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A good movie

Posted : 3 years, 10 months ago on 16 July 2020 09:17

Since I kept hearing some pretty good things about this movie, I was quite eager to check it out. Well, after watching the rather abysmal ‘Spenser Confidential’ and ‘Mile 22’, it was rather satisfying to see that, at some point, Peter Berg and Mark Wahlberg actually knew what they were doing. Indeed, at the time, their gimmick was to tell together some real-life stories (see also 'Deepwater Horizon' and 'Lone Survivor') and I have to admit that, each time, they really nailed it. In this case, I was actually rather impressed by the beginning scenes. Indeed, Berg gave each set of characters just a few minutes each but he still managed to properly introduce them in a very organic and believable way. To be honest, I was rather surprised that Wahlberg was actually the only one playing a fictional character but it did explain how this cop was pretty much always around at the most crucial moments. At least, he didn't end up playing one of these super-cops solving the whole case by himself, in fact, Wahlberg was actually quite vulnerable in a few scenes and, in the process, he probably gave here one of his best performances. Concerning the story itself, even though I was aware of this tragedy, I didn't really know how it really went down in details and, once again, I was fairly impressed by the approach chosen by Peter Berg. Indeed, it seems that they went really into details to reproduce these events so, at times, it did have a nice documentary feeling, but there were also some really tensed moments so, the end-result was a highly realistic thriller which was quite spellbinding to behold. To be honest, even if I understand why they did add a supplement at the end of the movie where interviews with real life people were shown, it did feel overly patriotic and, somehow, it turned these tragic events into some kind of PR operation for the city of Boston in particular and for the USA in general. Anyway, to conclude, even if it was maybe not a masterpiece, it was still a very well made thriller based on actual events and it is definitely worth a look, especially if you like the genre.



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A thrilling, edifying nail-biter

Posted : 6 years, 9 months ago on 30 July 2017 05:20

Patriots Day sees director Peter Berg imprint his distinctive, realistic aesthetic onto the true-life story of the 2013 Boston Marathon bombings and the subsequent manhunt for the perpetrators. Berg's second based-on-a-true-story feature of 2016 (after Deepwater Horizon), the picture is a perfect fit for the filmmaker's idiosyncrasies, allowing him to orchestrate a powerful drama with harrowing images of violence, buoyed by strong performances from a top-flight cast. The sheer power of Patriots Day cannot be understated; it's suspenseful, focused, and remarkably constructed, not to mention respectful to both the event and the people involved, rendering it Berg's best filmmaking endeavour to date. Much like Deepwater, Patriots Day unfortunately failed to gain much traction at the box office, pulling in a mere $50 million worldwide against its modest $45 million budget. Still, we should be thankful that this important motion picture exists.




Returning to active duty after a period of suspension, troubled cop Tommy Saunders (Mark Wahlberg) is dealing with an injured knee and a damaged reputation when he's assigned security duty at the finish line of the Boston Marathon on Patriots Day, 2013. When the marathon is rounding down on the day, two bombs are detonated in the crowd, killing three and critically injuring many others, sending the event into utter chaos. Among the injured are young couple Jessica Kensky (Rachel Brosnahan) and Patrick Downes (Christopher O'Shea), who are taken to separate hospitals and left to hope that they will survive and reunite. FBI Agent Richard DesLauriers (Kevin Bacon) swiftly sets up a Boston-based command centre to investigate the bombings, collaborating with Boston Police Commissioner Ed Davis (John Goodman) as the specialist team comb through evidence and CCTV footage, hoping to catch the perpetrators before they are able to execute another attack. The bombings were carried out by terrorist Tamerlan Tsarnaev (Themo Melikidze) and his timid younger brother Dzhokhar (Alex Wolff), who feel the pressure mounting as the manhunt intensifies and their images are released by law enforcement officials.

As perhaps to be expected, a certain amount of controversy greeted Patriots Day upon release, with conspiracy nuts claiming that the marathon bombings were a hoax, that the bombers were just patsies, and that the movie is inaccurate. But conspiracy theorists can (and will) argue all day about what they believe to be true - what matters is the movie itself, and it appears to be a very accurate account of the officially-reported events, only taking dramatic license when necessary to enhance the drama. (After all, Paul Greengrass' United 93 is still a masterpiece, even if 9/11 was an inside job.) The only patent inaccuracy is Wahlberg's Tommy Saunders, a fictional composite character who happens to be present at basically every major event that transpires. Giving the story a "hero" may seem unnecessary, but Saunders functions as our entry point into the narrative to make it feel more dramatically cohesive, lest the movie feel like a disjointed docudrama. It may strain credulity that Saunders shows up everywhere and has significant bearing on the investigation, but if you can accept this conceit, Patriots Day is a chilling account of a harrowing modern terrorist attack.




