Login
Tell the truth : how many expected it to Elisa publish a disc entirely in Italian ? A number of you have guessed waiting for her at the gate . So , whether you are among those who simply prefer it when he sings in Italian , whether you belong to the school of the envious - because for years you feel that if you want to repeat music in Italy , you have to sing in Italian " because of Elisa there n ' is one in a million " - rejoice, for the big day has arrived. At sixteen years of onset record , he released his first work of Elisa entirely sung in our language : "The soul flies." And not beat around the bush , we tell you now that in order to stagger the capacity of authorship and singing of the nightingale gritty of Monfalcone it takes a very different test. Despite the new idiom , the eleven songs that make up the album is not in fact betray a style now familiar , conquered and consolidated over time , often made of cinematic atmospheres , in which ethereal sounds and dilated - also thanks to the arches of David Rossi, already next Coldplay , Goldfrapp and Moby - blend with the grit of an Anglo-Saxon rock . But let's get to the content : this record tells about love and relationships , facts of complexity ( " while the others swim , here you can get lost among all these waves " ) , errors ( " has escaped us all " ) and change ( " as a kind of remote control to return to where to go when " ) , narrated with a pen clean and clear , not at all hungry for easy rhymes, but eager to communicate feelings and moods. It ' nice to hear her sing the soul that " dance, when he realizes that you are there to look at her " ( "The soul flies" ) , it is intriguing to read between the lines a statement of strength : "I do not think so fragile, do not stop me before I heard the crash " ( " Cursed maze ") and is tender fill them say to his daughter ," You know iron and biscuit " ( " That's all right now . ") So mature and readable style that effortlessly distinguish the three songs that bring a completely different signatures , those of: Luciano Ligabue who wrote an emotional song for his son and preferred to entrust the voice of a mother ( " Your way " ) , Tiziano Ferro also present in a significant cameo voice ( " I discover what is happiness " ) and the inevitable Giuliano Sangiorgi ( " Behold" , the soundtrack of the new film by Giovanni Veronesi , "The last wagon wheel " ) , now one of the most popular authors . It is curious to see how , over Ligabue, Ferro also has sewn a song that deals with the theme of motherhood, not as a growing awareness of ( the theme of " In your own way "), but as a disruptive change. To make the glue to all of these songs is the voice always well-measured by Elisa and her talented interpretation, which knows how to communicate even the nuances . Feel such as trembling " A thread of silk into the abyss " and you seem to see it slide down into the depths , the stubborn search for that thread of silk , before breaking down , kept her away now united with her love ( " I do not know if I understand correctly, you do not want to come together to seek " ) .
A close collaboration is the song " Still Here" - written by Elisa music by Ennio Morricone and included in the soundtrack of Quentin Tarantino 's latest film , " Django Unchained " and here present in the final version ( used in the film was a demo ) . Delicate and enveloping, more classical matrix , as it is obvious that given the composer . Overall, let us say that this eighth album by Elisa , which she produced and arranged , runs well and have sung in Italian only did nothing to the musicality of his language . The risk was , it is clear , but the obstacle has been circumvented with elegance and talent. Then one says that Elisa there is one in a million.
