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After studies in sociology, Yann BEURON studied singing at the Conservatoire National Supérieur de Musique de Paris, with Anna Maria Bondi, and obtained unanimously first prize in 1996. In December 1995, he made his debut at the Opéra du Rhin as Belmonte in Die Entführung aus dem Serail, under the direction of William Christie.
The year following, he made his debut at the Palais Garnier in Paris in a new production of Rameau’s Hippolyte et Aricie. He returned to this theatre in 2004 to sing a new production of Ravel’s L’Heure Espagnole and in 2006 to sing a new production of Gluck’s Iphigénie en Tauride.
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After studies in sociology, Yann BEURON studied singing at the Conservatoire National Supérieur de Musique de Paris, with Anna Maria Bondi, and obtained unanimously first prize in 1996. In December 1995, he made his debut at the Opéra du Rhin as Belmonte in Die Entführung aus dem Serail, under the direction of William Christie.
The year following, he made his debut at the Palais Garnier in Paris in a new production of Rameau’s Hippolyte et Aricie. He returned to this theatre in 2004 to sing a new production of Ravel’s L’Heure Espagnole and in 2006 to sing a new production of Gluck’s Iphigénie en Tauride.
In subsequent years, his engagements rapidly increased: Cosi Fan Tutte (Bordeaux, Stuttgart), Idomeneo (Marseille), Don Giovanni (Lisbon), Il Barbiere di Siviglia and Mignon (Toulouse), Falstaff (Marseille, Festival d’Aix en Provence), La Cenerentola (Brussels, Lausanne), La Belle Hélène (Théâtre du Châtelet), Hamlet and L’Heure Espagnole (Royal Opera House, Covent Garden), Dialogues des Carmélites (Theater an der Wien). In 2003, Yann Beuron made his debut in the United States with the San Francisco Opera (Barbiere).
In recent seasons, Mr. Beuron returned to the Paris Opera (Yvonne, Princesse de Bourgogne) and to the Aix Festival (Idomeneo). He also made his debut at the Mozart Festwochen in Salzburg (Idomeneo), at the Teatro Real in Madrid (Iphigénie) and at the Netherlands Opera in Amsterdam (Iphigénie).
A frequent guest soloist on the concert podium, he has performed with the Orchestre du Capitole de Toulouse, the Orchestre de Bordeaux-Aquitaine, the Ensemble Orchestral de Paris, the Orchestre Philharmonique de Radio France and the Rotterdam Philharmonic.
Mr. Beuron has recorded for DGG-Archive, EMI France, Virgin Classics, Erato and Philips Classics. His recent recordings include the third part of Fauré’s complete series (for Timpani) and L’Enfance du Christ under Sylvain Cambreling (for Glor Classics).
In the upcoming season, Mr. Beuron will be performing at the Bayerische Staatsoper in Munich (Dialogues des Carmélites), at the Teatro Real in Madrid (Pelléas et Mélisande and La Clemenza di Tito) and at the Teatro Liceu in Barcelona (Pelléas et Mélisande).
2011 – 2012 SEASON
LAST UPDATED 15/09/2011
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