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Fight Club review

Posted : 13 years, 9 months ago on 10 August 2010 05:05

best movie of all time edward norton and brad pitt are a dinamic duo for a non stop thrill ride that will leave you wondering who is tyler durden


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Fight Club review

Posted : 13 years, 11 months ago on 6 June 2010 12:29

No sólo tiene una atmósfera y apariencia que se sienten bastante propias, también tiene a Tyler Durden, uno de los personajes más memorables en la historia del cine, en el mismo sentido que lo son el Joker de Ledger o el Bateman de Christian Bale. La dirección de Fincher resulta atrevida e inteligente a la vez. El resultado final es una película enérgica, divertida, retadora e imaginativa.


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Amazing!!

Posted : 14 years, 4 months ago on 9 December 2009 01:46

Fight Club is a total masterful work of art from David Fincher. Fight Club is a film that is just complete kick ass all the way through it. It is one of those films that is very violent even before you watch it because the two words in the title are ways of violence. Fight Club is a new cinematic experience that truly reveals human behaviour not only because of the fighting in Fight Club but also because of the psychological side of humans. It is a film that some people wouldn't like because of the violence but would because of really cool characters and actors involved. I find Fight Club was underestimated at first because it came out but now it is a cult masterpiece with a lot of meaning to it. It is a little overrated but can't help but adore it to bits as I do.


Brad Pitt is awesome in this film as Tyler Durden. He makes me laugh in this film because Tyler can be a total arsehole and a slimy arrogant character but in a humurous way. Tyler is described just the same as Brad Pitt as far as appearances is concerned. He was a very hard leader at Fight Club. Tyler is a very manipulating character because of what he does to the narrator in this film and what he usually likes to do. Edward Norton is really good too. I think he was chosen to be in this film because his character is slightly similar to his character in American History X. Edward told a story in that film as he does in Fight Club in which he is really good at. I find Marla Singer a typical Helena Bonham Carter character because she is a very unusual and mysterious character and also because of Marla's appearance. She is like a really heavy smoker and a mixed up slag. It is really unusual when she attends the testicular cancer obviously because she is a woman. Marla is a sort of character that Helena hasn't ever portrayed before but now feels like she should portray characters like Marla now. Marla's bizzareness is sort of like Mrs. Lovett in Sweeney Todd: The Demon Barber Of Fleet Street.


The direction from David Fincher was simply outstanding. I liked it more than Se7en. I loved the instant camera angles that Fincher has in this film particularly the fight scenes. The script was very original which is what most cult films are like as far as screenplay is concerned. It was written to catch the audience's attention and to keep their eyes on it because it is so breathtaking.


This is my favourite film from Fincher so far. It is my second favourite film from Brad Pitt after The Curious Case Of Benjamin Button and Edward Norton so far but it is my second favourite Helena Bonham Carter film after obviously Sweeney Todd: The Demon Barber Of Fleet Street. Fight Club is my favourite cult film and third favourite film of 1999 after American Beauty and The Green Mile. It is on the list of favourite films without a single doubt. Also, it has the greatest plot twist that I have ever seen and in my opinion, the biggest twist of all time. Masterpiece!!!!!


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A male powerfantasy

Posted : 14 years, 6 months ago on 19 October 2009 12:14

It truly astonishes me how a film that is in all technical values this excellent can be so crap in it's content. This movie provides us a view of our world so pessimistic, disgusting and revolting that it makes me shrug. Fight Club assumes that every middle-class blue collar worker is some nutcase with pint up rage towards the society we live in and loathes everything within it. It assumes that inside every one of us there is a very, very large anarchy-adoring psycopath just waiting for the right leader. This is a view of the world I so greatly disagree with that it simply puts me completely off the entire picture. The script isn't structured very well either, as the film shifts midway through into a thriller from a dark comedy and that shift is very uneven, and makes the later half of the film so much worse than it needed to be had the shift not been so damn fast and sudden. In the end this movie is a fantastically acted and edited piece of linguistical, sardonic crap that seems to please male audiences with this promise of a barbaric lifestyle that is enjoyable to watch, but would be a bitch to live.


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Join the Club...Join the revolution...

Posted : 15 years, 5 months ago on 18 November 2008 05:32

''Fuck off with your sofa units and strine green stripe patterns, I say never be complete, I say stop being perfect, I say let... lets evolve, let the chips fall where they may.''

An office employee and a soap salesman build a global organization to help vent male aggression.

Edward Norton: The Narrator

Brad Pitt: Tyler Durden

Helena Bonham Carter: Marla Singer

Fight Club is after looking past all the violence, extreme cinematographic techniques, computer-enhanced images, and other tricks Fight Club plays on us, we see another level to this film. It's a show about young men trying to find their place in society at the end of the 1990s.



