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A Matter of Life and Death review

Posted : 2 years, 10 months ago on 26 June 2021 06:28

This one really holds up. Outstanding performances throughout matched with some mind-blowing special effects (especially considering the time)
Some powerful messages about love and our place in the universe.


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A Matter of Life and Death review

Posted : 2 years, 10 months ago on 20 June 2021 08:55

(OK) Thanks criterion fot the technicolor wonderful copy. Tha fantastic set designs are as touching and (i)realistic than the terrenal ones. The gaze come from heaven being so human. The romance begins in a radio call, but what a call; a man in flames coming to earth and a sensitive operator....


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A Matter of Life and Death

Posted : 4 years, 5 months ago on 25 November 2019 05:18

Much like James Stewart got a glimpse of the spiritual world in It’s a Wonderful Life and chose to remain in the corporeal, so too does David Niven’s RAF pilot opt to stay with the living. Of course, A Matter of Life and Death argues for the healing and redemptive power of love and mankind’s brotherhood, but there’s something trickier, even thornier, about how it goes about arguing these facts. While the dividing line between the afterlife and the living was easier to navigate in It’s a Wonderful Life, A Matter of Life and Death gives ample room for interpreting the afterlife as Niven’s imagination run wild.

 

After completely a successful air raid, Niven’s plane is struck, and his parachute is no good. He manages to contact American radio operator June (Kim Hunter), and spends what are clearly framed as his final moments speaking with her. His stiff upper lip in the face of demise pulls at your emotions, and June becomes our proxy for this. Except, Niven’s pilot manages to escape certain doom and washes ashore the next day with zero clue as to how he was spared.

 

Cut to heaven, a black and white bureaucratic netherworld of clean Art Deco design, where one of his compatriots argues that there’s been a mistaken and someone is missing. Heaven sends an emissary, Marius Goring essentially playing Maurice Chevalier, to investigate what exactly happened. Only Niven can see Goring and his ability to stop time/space around him, which lands Niven a series of tests for psychological issues or potential brain lesions.

 

Does this sound like abstract and high-concept stuff? Welcome to the cinematic world of the Archers, Michael Powell and Emeric Pressburger. Powell and Pressburger wrote, produced, and directed their films with an overpowering aestheticism that treated the cinema as a wonderland. They created a series of films that treated the cinema as an exercise in not just aesthetics, but esoteric moods and deep sensuality. Theirs was a cinema for people who wanted to overdose on the power of the movies.

 

This is all to say that they manage to make something so deeply strange and turn it into a deeply involving emotional journey. Niven’s trial, basically his ability to stay on earth or go back to heaven, is both an argument for the power of love and a cinematic extension of the special relationship between England and the United States in the immediate aftermath of WWII. Yes, this was intended as a morale booster for a country suffering from deep psychological scars in the aftermath of one of the bloodiest wars in history.

 

If the Archers wound up being enthusiastically optimistic, then who could blame them? England was still cleaning up the rubble of the blitz. They deserved a little poetry to help them heal, and A Matter of Life and Death is indeed cinematic poetry.



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A classic

Posted : 5 years, 2 months ago on 22 February 2019 09:13

Since this movie has a really good reputation, I was quite eager to check it out. First of all, I have to confess that I was actually really tired even before I started to watch the damned thing and I actually struggled not to fall asleep through most of the duration. It’s too bad because it was actually pretty good, in fact, it was easily one of the best movies I have seen so far directed by Michael Powell and Emeric Pressburger and I guess I should check it again at some point in the future. Anyway, it was probably their most ambitious and most surreal picture, some kind of surreal romantic take on the PTSD syndrom. That was probably the most interesting thing about this flick the fact you can watch it as something quite literal but also as something quite metaphorical but, on both levels, it actually worked fine. Furthermore, it was visually really striking and they definitely went all the way to deliver something really original, especially for the time period. Eventually, the only critic I might have was that since the concept was pretty far-out, the characters were barely developed but maybe that’s what the material needed. Anyway, the cast involved still delivered some solid performances. To conclude, it turned out to be a really original feature and it is definitely worth a look, especially if you like the genre. 



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A Matter of Life and Death review

Posted : 11 years, 12 months ago on 13 May 2012 01:22



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A Matter of Life and Death review

Posted : 15 years, 11 months ago on 25 May 2008 07:20

A really clever plot, and a beautiful film in general. I don't want to give a synopsis; its so clever, I think it would be too much of a spoiler. This romance/war film is timeless and should be viewed by everyone, no exceptions.

For the time the cinematography and set designs were epic, despite being an 'old' film it is in no way dated or cheesy. A classic, and an underrated one at that note! Better than many of the cinema canon that people chirp on about. Over looked and brilliant.9/10


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