Description:
What is left to be said, musically, about a work that features on around a hundred recordings in the current UK catalogue alone? In explaining that he has not been "seduced" by the "authentic" movement, Kennedy notes, "In my opinion, if a piece of music belongs only to the time in which it was written, it should not be played today". Thus his approach draws on the entire tradition of violin playing: "Once I've established an instinctive relationship with the music, I need to use every technique I know to communicate that to the listener". Communicate Nigel Kennedy certainly does, bring
What is left to be said, musically, about a work that features on around a hundred recordings in the current UK catalogue alone? In explaining that he has not been "seduced" by the "authentic" movement, Kennedy notes, "In my opinion, if a piece of music belongs only to the time in which it was written, it should not be played today". Thus his approach draws on the entire tradition of violin playing: "Once I've established an instinctive relationship with the music, I need to use every technique I know to communicate that to the listener". Communicate Nigel Kennedy certainly does, bringing a fresh eye to a work over-familiarity has consigned to background music. His "Adagio Molto" from Concerto No. 3 opens with an extraordinary spectral bowing effect, while the following "Allegro" has a zestful percussive snap. His tempos are faster, his rhythms more accentuated and dynamic, his playing more vigorous and involved than we are used to. The effect is startling and exhilarating, making this a Four Seasons to be listened to. Putting the solo instrument once more to the fore, Nigel Kennedy has done us a great service, reminding us that these truly are fine concertos, bringing this vibrant music once more to our attention. --Gary S. Dalkin
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Manufacturer: EMI Classics
Release date: 8 May 1997
Number of discs: 1
EAN: 0724355625328 UPC: 724355625328
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