Review of Carrie

A horror melodrama that mixes the Gothic and supernatural films of the mid-teens 70 years, adapted from one of the most interesting books from Stephen King. The film focuses not only on terror in which Carrie, after a collapse takes revenge on all her colleague that have nailed a nasty piece, but in the hostility and evil in this world of teenagers and faith unhealthy and hostile toward her mother who smothers where the viewer has contact with the mentality of the city closed on the first scene where Carrie is nearly abolished after being shocked by their first menstruation. All this oppression and suffering difficulty that Carrie takes the form of telekinetic powers in a remarkable scene at the prom, where the girl's fantasies turn into an uncontrolled mass murder. Sissy Spacek is perfect and worthy of her Oscar nomination for her performance. She perfectly knew how to use the face and body and twists it in order to create a special effect to live unbearable expressions of her experiences, as well as the change of a little girl to a shy and repressed queen deadly. Piper Laurie also works wonderfully as a mother frantically religious, obsessed and poor. Besides the whole movie being good, me, as many others, identified with the tension that the character suffers every day in school with nasty colleagues. I almost always cry and get emotional when choosing the prom queen, and I defend and celebrate Carrie's revenge.