LoginYour Favorite Review That You've Posted
Emily J.
11 years, 1 month ago at Apr 11 23:47 - For those who have made reviews to the movies that they've watched, posy any movie review that you are the most proud of. Here's mine:
www.listal.com/viewentry/4184532
www.listal.com/viewentry/4184532
xxixii
11 years ago at Apr 13 6:11 - I like my review where I slam David Lynch's Mulholland Drive, I have yet to find anyone that can defend that movie logically - they normally just say Lynch is an artist and the people that dont understand the film are stupid
www.listal.com/list/120-days-of-horror
I wish I were a better writer but sometimes I read well written reviews and I am at a loss if the film is worth seeing or not - normally with my reviews you can tell if I like the film within about 10 seconds
PS The Godfather to me is just an old fat Marlon Brando mumbling
www.listal.com/list/120-days-of-horror
I wish I were a better writer but sometimes I read well written reviews and I am at a loss if the film is worth seeing or not - normally with my reviews you can tell if I like the film within about 10 seconds
PS The Godfather to me is just an old fat Marlon Brando mumbling
Deleted user
Deleted
11 years ago at Apr 13 19:25 - www.listal.com/viewentry/2347111
I hold strong in my belief that Tarintino is everything that's wrong with modern American cinema. Having formerly been a fan of his film's, I can say that, though people may apply the same rote jargon to his body of work, the only appeal found in his film's is the gross overusage of swearing, violence, and cheap pop culture. There really was a cathartic thrill in crafting this total debasement of his work
As for the seemingly inexplicable remark on "The Godfather" above, I'll chip in and say I also lack in the enthusiasm the film is generally met with. It's beautifully filmed, but far too slow and self important. I'd take "The Conversation" any day
I hold strong in my belief that Tarintino is everything that's wrong with modern American cinema. Having formerly been a fan of his film's, I can say that, though people may apply the same rote jargon to his body of work, the only appeal found in his film's is the gross overusage of swearing, violence, and cheap pop culture. There really was a cathartic thrill in crafting this total debasement of his work
As for the seemingly inexplicable remark on "The Godfather" above, I'll chip in and say I also lack in the enthusiasm the film is generally met with. It's beautifully filmed, but far too slow and self important. I'd take "The Conversation" any day