From Best to Worst: Winona Ryder

Star Trek reignites a classic franchise with action, humor, a strong story, and brilliant visuals, and will please traditional Trekkies and new fans alike.

Dark, cynical, and subversive, Heathers gently applies a chainsaw to the conventions of the high school movie -- changing the game for teen comedies to follow.

Being John Malkovich is both funny and smart, featuring a highly original script.

The first collaboration between Johnny Depp and Tim Burton, Edward Scissorhands is a magical modern fairy tale with gothic overtones and a sweet center.

Thanks to a powerhouse lineup of talented actresses, Gillian Armstrong's take on Louisa May Alcott's Little Women proves that a timeless story can succeed no matter how many times it's told.

Bracingly intense, passionate, and wildly melodramatic, Black Swan glides on Darren Aronofsky's bold direction -- and a bravura performance from Natalie Portman.

Frankenweenie is an energetic stop-motion horror movie spoof with lovingly crafted visuals and a heartfelt, oddball story.

Looking for Richard a smart, fascinating behind-the-scenes look at adapting Shakespeare.

Overblown in the best sense of the word, Francis Ford Coppola's vision of Bram Stoker's Dracula rescues the character from decades of campy interpretations -- and features some terrific performances to boot.

A faithful adaptation of Philip K. Dick's novel, A Scanner Darkly takes the viewer on a visual and mind-blowing journey into the author's conception of a drug-addled and politically unstable world.

Reverential and offbeat, the road trip film Private lives of Pippa Lee takes emotional detours and is elevated by great performances, particularly that of Robin Wright-Penn.

While it deserved stronger direction and a more fully realized script, Michael Shannon's riveting performance in the title role is more than enough to make The Iceman recommended viewing.

A wacky satire on the fashion industry, Zoolander is one of those deliberately dumb comedies that can deliver genuine laughs.

Angelina Jolie gives an intense performance, but overall Girl, Interrupted suffers from thin, predictable plotting that fails to capture the power of its source material.

The satire in S1m0ne lacks bite, and the plot isn't believable enough to feel relevant.

While it boasts a capable cast, the disappointingly dull Homefront hearkens back to classic action thrillers without adding anything to the genre.

The film aims to shock, but there is no higher reason for the parade of sordid images except to be "cool."

Entertaining, but too scattered.

Although a few of the sketches that make up The Ten are humorous, the uneven and random tone of the film cause it to fall apart.

Sex and Death 101 aspires to be a clever sex comedy, but has little life behind the sex or the death.

It boasts a likable cast and an interesting premise, but The Dilemma can't decide what to do with them; the result is an uneven blend of cheesy slapstick and surprisingly dark comedy.

This update of Capra doesn't hold a candle to the original, and even on its own merits, Mr. Deeds is still indifferently acted and stale.

Although the film isn't as bad as feared (it wasn't pre-screened for reviews), it's not that good, either. Most noticable flaws are the sappy romantic cliches and lack of chemistry between Gere and Ryder.

As miserable and insipid as its protagonists, The Informers fails to provide anything to think about after the sheen of fake blond is gone.

Though Kaminski's film is visually stylish, Lost Souls is just another derivative entry in the Apocalypse genre, with lackluster direction, unengaging characters, and no scares.