Beauty and the Beast (1991) Reviews
One word=F-L-A-W-L-E-S-S!
Posted : 1 year, 8 months ago on 8 August 2022 09:350 comments, Reply to this entry
Beauty and the Beast (1991) review
Posted : 1 year, 10 months ago on 6 June 2022 06:32Acercan a los dos de una forma muy tierna y sus interacciones son todas muy genuinas, los choques que tienen se sienten hasta graciosos por sus personalidades. Contrario de lo que algunos piensan, no es por sĆndrome de Estocolmo, despuĆ©s de todo esta cercanĆa se empieza a dar justo despuĆ©s de que la bestia le SALVA LA VIDAS a Bella y como ella es observadora se da cuenta de que tal vez el no es tan malo, a partir de ahĆ se van acercando mas y mas. El gesto de la biblioteca no se da si no hasta que ya eran un poco mas cercanos y la bestia, queriendo ser considerado, le regala algo que sabe que le podrĆa llegar a gustar.
Bonita pelĆcula con canciones icĆ³nicas y un villano gracioso.
0 comments, Reply to this entry
Beauty and the Beast (1991) review
Posted : 3 years, 12 months ago on 29 April 2020 08:22"Beauty and the Beast" serves as an exemplar that love can be transformative and beauty is not external, a lesson that broke new ground for Disney and its archaic treatment of their female characters; herein, the obligatory Princess is a bookworm discontented with her provincial life who then finds acceptance, adoration and respect from a Prince cursed with the body of a Beast. For the first time in Disney's history, the saviour roles are reversed in terms of gender and the stock love interest is recognised for what he is: a vainglorious, misogynistic throwback. Beastly as he is, we fall in love with what lies beneath the monstrous visage and temperament of the titular hero, although once he returns to his human form, the aforementioned spell is broken in more ways than one. Will the Prince value his Princess and still be true to her now that he is a fallible, lovable human again? Was the Beast perfect as he was? This lingering ambiguity is one of the many reasons why this is one of the greatest Disney adaptations, a magical fable that possesses universal appeal, modern touches, and lean, simplistic storytelling. It remains eminently entertaining and evocative, a true gem of modern animation that revived the fortunes of an outdated film company stuck in a formulaic rut and paved the way for its future dominance in the cinematic realm.
0 comments, Reply to this entry
Beauty and the Beast
Posted : 8 years, 5 months ago on 28 November 2015 07:43Is this the undisputed masterpiece of the Disney Renaissance? If itās not the top choice for that honor, itās damn close. It plays less like a traditionally animated Disney feature, and more like a long-lost MGM musical. The animation is lush, the characters are memorable, the songs are lively, and itās no wonder that this was the first animated film to get a Best Picture nomination, as it is one of the highest points in Disneyās filmography.
Ā
Sure, when it comes to filmed versions of the fairy tale this is second fiddle to Jean Cocteauās masterpiece, but this one also does nicely on its own. Shockingly, this version retains a strong fidelity to the source material, Jeanne-Marie Leprince de Beaumontās well-known variation of the tale. Being Disney, much of the implicit sexuality has been scrubbed clean, but the rest of the basic materials and story beats are all there.
Ā
This is the sight of the studio producing something while all of the talents involved are working at their peak artistic capabilities. Not an ounce of story time is wasted, every major character is developed with clear wants and needs, and every song is in service of the story. The vocal talent, an ensemble of beloved Broadway veterans and character actors, is first-rate, and the animation is elegant.
Ā
The Little Mermaid first brought back the multi-plane camera and various other tricks from the Golden Era, but Beauty and the Beast used them more grandly. Itās clear from the opening pane through the forest to the Beastās castle that weāre dealing with a huge budget, and much time and effort has been placed into this. The sweeping romance of the ballroom sequence has become as memorable a sequence as Cinderellaās transformation or Pinocchioās nose continuing to grow as he lies.
Ā
Much has been made about the central romance, but I never placed much stock in the reading of it as Stockholm Syndrome. Belle never feels romantic yearnings towards the Beast until he exhibits a clear change in temperament and personality, until he essentially grows up. When she gets the chance to leave his castle, she runs away, only returning to the castle to nurse the Beastās wounds or try and stop the villagers from harming him. She consistently stands up to him, refuses to engage in his tantrums, and calls him out every chance she gets. Romance only enters her mind after she realizes heās an outcast kindred spirit, much like her, and finds an empathetic connection with his wounded soul.