The screenplay (credited to Berg, Matt Cook and Joshua Zetumer) reportedly reconciles two different Boston Marathon bombing projects, in order to split its focus between the victims affected by the terror attack and the authorities involved in the manhunt. Patriots Day is a full meal, exploring the lead-up to the marathon and showing the general reaction after the bombings, with many Americans taking it personally. Berg also provides a snapshot of the other side, delving into the strange relationship between the two perpetrators, on top of showing Dzhokhar's stoner college roommates choosing to protect their pal after recognising him in the photos released to the media. Wisely, the film doesn't pretend to know the brothers' motivation for the bombing - Tamerlan is seen watching terrorist propaganda videos online, and religious rewards are briefly discussed, but no definitive answers are presented.


Berg's matter-of-fact directorial approach fits the material like a glove. There's no flag-waving or any insufferable jingoism here, but rather a compelling story that's told straight-up, backed by terrific technical specs from top to bottom. The recreation of the marathon bombings is downright unnerving, showing both the terror and confusion of the immediate aftermath. Berg also crafts a few other nerve-jangling set-pieces, including the carjacking of Chinese immigrant Dun Meng (Jimmy O. Yang) that will leave you clutching your armrests. Equally effective is a major shootout on the residential streets of Watertown between the bombers and the police, showing once again that Berg has a real talent for nail-biting action sequences. Berg doesn't balk at showing the stomach-churning consequences of explosives and bullets, earning the movie's R rating, but he also exhibits sufficient tact to prevent the movie from feeling like violence porn. Editors Colby Parker Jr. and Gabriel Fleming seamlessly splice archival footage throughout certain sequences to heighten the sense of verisimilitude, and the movie is further topped off with a poignant, pulsing original score by Trent Reznor and Atticus Ross (The Social Network). There are even welcome moments of levity throughout, which miraculously don't come across as cheap.




Luckily, performances are impressive from top to bottom, enhancing the story's power. Boston native Wahlberg nails it as Saunders, carving out a central character who does his best in every situation, but is not exactly a stereotypical hero. Saunders is fallible and vulnerable, nursing his debilitating knee injury, and even having a breakdown when he comes home to his wife, played superbly by Michelle Monaghan. Wahlberg never sets a foot wrong or seems contrived, and it helps that he genuinely hails from Boston. In supporting roles, both Goodman and Bacon are at the top of their game, and it's riveting to watch them work. Also worth mentioning is J.K. Simmons in a small but critical role as Watertown's police sergeant. Simmons acquits himself admirably, coming across as effortlessly real in every scene. Melissa Benoist, perhaps best known for playing the titular role on TV's Supergirl, even contributes a memorable supporting performance as Tamerlan's wife Katherine. To her credit, she's borderline unrecognisable.

Patriots Day is a welcome, edifying chronicle of a horrifying contemporary event, packing in enough of the salient facts whilst always remaining both interesting and gripping. In his previous motion pictures, Berg has celebrated masculinity to a certain extent, but Patriots Day is more a study of fragility and innocence - after all, the people who were killed and injured in the marathon bombings were innocent civilians who only wanted a fun time. Like Lone Survivor, the movie ends with further explication as well as images of the real people involved. It's a touching way to close the door, underscoring that despite the horror of the event, people stood strong together and humanity can be amazing. If Berg continues to make movies like this, I'll always be there to watch them.

8.9/10



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Patriots Day review

Posted : 7 years, 3 months ago on 18 January 2017 10:38

Notes:
*I'm not sure what to really think before watching this.
*The only trailer I saw didn't show a lot to go on.
*I feel it's a tad soon, but then again these days it doesn't seem to take long for them to create films of tragedies and such.
*I have enjoyed all of Peter Berg's work with The Rundown, The Kingdom, and Lone Survivor.
*Matt Cook also wrote Triple 9 which I felt was just good.
*Joshua Zetumer also wrote the Robocop remake that wasn't that bad.
*Paul Tamasy was involved with the Air Bud series and The Fighter. What a strange combo.
*Eric Johnson also wrote The Fighter as well as The Finest Hours (Which I still need to see).
*So let's see if this is worth the watch.

Pros:
*The acting is pretty excellent.
*You really care about who these people were.
*I thought the way they ended the movie was a good idea.
*While it can be a bit graphic it doesn't seem like glorification.

Cons:
*It's a bit heavy on the graphic images which I feel is a tad too much for this.
*It feels a bit too long at times.

Verdict:
It's not really an easy watch if you ask me. When things are shown it gets pretty brutal. I'm really not sure if it was a good idea to have it be so graphic in parts. It's the kind of thing that isn't like a horror movie. You know these things happened. It's a really well done movie though. I wouldn't recommend it for people who can't handle grisly imagery however. If you can I would definitely say to check this one out.


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