It's a Wonderful Life (1947) Reviews

What does it take to make an immortal film?
Every time I get a chance to watch an old classic I feel compelled to search for an answer to this question. Honestly what it takes to make your work so timelessly beautiful that even after 60 years people would adore the work. I don't know the answer perhaps those were the golden days of storytelling. There are so many great stories told in the 40s and 50s era which still looks so relevant and beautiful. Never the less, as a lover of good cinema I am happy with so many pearls at my disposal.

It’s a wonderful Life even after 66 years of its release time still looks so breathtakingly beautiful. It being considered as one of the most inspirational American cinema does not conceal the fact that it bombed at box office in 1946 largely due to the high production cost and perhaps due the theme but still it is a classic in true sense because of an incredibly moving story and some spectacular acting.



The story looks at the life of George Bailey (James Stewart) confined in the mediocre life in Bedford Falls. He wants to travel the world and aspires to become an architect creating beautiful structures instead as his fate turns out he is struck with the old building and loan, a lending firm formed by his idealistic father. He also finds an enemy in Mr. Henry F. Potter (Lionel Barrymore), a slumlord who wants to take over everything in the city. Bailey the kind hearted city boy is the only one who can stop Potter through his compassionate heart and his father’s legacy – the Building & Loan.

The story takes us through an emotional ride through the entire life of George Bailey till we reach the D day on a Christmas Eve when Bailey almost loses it. Then enters his Guardian Angel Clarence Odbody (Henry Travers), Angel Second Class who intervenes his suicide attempt and shows him how his life connects that of so many people around him and wins him his life in the end while earning his own wings.

The story is very lively and moving and the direction by Frank Capra is very competent. He never interrupts the narrative and the screenplay remains free flowing through out. The humour is very subtle and real funny and there are certain heart worming scenes that truly touched my heart. The fact that I watched the colourised version adds brownie points ( Though the Critics hated it), the film looks spectacular on screen. The film also has a formidable star cast. The legendary James Stewart as George Bailey is energetic as usual and steals the show. Donna Reid as Mary Hatch Bailey, Bailey’s wife looks out of the world. She looked one of the best on screen ever. The supporting cast also looks brilliant. All in all what a movie experience it has been. I have watched it thrice so far and still it looks so fresh.
I am going with 10 out of 10 for this all time classic; I just love this one so much that this is in my list of all time favourites

A Christmastime staple, Frank Capra's It's a Wonderful Life is a rare film which has withstood the test of time and continues to touch millions of people through its themes, boundless appeal, and emotional power. Admittedly, compared to Miracle on 34th Street or National Lampoon's Christmas Vacation, It's a Wonderful Life is not exactly a Christmas film in the classical sense - after all, only the finale occurs on Christmas Eve, and the story has nothing to do with Santa Claus. Nevertheless, this film encapsulates the true spirit of the holiday: the value of family and friends, and the importance of giving rather than receiving. Furthermore, It's a Wonderful Life can be watched at any time of the year because of its feel-good themes as well as its potent message about the significance of a single human soul.

The story commences on Christmas Eve, with a chorus line of prayers originating from the small town of Bedford Falls pleading for the angels to aid the despairing George Bailey (James Stewart). The unsung hero of Bedford Falls, George aspired to travel the world and study at University, but was forced to relinquish his dreams to manage his late father's business to make sure it won't fall into the hands of wealthy schemer Mr Potter (Lionel Barrymore). George always acts in the interests of others, and in his adult life, he marries the beautiful Mary (Donna Reed) with whom he has four beautiful children. However, financial problems and personal issues suddenly mount, overwhelming George and plunging him into a tragic abyss of despair. Enter George's guardian angel Clarence (Henry Travers), who arrives from Heaven to heighten the depressed man's spirits. To achieve this end, Clarence shows George a vision of a world in which he never existed.