Ā
If I could pinpoint the lone element that ties it all together and makes it work so beautiful, it would be that fantasy is a medium of ideas of things and not their actuality. Filmed fantasy stories need to be built upon a foundation of dreams and imagination, not on actuality. Beauty and the Beast presents us with places and dangers that feel more dream-like than real. Beastās castle is all glowering and menacing gargoyles, stacked one on top of the other, as far as the eye can see, or a library the size of three rooms. The woods around his castle are filled with wolves that are more glowering and vengeful than they would be in real life, comprised mostly of fangs and hunched shoulders.
Ā
The only element that feels even remotely like an intrusion from real life is Gaston and his band of merry assholes. Gastonās the pinnacle of heteronormative patriarchy ran amuck. He feeds into every stereotypical gender role, every male power fantasy, and Iām certain every girl has at least three stories about men like him. Knowing that a gay man wrote the lyrics to his call to arms against the Beast, this filmās version of the mysterious āOther,ā adds an extra dimension to his dangerous nature. Gastonās urge to unite the masses with fear and propaganda against it, and to ultimately try and destroy it feels like the real world poking through the fantasy. Every fantasy film has this moment, and if done correctly makes the fantastical elements pop more and tie together better. Itās done very well here.
This film is as good as fairy tale cinema can be, and definitely one of the higher points in the history of Disney. Everything works here, and it can easily be viewed as an animated spin on a Broadway musical, no surprise that Disney quickly turned it into one. Thereās Busby Berkeley style musical romps, sentimental ballads, lively group numbers, all in service of telling a solid story. Undoubtedly, the Renaissanceās answer to Sleeping Beauty or Snow White and the Seven Dwarfs, Beauty and the Beast easily rests in their pantheon of great fairy tale adaptations.
0 comments, Reply to this entry
An average movie
Posted : 8 years, 8 months ago on 16 August 2015 02:440 comments, Reply to this entry
Beauty and the Beast (1991) review
Posted : 9 years, 10 months ago on 1 July 2014 12:220 comments, Reply to this entry
Beauty and the Beast (1991) review
Posted : 11 years, 2 months ago on 2 February 2013 08:48Belle lives in a French village and loves nothing more than a good book and when the local Casanova Gaston (who is odious and vain) tries to take her hand in marriage she can think of nothing worse. Her father stumbles across a deserted castle inhabited by a gruesome beast, who is really a prince under a spell, and when Belle goes to rescue him she ends up being held prisoner herself. Over time Belle and the beast develop a love for one another and when Gaston comes to kill the beast the story is brought to a head.
Of course there is slightly more to the story than that, but that is the rough outline and gives an idea of what you can expect here. The animation is very well done in this film, as it's Oscar will attest to, and the backgrounds are rendered with a level of detail Disney films have lacked in recent years. The use of light is very good as well, especially in the castle where the shadows and pools of light are very well done.
This has decent enough music and isn't too twee and the voiceover work is also very good. I especially enjoyed Angela Lansbury as the teapot and thought she matched the character perfectly.
This has become a classic in the Disney stable for a reason and if you haven't watched this yet you should be pleased with the story and animation on offer. This has plenty of extras, most of which are aimed at kids, but the commentaries and `making of' featurette are of special interest to adults and give a deeper insight into the film. Overall this is a great package with excellent remastering and is another wonderful film to add to your Disney collection.
0 comments, Reply to this entry
Enchanting masterpiece.
Posted : 13 years, 4 months ago on 21 December 2010 05:18Beauty And The Beast bought out in the Disney industry the enchantment and the beauty that they perhaps never thought they'd see again after Walt's passing despite that most of the films between Walt's death and The Little Mermaid and Beauty And The Beast were still very good. They just didn't live up to the level of imagination, charm and magic within it like pretty much all the Disney Renaissances did. The way Beauty And The Beast is filled with so much magic is that there are almost like two different worlds that merge together: the normal village in France with normal people and on the other side, a Beast (a former prince) inside a castle with a moving and talking candlestick, clock, teapot, teacup and others for servants who were humans and are under a spell like the Beast is.
A prince is transformed into a beast by an enchantress as punishment for his cold-hearted attitude and that 'she had seen there is no love in his heart'. She gave him an enchanted rose and if the Beast could love another and earn her love back then the spell would break but if all of the petals fell off, the Beast would remain that way forever. Meanwhile, a young girl named Belle is left alone after her father Maurice heads off to a fair and gets lost in the woods and ends up at the Beast's castle. While home alone, she tries to avoid the clutches of the desperate Gaston who seeks to marry her because 'she is the prettiest girl in town and he deserves the best' and he goes to deep measures to try and make Belle his wife. Maurice's horse returns to Belle and leads her to the Beast's castle where her father is held prisoner and when Beast meets Belle and keeps her captive there instead, everything begins to change and Belle discovers that there is a good man within the Beast that hasn't been discovered before.