Edward Norton and Brad Pitt play a couple of typical guys in typical situations for men of their age, with no idea where to go with their lives. Okay, you can argue that Pitt's character isn't so typical, and that he has some idea what to do. I'd say he's only about a half-step ahead of Norton.
Helena Bonam Carter also shines as Marla Singer, shes such a good actress and displays her fondness for roles which provide questions and deeper meanings, like her Burton Roles and her part in Hallmark's Merlin. Fight Club is another one of her roles that redefined her career.
It begins with nameless character, known in credits only as Narrator, spiritually and physically beaten 30-year-old professional fighting insomnia and seeking a way to reconnect with the world, although I doubt he was ever properly connected to begin with. He is engaged in a losing battle with life he chose (although judging by his misery you would think somebody else chose it for him). Battle that's fought on modern day yuppie frontlines - corporate offices, airports, his expensive IKEA decorated condo, airline first class, business trips etc., and is in desperate need of something. He is essentially inside a materialist prison, a brain washed zombie clone in society,
Watching from aside one would think that something is emotional comfort, meaning, love or a thing along those lines. Whatever it is, he seems to have found it, albeit briefly, in various disease support groups that he now starts to frequent pretending to have different ailment or disease for every day of the week. Listening to people, in some cases dying, open up about their problems gives him a visceral sense of freedom. Suddenly he can sleep and enjoy life again. "I let go. I found freedom. Losing all hope was freedom", he reasons. Until…..Marla Singer strolls into his life and messes all of that up. She, you see, is also a pretender and the knowledge that another person like him is present at these meetings bothers our Narrator to the point that his insomnia returns.
We also understand how Tyler invents his later apparent alter ego of sorts, when we re-watch. This being represented with quick flashes of his mental perception of himself coming forth. Later in Fight Club even these quick cuts are explained, giving an extra dimension to the film itself, a film within a film within a film, worlds within worlds.
The story then shifts to the Narrator's relationship with a strange, confident individual named Tyler Durden with whom he hits it off on a plane during a business trip, soap and crashing arise in the conversation, a random friendship results, in which we learn more. Their bond intensifies, solidifies, then after Narrator returns home and finds his condo blown sky high as a result of an electrical malfunction. This act the first escape from the possessions and materialistic shackles confining him.
Having no family or friends to turn to in a time of need, he calls Marla, hesitates, then calls Tyler before moving in with him in a boarded-up apocalyptic house. On Tyler's insistence they create a weekly fight club that starts up as a jealously guarded secret gathering, where a few young males can nurse their anxieties and frustrations by beating each other to a bloody pulp! Bingo! This is what Narrator has been looking for all his life, a release and escape from reality.

''This is your life and it's ending one minute at a time.''

Norton & Pitt's characters, went through school, graduated college, and got normal, thoughtless jobs...jobs, not careers, because they felt it was expected of them, they in a way, conformed to society. Now they don't know what's expected of them. Their fathers are gone and can no longer tell them what to do. They've been confronted with opposing images of what constitutes a man all their lives: the cold, power-hungry yuppie, the sensitive, caring friend to the environment, the politician that cheats and lies to the people he represents, the attractive actors and models who don't seem to be capable of having an original thought.
Like so many other viewers I found this a worthwhile movie to watch for about the first third. The film deals out some hard blows against modern consumer society, that could be called daring for a high budget Hollywood production. The given thesis- relief and the chance to achieve self-discovery through violence, is inane though. As the story develops we see that the whole Fight Club thing leads the protagonists to become some sort of a terrorist organization, culminating in a series of attacks that obviously destroy a good part of the town in the end. Isn't that turning the whole point upside down, so that the message could be: Non conformity will inevitably lead to chaos and destruction, so please avoid any critical assumptions.
In a way I felt that in the end the script-writer attempts to apologizes for the hard strokes dispersed in the dawn of the effort.

They're finally coming to a point where they have to figure out what they want to do with their lives, or give up life by these images society presents them.

''Man, I see in fight club the strongest and smartest men who've ever lived. I see all this potential, and I see squandering. God damn it, an entire generation pumping gas, waiting tables; slaves with white collars. Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don't need. We're the middle children of history, man. No purpose or place. We have no Great War. No Great Depression. Our Great War's a spiritual war... our Great Depression is our lives. We've all been raised on television to believe that one day we'd all be millionaires, and movie gods, and rock stars. But we won't. And we're slowly learning that fact. And we're very, very pissed off.''

