I like the dirty imperfect director´s cut. It takes time, for Ferrara and for the espectator, to get inside Depardieu. Firts part is almost descriptive of the scandal; but then, discussing with Bisset (there´s a sort of impro in the acting and some texts), and int the final secen with the hispanic girl, yoo can have a taste pf why Devereaux is what he is. A pity, the script had to restrain form some details in order to avoid the explicit realtion with the real scandal.