Buying a ticket to see The Hobbit: The Desolation of Smaug, is essentially the same as buying a ticket to Middle-Earth. You are transported to a stunning world of dwarves, dragons, and elves, where there are beautiful forests, enchanting treasure troves, and perilous mountains. For 160 minutes, you are in an entirely different place. There are many problems with this film, but I think the trade-off is worth it, as Middle-Earth has truly never looked better.
Continuing from where An Unexpected Journey left off, The Desolation of Smaug follows Bilbo and company on their journey to the dwelling of the great dragon, Smaug. On this extended journey, they encounter orcs, skin-changers, and giant spiders (among others), all of which pose their own kinds of threats and challenges. And yet, nothing compares to the great and mighty Smaug himself.
I've already said it, but I'll say it again: Middle-Earth is gorgeous. The visuals are rarely less than stunning, and at times, they're downright jaw-dropping. Everything from the cinematography, the visual effects, and the scenery make Middle-Earth a place you never want to leave (and a good thing too, considering the nearly 3 hour run-time).
But of course, the main visual attraction here is the Smaug, the dragon. And let me tell you, he is every bit as stunning as one might expect him to be. Considerably more so, actually. When he is finally revealed in full glory, one can only sit in their seat, jaw on the floor, in absolute awe. Smaug's grand revealing is the highlight of the film. Admittedly, there are one or two sketchy looking shots in the last act, but the visuals are still fantastic. I sincerely believe that if this weren't competing with Gravity, The Desolation of Smaug would have a very good chance of winning the Oscar for Best Visual Effects.
As far as the story itself goes, yes it's very padded. So padded, in fact, that the story tends to get lost in all the fluff. Still, thanks to likable characters and great acting, The Desolation of Smaug proves an entertaining experience, despite this. That's not to say, of course, that this is 160 solid minutes of entertainment. There are many slow moments, and at times, you can really feel the run-time, but the visuals are generally enough to keep one from getting bored.
There are a large number of action scenes in this film (relatively few of these are contained in the book, but when a 300 page book is being converted into 9 hours of film, nobody truly cares). One of the highlights that occur in the first act of the film is a really fun and inventive little chase where all the dwarves are floating down a perilous river in barrels, whilst being pursued by orcs and elves.
The characters themselves are as likable as ever, and some of the dwarves have been developed a bit more this time around (though there are definitely some dwarves that are still lacking personality). The new additions are a bit of a mixed bag. Yes, there's Smaug, one of the greatest characters in this series, but we also have the arguably unnecessary Legolas (who appeared in the original Lord of the Rings trilogy), and Tauriel. Legolas is remarkably cardboard in this film, and has lost all of his personality and charm from the original trilogy. It seems he's only here to sell more tickets, kill some orcs in inventive ways, and complete the love triangle with Tauriel and Kili.
Yup, you read that right, there is a love triangle here. And while it's not as poorly done as that in, say, Hunger Games, it's still weak, and is only there as filler. Unfortunately, this love triangle seems to represent the only character traits of those involved (Tauriel, Kili, and Legolas).
Despite some flaws in this aspect of the film, The Desolation of Smaug is still a solid fantasy film. There are plenty of wow moments, and at times, there's some reasonably successful humor. If nothing else, The Desolation of Smaug isn't going to be a miserable experience for anyone.
The acting is great. Martin Freeman shines, once again, as Bilbo Baggins, and Ian McKellen is still excellent as Gandalf (though his screen-time in this film is shorter than in its predecessor). Richard Armitage is growing into the role of Thorin Oakenshield very nicely, and Benedict Cumberbatch steals the show as Smaug (just as Andy Serkis did as Gollum in An Unexpected Journey).
Many reviews have stated that Howard Shore's score for this chapter in the Lord of the Rings series is a bit lacking. And while I agree that this is Shore's weakest score for the series to date, it's still a good score. It is missing some of the memorable qualities of previous scores in the series, but the (admittedly rare) uses of the Concerning Hobbits theme and the theme for the ring is satisfying enough.
While I don't think The Desolation of Smaug is a stronger film than An Unexpected Journey, there is still enough here to suggest that fans won't be disappointed with this fifth visit to Middle-Earth. Between the acting, the visuals, and Smaug, no one is going to leave without being somewhat impressed at some point or another. There are problems to be sure (namely the awkward love triangle, and the long length), but The Desolation of Smaug is still a solid entry in the Lord of the Rings series. And also, I must add that the ending is phenomenal. Without giving anything away, let me just say that the last few shots are gorgeous and build the perfect amount of anticipation towards the final chapter, There and Back Again. Indeed, you can count me among those looking forward to the final chapter, with bittersweet excitement.
7/10
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