Howard Keel

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Birth Name: Harry Clifford Keel

Born: 13 April 1919 Died: 7 November 2004

Country of origin: United States

Height: 6' 3"

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Men with Weapons (updated - 18th April 2016) (325 items)
list by Rachel

Published 15 years, 3 months ago

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The Golden Age of Hollywood (260 items)
list by Moon River

Published 11 years, 5 months ago

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Gone, but not forgotten (123 items)
list by Rachel

Published 15 years, 4 months ago

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British Comedy: The Wheeltappers and Shunters... (209 items)
list by Onion Jack

Published 9 years, 1 month ago

1 comment

13 votes

Legendary Stars That We Lost In 2004 (15 items)
list by Dark Warrior

Published 10 years ago

1 comment

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Description: Howard Keel was the Errol Flynn and Clark Gable of "golden age" movie musicals back in the 1950s. With a barrel-chested swagger and cocky, confident air, the 6'4" brawny baritone Keel had MGM's loveliest songbirds swooning helplessly for over a decade in what were some of the finest musical films ever produced. Born Harry (or Harold) Clifford Keel in Gillespie, Illinois, in 1919 to Homer Charles Keel and Grace (Osterkamp) Keel, and the brother of Frederick William Keel, his childhood was unhappy, his father being a hard-drinking coal miner and his mother a stern, repressed Methodist homemaker. When Keel was 11 Howard Keel was the Errol Flynn and Clark Gable of "golden age" movie musicals back in the 1950s. With a barrel-chested swagger and cocky, confident air, the 6'4" brawny baritone Keel had MGM's loveliest songbirds swooning helplessly for over a decade in what were some of the finest musical films ever produced.

Born Harry (or Harold) Clifford Keel in Gillespie, Illinois, in 1919 to Homer Charles Keel and Grace (Osterkamp) Keel, and the brother of Frederick William Keel, his childhood was unhappy, his father being a hard-drinking coal miner and his mother a stern, repressed Methodist homemaker. When Keel was 11 his father died, and the family moved to California. He later earned his living as a car mechanic, then found work during WWII at Douglas Aircraft in Los Angeles. His naturally untrained voice was discovered by the staff of his aircraft company and soon he was performing at various entertainments for the company's clients. He was inspired to sing professionally one day while attending a Hollywood Bowl concert, and quickly advanced through the musical ranks from singing waiter to music festival contest winner to guest recitalist.

Oscar Hammerstein II "discovered" Keel in 1946 during John Raitt's understudy auditions for the role of Billy Bigelow in Broadway's popular musical "Carousel." He was cast on sight and the die was cast. Keel managed to understudy Alfred Drake as Curly in "Oklahoma!" as well, and in 1947 took over the rustic lead in the London production, earning great success. British audiences took to the charismatic singer and he remained there as a concertist while making a non-singing film debut in the British crime drama The Hideout (1948) (aka "Hideout"). MGM was looking for an answer to Warner Bros.' Gordon MacRae when they came upon Keel in England. They made a great pitch for him and he returned to the US, changing his stage moniker to Howard Keel. He became a star with his very first role, playing sharpshooter Frank Butler opposite brassy Betty Hutton's Annie Oakley in the film version of the Broadway musical Annie Get Your Gun (1950). From then on Keel was showcased in several of MGM's biggest extravaganzas, with Show Boat (1951), Calamity Jane (1953), Kiss Me Kate (1953) and (reportedly his favorite) Seven Brides for Seven Brothers (1954) at the top of the list. Kismet (1955) opposite Ann Blyth would be his last, as the passion for movie musicals ran its course.

Keel managed to move into rugged (if routine) action fare, appearing in such 1960s films as Armored Command (1961), Waco (1966), Red Tomahawk (1967) and The War Wagon (1967), the last one starring John Wayne and featuring Keel as a wisecracking Indian, of all things. In the 1970s Keel kept his singing voice alive by returning full force to his musical roots. Some of his summer stock and touring productions, which included "Camelot," "South Pacific", "Seven Brides for Seven Brothers", "Man of La Mancha", and "Show Boat", often reunited him with his former MGM leading ladies, including Kathryn Grayson and Jane Powell. He also worked up a Las Vegas nightclub act with Grayson in the 1970s.

Keel became an unexpected TV household name when he replaced Jim Davis as the upstanding family patriarch of the nighttime soap drama Dallas (1978) after Davis' untimely death. As Clayton Farlow, Miss Ellie's second husband, he enjoyed a decade of steady work. In later years he continued to appear in concerts. As a result of this renewed fame on TV, Keel landed his first solo recording contract with "And I Love You So" in 1983. Married three times, he died in 2004 of colon cancer, survived immediately by his third wife, three daughters and one son. ... (more)

Tags: American (2), Died 2004 (2), Born 1919 (2), Cancer (1), Male (1), Actor (1), Deceased (1), Colon Cancer (1), Died Aged 85 (1), Died 2004 (1), Born 1919 (1)

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British Comedy: The Wheeltappers and Shunters... (209 tv items)

" HOWARD KEEL1 episode (1975) in... Series 3, Episode 7 (1975) "

Dark Warrior added this to a list 10 years ago

Legendary Stars That We Lost In 2004 (15 person items)

" American Actor April 13 1919 - November 7 2004 Notable Films And T.V. Series He Played In : Annie Get Your Gun (1950) with Betty Hutton Show Boat (1951) with Ava Gardner Calamity Jane (1953) with Doris Day Seven Brides For Seven Brothers (1954) directed by Stanley Donen Kismet (1955) The War Wagon (1967) with John Wayne & Kirk Douglas Dallas T.V. Series (1981-1991) as Clayton Farlow "

Dark Warrior voted for an image 10 years ago


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