I thought it was pretty good, even if I wasn't completely blown away. Basically, it was Bob Fosse's 2nd directing effort and it was probably his most successful movie, at least critically. Fosse himself was actually quite a phenomenon. Indeed, he was an actor, a dance"
" Rating iMDB: My Rating: Director: Actors: Genre: The Plot:"
"February 3 "I'm going to be a great film star! That is, if booze and sex don't get me first." This was a great musical. The cinematography was fantastic and the songs were catchy, but it also had a strong story and fully fleshed out characters. Even though musicals are far from my favorite genre, I do know a good one when I see it and this is a classic of the genre. "
"Liza Minnelli as Sally Bowles "
"Joel Grey To understand the greatness of Joel Grey’s performance in Cabaret, one must understand the greatness of Cabaret as a film. As is the case with most great pieces of historical fiction, Cabaret speaks to conditions not only of its subject’s time, but also its creator’s. And so, the first clear image we see in the movie is Joel Grey making eye contact not with the cabaret club audience, but with the film viewer. “Willkommen!” Bob Fosse focused John Kander and Fred Ebb’s stage "