Convinced that real life and growth come about from conflict, they start fight club. Norton and Pitt's characters discover that in this repressed, politically correct society, the best way to really know yourself, the only way to really grow, is through conflict, through fighting. They fight to see what they're capable of giving out and taking. They fight to dominate each other, but more importantly to conquer themselves. They fight to recognize each other as human beings and to gain respect for themselves.
This film reminds me of a modern A Clockwork Orange. Some critics complained about the film being pro-violence, heavy-handed, and pure style over substance. Others have acclaimed it as a masterpiece, one of the few mainstream films that actually contains a message. I'm in the later camp, as I think Fight Club is one of the best films of the decade. As just like Alex DeLarge, many people didn't realize that Tyler Durden is the villain. It could've used a little more subtlety, but I can't complain because whereas film buffs are more used to multi-layered films, this is about as subversive as mainstream audiences could handle. Its also a very detailed film, so repeated viewings are required.
David Fincher is often an under-rated filmmaker, again he's created a masterpiece. The film has the same MTV-style editing that makes everything as quickly paced as possible, but for once it serves a purpose rather than just style.

Whether you're offended by the violence or not, you have to appreciate the symbolic importance of the conflict. You have to appreciate wanting to be someone else, and in the end, wanting to be simply just yourself. This is essentially what Fight Club is, an eternal battle with ones self, a culmination of struggle, and a release from the prison society creates for us. Fight Club is a revolution of the mind.

''It's only after we've lost everything that we're free to do anything.''


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I am Jack's Half Baked Review

Posted : 15 years, 10 months ago on 18 June 2008 08:29

The Indie film has become more and more popular as the years go on. Blockbusters and high concept movies are losing their appeal as favourite films because the audience strives for a deeper meaning and an alternative look on the big screen. Being a teen in the late 90s, this is one of the first films that stood out for me in the Indie bracket.

So, David Fincher directed an adaptation of Chuck Palahniuk book Fight Club. Jack (Ed Norton) is a man who lacks any kind of lift in life. Stuck in middle management and suffering from insomnia, his life is a complete waste as he is overcome by consumer culture and no longer enjoys anything that he isn’t told to like. That is, until he meets a confident and inspiring Soap Salesman known as Tyler Durden (Brad Pitt); who teaches him more about being a man than any self-help book could ever do.

The film has a lot of commentary on maculinity which you couldn't help but notice through every scene. Tyler Durden is a somewhat accurate representation of modern masculinity. He has a scruffy but well preserved appearance which makes him stylish but not enough to make him look like he cares about his looks. However, actively starting fights and enjoying getting beaten up shows that he is a sadist and a masochist, which makes him quite the oddity and contrast. Furthermore, he doesn’t need or want anyone to provide for and so being the head of a nuclear family isn’t his goal (unlike traditional man). Creating a fraternity for like minded men is his link to being the breadwinner of his societal archetype. It can go as far as to say that Tyler Durden is so masculine that he doesn’t need what a normal man wants, which is possibly why Jack wants to be him. Little does he know...

The film can also be seen as postmodern as it is self-aware. There are times when Jack and Tyler talk to the audience, breaking the fourth wall, explaining what they are doing and so forth. Using the subliminal penis shot throughout the film and explaining how it is done is teaching the audience that the characters are aware they are in a film and performing for the sake of the movie. Something of an early mindf*ck but was a rather entertaining addition.

The narration, as well as explaining the narrative for the audience, rewinds and fast forwards itself to what Jack says and so creates an MTV-like *groan* effect where everything is explained in due course. In terms of genre, there are no clear lines of what the film can be classed as. It shares conventions with the thriller and with certain crime dramas but there is nothing for sure, which further classes Fight Club as a post modern text. Even though it was an early 'mainstream indie' it managed to rock conventions beyond what anyone could have expected at the time.

I think for me, the soundtrack was quite unforgettable. Even now, I don't recollect the film when I hear any of the songs. I think this was the main flaws of the film. The tracks were just thrown in for the sake of making the film more alternative. Maybe it was just there to make you feel a sense of unbelonging which Jack himself felt. But thats probably a load of shit.

One of the last great films of the 20th century and a must see for anyone with a penchant for the weird, wonderful and whimsical.


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Ch. vs. Dis. !

Posted : 17 years ago on 22 April 2007 08:53

I walked away from this movie both, challenged and greatly disturbed. The utter feeling of hopelessness that these characters felt and the need to follow a charismatic leader was a frustrating feeling for me. Our Savior stands before us wanting to fill our every need and to take away every feeling of hopelessness that fills the lives of today's generation. The challenge that I felt was one of a desperate need to spread HIS love to everyone. The film making qualities were awesome and it was probably one of the best made movies that I have ever seen. Norton and Pitt gave phenomenal performances, as well!


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