We are surprised by the ostentatious start opening scene in a luxurious disco to better introduce us to the excessive leisure decadent jet current dolce vita, true protagonist of the film. The aesthetic is so overloaded that moment reminds the most baroque Fellini. From there, the dissection of characters -with occasional ups and downs and narrative sequences in the somewhat uneven interest- complacent tone begins to get used to a certain kind of European cinema, more intent on looking for the easy flattery surface that in diving looking for new ideas or ways of making films.
6/10