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Review of Not Correct Album

The Foo Fighters will never make a wrong move? For years, they are moving ever higher the bar of coolness, that embody the idea of โ€‹โ€‹being contemporary rock 'n' roll. Dave Grohl is one that continues to play with a broken leg, who invents a throne of guitars to continue the tour even with the leg in a cast, one that responds immediately to a group of fans who showed a video to get him to play in a city of the province - and then it keeps the promise and organize a full-scale concert in a place outside the channels of live music. The only shadow was the cancellation of the post-concert on November 13, also completely understandable after the events in Paris (but some Italian fans have complained that the decision to cancel the date of Turin came only in mid-afternoon, a few hours before the concert, while many were already on).

Here, this EP is yet another smart move of a long winning streak. A sequence dwarfing even the 15 victories in a row in which the Golden State Warriors started the NBA season (records of all time).
After the massacre of the Bataclan, this EP has a completely different taste, explains Dave Grohl, in the letter accompanying it. Announced with a countdown, it would still have to go out today, the day after the feast of St. Cecilia (November 22), the patron of music and musicians. Engraved in Austin, in a hotel that is called just "Saint Cecilia", the EP contains 20 minutes slow music-style Foo Fighters, from rock, hard, ballad - 5 songs straighter than "Sonic highway ": recorded music on the fly, ready and on.

It was a way to thank fans. E 'became a way to riaffarmare the power of music in difficult times. Here is the EP, song by song


Saint Cecilia
Electric guitar and voice, then the song opens in style Foo Fighters: "Bring me some healing, Saint Cecilia, carry me on to your house of broken bones." Words written months ago, but now talk about the healing power of music. And 'far the best song of the EP, destined to become a minor classic of the repertoire of the band.

Sean
He gets up the pace: the song straight part, guitar and drums - and remains so for the two minutes that lasts. Pure power-rock old-fashioned, almost reminiscent of an old passion Grohl, the Husker Du, with that union of charge and melody. But we have lost count of how many songs by the Foo Fighters, cite the band Bob Mould ...

Savior Breath
The rhythms are raised even more: a riff granite, now supported by a short guitar solo, before the voice of Grohl, very much back in the mix and shouted: "Save your breath, 'cause it's mine", screams - a pun on the title - but certainly Grohl not save your breath. Here the reference is to the world of hard rock, one of the passions of historical Grohl. Almost a fun, as they carved many Foo Fighters.

Iron Rooster
It slows to a ballad that Iniza with acoustic guitar, and then opens on the chorus. Grohl's voice is again in the foreground, while the central part is a guitar solo and almost psychedelic '60s, which could come out of a disk of Jonathan Wilson. Superb piece.

The Neverending Sigh
The song that recalls the atmospheres "Sonic HIGWAYS" guitars that cross, tempo changes. Almost five minutes - is the longest song and complex of an EP that has so far staked everything on arriving straight in the face.
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Added by Time Bomb
8 years ago on 11 January 2016 17:43

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