Flashbacks constitute the first two-thirds of It's a Wonderful Life, with Clarence learning about George's background and observing the events leading up to his suicide contemplation. Such a device is a structural masterstroke, as it allows viewers to see George's past alongside Clarence. Additionally, the script meticulously develops George's character while the knowledge of his depression sits at the back of our minds. Conveying an entire movie's worth of material, Capra accommodates the full breadth of George's life, treating it with the care it deserves. We become immersed in George's existence, and we fall in love with the man; it seems impossible that anything could threaten to destroy his life, or he could lose his temper. This brand of gentle, enthralling character development is gratifying and essential, letting us see what's at stake when Clarence at long last descends to earth to meet George. And since we grow to love George so much, the climax is all the more poignant (almost unbearably so).

It's a Wonderful Life is such an effective feel-good movie because it asserts the notion that everyone, regardless of how insignificant they may seem, can make a difference. The angels describe life as "God's greatest gift", and Capra delivers the message that worldly riches mean nothing compared to love, family, friends, honesty and integrity. This all culminates with a goosebump-inducing finale, which never fails to leave this reviewer a blubbering mess. Indeed, anybody who is not moved by the flick's final few minutes should wonder what is wrong with them. Additionally, It's a Wonderful Life is so often referred to as cheesy and sentimental, but it's also surprisingly dark at times. The lead-up to George's depression is heart-wrenching in its bleakness, and George's lurid odyssey through Pottersville - a community in which he was never born - contains traces of film noir, as it's realistically gloomy.

Capra makes the most of the estimated $3 million budget; It's a Wonderful Life is a technically impressive motion picture from top to bottom. The fictional town of Bedford Falls seems authentic, as the crew actually constructed an elaborate main street consisting of numerous buildings and stores; consequently, it feels like a lived-in town as opposed to a studio back-lot. Additionally, filming took place during summer months, necessitating the creation of artificial snow. Fake snow often fails to convince, but every flake of snow in It's a Wonderful Life looks genuine. Admittedly, there are a few technical issues, such as wide shots not precisely matching close-ups, or a shonky transition as Clarence disappears during a scuffle, but such shortcomings scarcely matter. Capra's pacing is magnificent, while the black & white, 35mm photography (courtesy of three credited cinematographers) bursts with visual flair. And although the film is vehemently a drama, gentle humour livens the proceedings from time to time, making the viewing experience even more delightful.

While Capra and his co-writers (Frances Goodrich and Albert Hackett) deserve some of the recognition for It's a Wonderful Life's brilliance, Stewart's immaculate performance truly makes the film work. Stewart portrays George Bailey with a deft mixture of innocence and integrity, not to mention humanity and fallibility, which ensures viewers will root for him from the outset. Stewart fits the role like a glove - he's amiable and convincing, and his desperation and despair is increasingly apparent when he's submerged into the vision of Pottersville. Equally striking is Reed as George's wife, Mary. Reed was not Capra's first choice, but it's hard to imagine anyone else in the role, as she embodies the sweetness required to convincingly capture George's heart. Meanwhile, as George's guardian angel, Travers is utterly charming. The rest of the supporting cast is just as impressive - Barrymore emanates cunning and malice as the wicked Potter, while Thomas Mitchell makes for an endearing (albeit incompetent) Uncle Billy. Capra never allows a faulty acting moment to sneak into his masterpiece.

With It's a Wonderful Life's strong reputation and almost unanimous acclaim, it's difficult to believe that it was not a hit during its theatrical release. In addition to mixed reviews, the box office earnings were underwhelming, which doomed Capra's newly established production company, Liberty Films. It earned a few Academy Award nominations, but won nothing at the ceremony. Subsequently, It's a Wonderful Life fell into relative obscurity until the picture's copyright expired and it entered the public domain, meaning that television stations could play it ad nauseam without the need to pay royalties. Thus, it was used as a TV time-filler during the Christmas season, resulting in its rediscovery by a whole new generation. At last, decades later, the reviews were uniformly positive, and It's a Wonderful Life received the love and acclaim it always deserved. If It's a Wonderful Life was never created, the world would have been worse off for it.