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Added by Severin Severin on 7 Dec 2012 01:36
17724 Views 6 Comments

Akira Kurosawa: From Art to Film

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People who added this item 510 Average listal rating (259 ratings) 7.8 IMDB Rating 7.8

People who added this item 484 Average listal rating (280 ratings) 8 IMDB Rating 8
Kagemusha (1980)

Severin Severin's rating:
People who added this item 119 Average listal rating (50 ratings) 7.8 IMDB Rating 7.3
Mâdadayo (1993)

People who added this item 1034 Average listal rating (557 ratings) 8.3 IMDB Rating 8.2
Ran (1985)

Severin Severin's rating:
People who added this item 154 Average listal rating (102 ratings) 6.9 IMDB Rating 7.2

The painted storyboards of the great master~

"I intended to be a painter before I became involved in film. A curious turn of events, however, brought me to cinema, where I began my present career. When I changed careers, I burnt all the pictures that I had painted up until then. I intended to forget painting once and for all. As a well-known Japanese proverb says, “If you chase two rabbits, you may not catch even one.” I did no art work at all once I began to work in cinema. But since becoming a film director, I have found that drawing rough sketches was often a useful means of explaining ideas to my staff.

There were difficulties from the start with budget negotiations for Kagemusha. For a while it seemed that this work would never see the light of day. Exasperated, because I wanted people all over to the world to understand what ideas I had for the film, I began to draw almost daily, turning these images into “still pictures.” I completed several hundred pictures at the time.

The same thing happened with Ran. A long time passed before production got under way. As I had done earlier, I used this time to draw pictures illustrating the images I had for the film. This book contains those works. Are they worthy of being called art? My purpose was not to paint well. I made free use of various materials that happened to be at hand. At best, they are remnants left from making the films. My experience with Kagemusha, however, did teach me that drawings can be extremely useful in filmmaking, as a way of giving concrete expression to my ideas for the movie, which is why I redoubled my efforts with the drawings for Ran.

When I was young and still an art student, I used to dream of publishing a collection of my paintings or having an exhibition in Paris. These dreams were unexpectedly realized with the publication of my pictures for Kagemusha. Life is strange indeed. Now the drawings for Ran have been made into a collection. Inquiries about exhibitions are coming in from all over the world. It all seems like a dream.

I cannot help but be fascinated by the fact that when I tried to paint well, I could only produce mediocre pictures. But when I concentrated on delineating the ideas for my films, I unconsciously produced works that people find interesting."

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list by Nusch
Published 6 years, 9 months ago 1 comment

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