Review of John Carter

Of course John Carter is a long way from flawless, but it is also not that bad but you wouldn't think so looking at its box office failure, its reputation and also how terribly marketed it was. Sure the plot is thin as ice in places with scenes that go on for far longer than they needed to, and it is also predictable and with the odd convoluted part, with the many logical lapses not helping in its favour. Particularly at the end, which gave off a sense that the film didn't know how to end itself. The script is uneven too, a fair bit of it is actually quite intelligently handled with some entertainment and suspense but there are other points where the dialogue does make one cringe and you do wish you learnt more about the characters and that the romance wasn't so disjointed and forced. John Carter however does look incredible, the backdrops and scenery are bursting with colour and detail and don't look fake at all and the special effects are equally impressive and not cartoony at all, they are at least well modelled and move easily. Michael Giaccino's music score is outstanding being full of bombastic energy and sweeping intensity, doing all that while fitting with the action and not swamping it. There is plenty of action and it is action that is a feast for the eyes and choreographically is very well-executed, the best of them dazzlingly so. Of the characters, the most enjoyable one was Woola, a very cute and very funny dog creature- the CGI for the character is very well done and some of the best of the film actually- that children and adults alike will take a shine to. Andrew Stanton, considering that his field is more in animation and that the crew for John Carter is so huge, had a very daunting task and does so bravely, though with the odd understandable occasion where he seemed out of sorts with the live actors. While the story may not be the greatest, John Carter shouldn't be taken too seriously, it was intended to be harmless family fun and is so and it has an earnest, old-fashioned approach that works and in keeping with the source material. The performances are not bad at all, Taylor Kitsch does start off for a while ill at ease and over-serious but once he relaxes he does make for a likable hero. Lynn Collins is both feisty and human, and the supporting cast all make an effort to make much of little with Willem Dafoe, Mark Strong(in a role that suits him to a tee) and Ciaron Hinds being the most successful. In conclusion, not flawless by any stretch of the imagination but far from a disaster either. 7/10 Bethany Cox