Added by Rath on 30 Mar 2012 03:02

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The 100 best movies of Mexican cinema (SOMOS)

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Decade: Rating: List Type:

6.5

7.2

The Grey Automobile (1919)

6.7

Santa (1932)

7.8

El compadre Mendoza (1934)

Rath's rating:

7.2

Two Monks (1934)

Rath's rating:

7.3

The Woman of the Port (1934)

7.1

Janitzio (1935)

6.9

Luponini de Chicago (1935)

7.9

7.7

Let's Go with Pancho Villa (1936)

Rath's rating:

7.1

Out on the Big Ranch (1936)

6.6

Águila o sol (1938)

7.8

8.3

You're Missing the Point (1940)

7.2

El baisano Jalil (1942)

Historia de un gran amor (1942)

6.7

7.1

Flor silvestre (1943)

7.5

Another Dawn (1943)

7.7

A Letter of Love (1943)

8.5

7.7

Doña Bárbara (1943)

7.4

Santa (1943)

7.8

7.4

María Candelaria (1944)

7.3

México de mis recuerdos (1944)

7.4

La barraca (1945)

7.2

Las abandonadas (1945)

7.5

7.8

Enamorada (1946)

Campeón sin corona (1946)

7.7

7.5

La otra (1946)

6.5

Los tres García (1947)

6.3

7.2

La diosa arrodillada (1947)

7.8

7.4

The Pearl (1947)

6.9

Hidden River (1948)

6.5

7.1

Esquina, bajan...! (1948)

6.1

Gángsters contra charros (1948)

6.9

Nosotros, los pobres (1948)

5.4

8.1

Los tres huastecos (1948)

7.5

La oveja negra (1949)

La malquerida (1949)

7.7

Una familia de tantas (1949)

7.4

7.6

Salón México (1949)

7.3

Calabacitas tiernas (1949)

7.4

Pueblerina (1949)

7.2

Rosauro Castro (1950)

8.9

7.6

Aventurera (1950)

340

8.1

8.3

The Young and the Damned (1950)

Rath's rating:

7.2

Doña Diabla (1950)

9.5

8.2

The King of the Neighborhood (1950)

7.2

Doña Perfecta (1951)

6.3

7.6

En la palma de tu mano (1951)

7.3

7.2

Susana (1951)

Rath's rating:

6.5

7.1

Sensualidad (1951)

7.7

Víctimas del pecado (1951)

7.7

A.T.M.: ¡¡A toda máquina!! (1951)

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In July 1994, the mexican magazine SOMOS -on the occasion of its 100th issue- a special edition dedicated to the 100 best movies of mexican cinema. To make the selection, the magazine invited 25 specialists in its cinematography, among them critics like Jorge Ayala Blanco, Nelson Carro and Tomás Pérez Turrent, historians of the caliber of Eduardo de la Vega Alfaro and Gustavo Garcia; Carlos Monsivais and Gabriel Figueroa own.

The SOMOS list includes only films whose production is fully or mostly mexican, hence the absence of some important movies as Viridiana (1961) by Luis Buñuel. The oldest film selected (The Grey Automobile) in 1919 and newer (Cronos and Like Water for Chocolate), 1992.

So far, the list of SOMOS is the main effort of this nature has been done on the mexican cinema, hence its importance as a criterion for the selection of films that make up this filmography.

Movies up to 1994, the year of publication of the list in the magazine SOMOS.
In chronological order.