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Season One
To hear the opening beats of Jan Hammer's percussive, propulsive Miami Vice theme is to be instantly transported back to 1984. But this groundbreaking series, with its cinematic sensibility, cool clothes, and killer soundtrack is no mere blast from the past. It still rocks. This three-disc set would be worthless if it didn't. Music was an integral part of Miami Vice's hip vibe. The soundtrack propelled the stories and established the mood like no series before it. So the first thing you want to know is: Have the music rights been secured for this DVD release? In the pilot episode, does Phil Collins's "In the Air Tonight" still play ominously as vice undercover cops Crockett and Tubbs speed toward a bust? Does Eric Clapton's "Wonderful Tonight" serenade Sonny and Gina on his boat in the episode "One-Eyed Jack?" And what would the benchmark episode, "Smuggler's Blues" be without Glenn Frey's instant classic? From the Rolling Stones on a boombox to Elvis Presley singing "Rubberneckin'" on a TV, Vice's cutting-edge soundtrack has been preserved and honed in 5.1 surround sound glory. Miami Vice made stars out of Don Johnson, Philip Michael Thomas, and Edward James Olmos, who won an Emmy as the intense, taciturn Lt. Castillo (watching him bust some martial arts moves in "Golden Triangle" is like Yoda cutting lose in Attack of the Clones), but the first season also offers time-capsule glimpses of actors on the cusp of stardom, including a pre-L.A. Law Jimmy Smits in the pilot, a pre-Crime Story Dennis Farina in "One-Eyed Jack," and a pre-Moonlighting Bruce Willis in "No Exit." Miami Vice put a neon sheen on cop-show convention. Its fashion sense (pastel suits, no belt, no socks), and the brilliantly employed freeze frames are still arresting. Miami Vice was a TV watershed, and this DVD set does it full justice. --Donald Liebenson
Season Two
In its second season, Miami Vice walks that fine line between hip and cool. Hip fades, but cool is timeless. Then, as now, it doesn't get much cooler than this groundbreaking and trendsetting series' promise of a "life of adventure, exciting folks, and exotic locales," to quote one sardonic character. But the compelling stories, cinematic trappings, and lightning-in-a-bottle chemistry between costars Don Johnson and Philip Michael Thomas elevate Miami Vice from time capsule status. Likewise, the eclectic soundtrack, that would be painfully dated had it been stuck in the '80s, is a mind-blowing shuffle of genres and mainstream, alternative and world artists. "Prodigal Son," the double-length episode that opens the season, features Glenn Frey, U2, the Neville Brothers, Debbie Harry, Brian Ferry, Lou Reed, Traffic, and Phil Collins. Collins himself portrays a con man in one of the season's most entertaining episodes, "Phil the Shill." Not content to just be heard, other musicians who generally eschewed television, appeared on Miami Vice this season, adding to the series' considerable cachet. Among them: Kiss frontman Gene Simmons ("Prodigal Son"); Miles Davis ("Junk Love"); Leonard Cohen ("French Twist"); Ted Nugent ("Definitely Miami"); and Frank Zappa ("Payback"). Miami Vice instantly established itself as an oasis for character actors, many at the beginning of their careers. The second season offers early glimpses of Nathan Lane ("Buddies"), Harvey Fierstein and a pre-Seinfeld Michael Richards as a menacing heavy ("The Fix"), David Strathairn ("Out Where the Buses Don't Run"), Bob Balaban ("Back in the World"), and John Leguizamo ("Sons and Lovers," which also features the unfortunate stunt-casting of Lee Iacocca as a gun-toting parks commissioner).
Most of Miami Vice's buzz-generating episodes were in season 1, but season 2 offers several series benchmarks. Two of Johnson's finest hours are "Back in the World" (which he directed) and "Buddies," two episodes that explore Crockett's Vietnam War experience. Thomas got his chance to shine in "Prodigal Son" and "Sons and Lovers," in which Tubbs becomes a target of the vengeful Ivan Calderon. "Bushido" is an always-welcome showcase for Emmy-winner Edward James Olmos as Castillo, who helps shield an associate's Soviet wife and son from the CIA and KGB. "Out Where the Buses Don't Run" boasts an Emmy-worthy performance by guest star Bruce McGill (D-Day in Animal House) as an unhinged former vice cop. Miami Vice stylishly subverted TV cop drama convention, but despite one too many downbeat endings that freeze on a devastated Crockett, it remains exhilarating to re-visit. There are no extras on this three disc-set, but the episodes are enough to make you want to party like it's 1985. --Donald Liebenson