Irreversible - Region 1 DVD

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Few movies make me cringe or feel incomfortable, but this one does. Uncompromising brutality and disturbing realism make this a very unsettling film.

If you're reading this, you most likely have an idea by now of what this film is, what it contains, and how it is achieved. Curiosity finally got the better of me too, and I'd be lying if I didn't say a large part of me regrets it. I do not, however, wish to blame the film-makers, as given the content and message behind the movie, I can't think of any way to improve upon the ultra-tragic nightmari... read more

Description: M M 0 0 Irreversible begins with the closing credits running backwards before the film begins (or ends) with Marcus (Vincent Cassell) and Pierre (Albert Dupontel) being escorted out of a gay S&M club by the cops, Marcus with his arm broken and Pierre in handcuffs. The "story" proceeds to unwind in a series of single-take scenes that unfold Memento-style, with each scene giving more context to what we have seen previously. Each scenario depicts actions, dialogue, incident, behavior, and circumstances that the lead characters might have wished didn't happen, ranging from extreme violence through awkward social si M
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Irreversible begins with the closing credits running backwards before the film begins (or ends) with Marcus (Vincent Cassell) and Pierre (Albert Dupontel) being escorted out of a gay S&M club by the cops, Marcus with his arm broken and Pierre in handcuffs. The "story" proceeds to unwind in a series of single-take scenes that unfold Memento-style, with each scene giving more context to what we have seen previously. Each scenario depicts actions, dialogue, incident, behavior, and circumstances that the lead characters might have wished didn't happen, ranging from extreme violence through awkward social situations to mild embarrassment. The central character (and possible dreamer of this whole what-if story) emerges as Alex (Monica Bellucci), who suffers the worst in a very hard-to-watch rape sequence in an underpass. Semi-improvised, the scenes all have attack and power as themes, with later/earlier conversational sequences that suggest life isn't all sexual assaults in the dark, showing equal cinematic imagination with the horrors. Arguably, this is not a film most would subject themselves to twice, but it is something that stays in the mind for days after viewing, sparking far more ideas and emotions than most wallow-in-nastiness pictures. --Kim Newman

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