Zdzislaw Beksiński

Add to favorites

Edit page

Search at Amazon

Stats

Born: 24 February 1929 Died: 21 February 2005

Country of origin: Poland

Lists

99 votes

Draw A Line (40 items)
list by Gabi

Published 12 years, 2 months ago

14 comments

67 votes

Works of Inimitable Beauty (103 items)
list by shotswerefired

Published 7 years, 8 months ago

6 comments

59 votes

get inspired (part 2) (5 items)
list by emilia

Published 12 years, 4 months ago

14 comments

9 votes

Favorite Person (111 items)
list by InTheWitheringWind

Published 7 years, 2 months ago

1 comment

5 votes

Favorite Painters (62 items)
list by fdlm4000

Published 1 year, 10 months ago

View all Zdzislaw Beksiński lists

Photos

4 votes

3 votes

2 votes

View all Zdzislaw Beksiński pictures

Description: 24 February 1929 – 21 February 2005) was a Polish painter, photographer and sculptor, specializing in the field of utopian art. Beksiński did his paintings and drawings in what he called either a 'Baroque' or a 'Gothic' manner. His creations were made mainly in two periods. The first period of work is generally considered to contain expressionistic color, with a strong style of "utopian realism" and surreal architecture, like a doomsday scenario. The second period contained more abstract style, with the main features of formalism. Beksiński was murdered in 2005. Technique Beksiński had no formal training 24 February 1929 – 21 February 2005) was a Polish painter, photographer and sculptor, specializing in the field of utopian art. Beksiński did his paintings and drawings in what he called either a 'Baroque' or a 'Gothic' manner. His creations were made mainly in two periods. The first period of work is generally considered to contain expressionistic color, with a strong style of "utopian realism" and surreal architecture, like a doomsday scenario. The second period contained more abstract style, with the main features of formalism.

Beksiński was murdered in 2005.

Technique

Beksiński had no formal training as an artist. His paintings were mainly created using oil paint on hardboard panels which he personally prepared, although he also experimented with acrylic paints. He abhorred silence, and always listened to classical music while painting. Although he loved classical music, Beksinski appreciated rock music as well.
Fantastic Realism

A prestigious exhibition in Warsaw in 1964 proved to be his first major success, as all his paintings were sold.

Beksiński threw himself into painting with a passion, and worked constantly (always to the strains of classical music). He soon became the leading figure in contemporary Polish art. In the late 1960s, Beksiński entered what he himself called his "fantastic period", which lasted up to the mid-1980s. This is his best-known period, during which he created very disturbing images, showing a surrealistic, post-apocalyptic environment with very detailed scenes of death, decay, landscapes filled with skeletons, deformed figures and deserts. These paintings were quite detailed, painted with his trademark precision. At the time, Beksiński claimed, "I wish to paint in such a manner as if I were photographing dreams".

Despite the grim overtones, Beksiński claimed some of his works were misunderstood; in his opinion, they were rather optimistic or even humorous. For the most part, though, Beksiński was adamant that even he did not know the meaning of his artworks and was uninterested in possible interpretations; in keeping with this, he refused to provide titles for any of his drawings or paintings. Before moving to Warsaw in 1977, he burned a selection of his works in his own backyard, without leaving any documentation on them. He later claimed that some of those works were "too personal", while others were unsatisfactory, and he didn't want people to see them.
Later work

The 1980s marked a transitory period for Beksiński. During this time, his works became more popular in France due to the endeavors of Piotr Dmochowski, and he achieved significant popularity in Western Europe, the United States and Japan. His art in the late 1980s and early 1990s focused on monumental or sculpture-like images rendered in a restricted (and often subdued) color palette, including a series of crosses. Paintings in these style, which often appear to have been sketched densely in colored lines, were much less lavish than those known from his "fantastic period", but just as powerful. In 1994, Beksiński explained "I'm going in the direction of a greater simplification of the background, and at the same time a considerable degree of deformation in the figures, which are being painted without what's known as naturalistic light and shadow. What I'm after is for it to be obvious at first sight that this is a painting I made".

In the latter part of the 1990s, he discovered computers, the Internet, digital photography and photomanipulation, a medium that he focused on until his death. ... (more)