Belle is just an absolutely beautiful woman for a cartoon character and the character in general is so powerful hence why I would say that Belle is my favourite Disney Princess. Even a cartoon character has more sense on what's more important about someone than most women in the world nowadays. I think perhaps Beast was quite an eerie character to add in a Disney animated kids film because he is both disfiguring and scary but despite this, they still managed to make him disfiguring to add the drama but also scary to make the audience get more to grips with his character. Gaston is a perfect example of a lot of the men in the world: arrogant, self-absorbed and selfish who think they can just get what they want but not every one has a good physique like Gaston does. Well, for an animation anyway. Lefou is a great character for me because he mysteriously sticks with Gaston even though Gaston treats him like crap (bit like Mr. Smee and Captain Hook) so I guess that goes to show that Lefou is really thick and that Gaston is quite a powerful force over some of the people in that French town. I love all the characters in the castle but I have to say that my favourite character is Lumiere.
Both Gary Trousdale and Kirk Wise as co-directors isn't only their first time directing a feature film together but also a feature film that both have directed in general for the first time so I would say that this goes on the list of the greatest directorial debuts list for both of them because they rightfully deserve it. They both did a fantastic job on The Hunchback Of Notre Dame as well. The screenplay was fantastic! I love how they had the prologue of the Beast and the spell he is under at the start and then the film really begins. Personally, I think what makes a film instantly epic is if there is a prologue at the start with solid music and with strong screenplay. I have to say that the script for this film was just fantastic! I think the most crucial point about this film is the message is sends out: no matter how beautiful one really is, it is more about a person for who they are as a person than what a person looks like. I mean, is better loving someone who's ugly with a strong and nice personality than handsome and an evil bastard. It is just a shame that there aren't many people around nowadays who do appreciate that fact.
Overall, Beauty And The Beast is an absolutely beautiful masterpiece that I fell in love with from when I first saw it and still love it now. It is definitely one of Disney's best animated films ever and it deserves to be. It is also one of those films that almost made me cry but failed to do so. I would still call it a tearjerker. Beauty And The Beast was released on the year I was born so that is another reason why I love it. You have no heart if you decide not to watch this! By the way, if any of you have a blu-ray player, go and get it because you enter a world beyond this one while watching it. Highly recommend both the blu-ray and the film.
0 comments, Reply to this entry
Beauty and the Beast (1991) review
Posted : 15 years, 3 months ago on 26 January 2009 05:490 comments, Reply to this entry
The Only One!
Posted : 15 years, 10 months ago on 30 June 2008 11:40Magic from the opening prologue to the final credit, "Beauty and the Beast" is the last real classic to come from the Disney crew before John Lasseter came along. This was one of the few movies I happily paid to see twice in the cinema, and sitting in a sparsely-populated Friday night audience (I was living in Barbados at the time, and it was hardly the most artistic place on Earth... it was a crying shame that there was hardly anyone there while "Home Alone 2" went through the roof) the second time, the magic remained.
You all know the story, so apart from pointing out the movie's one flaw (the prince's spell had to be broken before he turned 21 or he would remain a beast forever; so if it was cast ten years before the events of the movie, wouldn't that mean he was 11 when the spell was cast...?), let's look at how well the movie works. You have a monster who's more human than the movie's medallion-man villain; you have a heroine who's PC but engaging with it; you have a supporting cast of magic utensils who wisely never upstage the couple at the centre of this love story (and despite the Disney animated trappings, it IS a love story); and you have a captivating story, beautifully told.
The movie's also got wonderful design of its French setting and characters, with the ballroom scene a standout (the tiny but appreciative audience were impressed by the sight of the Beast and Belle in their evening wear - the only time I've ever seen cartoon characters get wolf-whistled in a cinema); and Alan Menken's score is his finest work for the Mouse, with matchless lyrics from the late and much lamented Howard Ashman - how many musicals can you name where ALL the songs are brilliant? But ultimately it's the movie's very real heart that makes it a keeper; the cliche "You'll laugh, you'll cry" is all too true in this case. A lot of movies called 'classic' don't deserve that appellation, but this one does.
I'll be slaughtered by anime fans, but what the hell... one "Beauty and the Beast" is worth a thousand "Akira"s. And "Shrek"s. And, I'm willing to bet, "Treasure Planet"s. This is a truly adult animated feature that's also one for the entire family. Forget "The Silence of the Lambs" - this is the real best picture of 1991.
0 comments, Reply to this entry